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Twixt, Karen Schlesinger
Twixt, Karen Schlesinger
Theses
This thesis discusses photographs exhibited at the School of Photographic Arts and Sciences Gallery at Rochester Institute of Technology from April 28 - May 10, 2003. In these photographs of desecrated landscapes at liminal times of day, the eerie light and vibrant colors of dusk and dawn enable me to create views of my personal world, a foreign and perilous place for some audiences, an intoxicating and disquieting environment for others. As the light gives way to darkness, the deepening shadows of the vegetation come alive as monstrous figures. Fears lurk in the darkness and become threatening creatures of the …
Continuing A Study Of Place, Brian Emery
Pipedreams, Matt Trebelhorn
Modulus, Sarah Kankiewicz-Arkins
A Hybrid Mosaic And Vice Versa, Jinhwan Choi
Simulated Selves, Erika Gentry
Simulated Selves, Erika Gentry
Theses
In an increasingly virtual world, new identities that exist only in cyberspace are being created. Historically rooted, role-playing has been popular long before Shakespeare, and starting in the early 1990s, has moved into the computer. Now more than ever, it serves as a form of entertainment, escape and self-exploration to hundreds of thousands of people worldwide. In interactive, text-based computer games that are designed to represent fantasy worlds, players become authors not only of text but of themselves, constructing new selves through social interaction. On a MUD (Multi User Domain) game, places and selves are completely constructed through text. Thus, …
Still Life, Robert Szatmari
Eastern Spirit In Western Form, Ming-Ru Tsai
Pictures Maps Shadows, Leslie Grant
Pictures Maps Shadows, Leslie Grant
Theses
Graduate students Leslie Grant (RIT) and Alex Terzich (University of Minnesota, Twin Cities) collaborated on the production of a small book of photographs, a proposed atlas, and an architectural intervention focusing on salt mining in Livingston County, New York. Their work was based on interdisciplinary research, the interdependence of theory and practice, and an acknowledgment of the viewer as key to meaning production in art and architecture. Grant's work describes the overall scope of the thesis work, and concentrates on her work on the book of photography.
Understanding "Photograph A", Jun Ku Yoon