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Thalassic: Women, Gender, And The Sublime In Relation To Marine Art, Kelsy Patnaude

MFA in Visual Arts Theses

The sea may be regarded as a source of tranquility as well as one of unsettling trepidation, ambiguous even in its representation. Those who are called to it must be relentless in the face of uncertainty; what awaits them is the immeasurable sublime. Defined in art as a reference to greatness beyond all possibility of control, the sublime invokes an urge to pursue pleasurable terror in the unmanageable. On heavily trafficked and dangerous seas in the eighteenth and nineteenth centuries, the strict gender hierarchy of authority on board ships in seafaring industries was solidified. Thus, the dominance of the male …

Women At The Helm: Rewriting Maritime History Through Female Pirate Identity And Agency, Wendy Vencel

Undergraduate Honors Thesis Collection

The subject of Atlantic-based Golden Age (1650-1720) piracy has long been an area of historical and mythical fascination. The sea has historically been a realm outside the reaches of mainland society, where women could express any aspect of their personal identity. Women at the Helm: Rewriting Maritime History through Female Pirate Identity and Agency queers the history of Golden Age piracy while placing the colonial period’s seafaring women within a longer historical tradition of female maritime crime and power.

Notable female pirates of this era, including Ireland’s Grace O’Malley and the Caribbean’s Anne Bonny and Mary Read, through the act …