Digital Commons Network^™

Opus 2004-2005, Issue Iii, Suny Geneseo English Club

Opus

POETRY
9 Dana LePage, Dusty Wooden Panel
10 Duncan Carranza, Petty Games
13 Terasa Hahn, Sensation
17 Nicole Schwartz, Center Stage
17 Schuyler Woos, Night Terrors
18 Harrison Watkins, E is for
18 Meg Vasey, So You Grow Up
18 Beth Pinkerton, Sleep
22 Michael Chin, Good Night for a Cigarette
22 Dana Lepage, Together Descending
23 Alex Egan, I Think I'm Starting to Understand Why I Always Wear Black
30 Duncan Carranza, Typo
30 Pia Fleischmann, Homage to Night
30 Meg Vasey, it's a good romantic movie, In the bullshit kind of way
31 Jessica Allen, Stagnant
31 James …

John Mitchell: Journeyman-Poet, Edward D. Ives

Maine History

In this article folklorist Edward D. Ives traces the life and work of journeyman-poet John Mitchell, who moved from job to job in northern Maine at the beginning of the twentieth century. Ives uses oral history and a few extant poems to give us a glimpse at the life of the common laborer on the raw northern Maine frontier. Mitchell was a wanderer, but he knew the world of the ordinary working man from the inside out, and his poems express the hopes, fears, humor and irony of daily life as he saw it. “Sandy” Ives is professor emeritus from …

The Bridge, Volume 2, 2005, Bridgewater State College

the bridge

Volume 2 Staff

Stacy Cohen
David George
Beth Horka
David Mitchell
Elizabeth Redmond
Nicole Roy
Kimberly Silva
Cheryllynn Silvia
Janine Woodward

Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant

Is Poetry A War Crime? Reckoning For Radovan Karadzic The Poet-Warrior, Jay Surdukowski

Michigan Journal of International Law

This Note will suggest that the Office of the Prosecutor of the International Criminal Tribunal for the former Yugoslavia (ICTY) can use Karadzic's texts and affectations to warrior poetry in the pretrial brief and in admitted evidence, if and when Karadzic ultimately appears for trial. The violent nationalism of radio broadcasts, political journals, speeches, interviews, and manifestos have been fair game for the Office of the Prosecutor to make their cases in the last decade in both the Yugoslavia and Rwanda Tribunals. Why should poetry, perhaps the most powerful maker of myth and in the Yugoslavia context, a great mover …