Digital Commons Network^™

Lay It On The Line: The Life And Music Of Gladys Bentley, Bianki Torres, J.

Doctoral Dissertations

This work is a historical biography of Gladys Bentley and her blues music. She was a cross-dressing entertainer from the Harlem Renaissance and performed popular songs with added, sometimes improvised sexual innuendo. This study considers the performances of her recorded and written material as trans music, meaning, that black music provided a platform to determine racial, gendered, and sexual cultural expressions changing over time, however, always rooted in black vernacular culture. Using showbills, promotional material, studio recordings and short autobiography, this study follows Bentley’s career as “male impersonator” and the effects lesbian/gay (queer) culture had on her blues. Also, I …

Historical Narrative In The Music Of Sid Meier’S Civilization Vi, Alec Larner

Electronic Theses and Dissertations

Sid Meier’s Civilization VI is a 2016 strategy video game in which the player leads a historical civilization from 4000 BC to the present. The Civilization series is the subject of much scholarly writing, especially its representation of history and non- Western cultures. My work builds on Karen Cook’s research (2014) on the technological progress and American hegemonic identity signaled by Civilization IV’s soundtrack. I argue that the music in Civilization VI contributes to a Eurocentric teleological progress narrative of history inherent in the structure of the game: the idea that history is a story of inevitable and positive …

The Narrative Composer: Hector Berlioz’S Impact On The Evolution Of Film Scoring In The Twenty-First Century, Enrique Alberti

Honors Program Theses

Hector Berlioz was a French Romantic composer, whose literary and musical works have an undeniable effect on the history of Western music. Specifically, Berlioz’s most famous orchestral work, the Symphonie Fantastique, transformed how music could be utilized in an orchestral setting because it was the first programmatic symphony, which is a symphony with music set to a written narrative. The Symphonie would inspire German composer Richard Wagner to create what is now recognized as the leitmotif, a musical phrase used to identify an idea. In modern Hollywood film music, Wagner is credited with establishing the techniques that have become staples …

“We Do Not Know Which Path To Take” Mahieddine Bachetarzi, Music, Theater, And Salafist Nationalism In Interwar Algeria (1919 – 1939), Philip Devries

Electronic Theses and Dissertations

Algerian nationalism in the interwar period did not emerge via a simple progression, nor as a unitary awakening; it was a polyvocal and multivalent movement comprised of disparate Muslim Algerian, Jewish Algerian, and European voices. The outward appearance of a singular movement is due in no small part to the cooption and monopolization of nationalist discourse by the Islamic reformist organization, the Association des oulémas musulmans algériens (AOMA), and their followers, including the Muslim musician and playwright, Mahieddine Bachetarzi. Indeed, while AOMA clerics and affiliated historians created the exclusively Arab-Muslim story of Algerian history that prevails today, cultural figures like …

Making Russian Music: Uncovering Pyotr Tchaikovsky’S Musical Ideas Through His Letters, Sydney Morrison

Student Research Submissions

Pyotr Ilyich Tchaikovsky is arguably Russia's most famous composer. Although his music is widespread, his immediate impact on Russian music in the 19th century is often overlooked or unknown by audiences. This paper examines what compositional and musical ideas Tchaikovsky used in his pieces and how he expressed them through his letters. Because of the relationships he had with his correspondents, Tchaikovsky had the means to develop and learn his unique compositional style. The most significant correspondents were his patroness Nadezhda von Meck, his brother Modest, and fellow composer Mily Balakirev. They enabled him to express and develop his musical …

Historical Figures And Events As Portrayed Through Opera And Art Song, Emanuel Stavrinakis

Senior Theses

In this thesis essay, an inspection of classical vocal music spanning centuries will identify works based on real-life historical figures and events. The range of works to be inspected span from the Late Renaissance to the Modern era of classical composition. From the early days of vocal composition composers looked back into the past to draw inspiration for their desired expression and portrayal of human conflict. However, in many cases the figures or historical facts portrayed differ quite significantly from how they were in real life.

Composers and librettists, the authors of the text being set to music, had a …

"A New World For Instrumental Art": An Exploration Of The Nineteenth-Century Saxophone Quartet And Its Repertoire, Laney Sheehan

Honors Projects

This Honors Project examines the major characteristics of the nineteenth-century saxophone quartet and its repertoire through the lens of four musical works: Hector Berlioz’s Hymne (for six wind instruments of Adolphe Sax), Jean-Baptiste Singelée’s Premier Quatuor, Jérôme Savari’s Quatuor pour Saxophones, and Caryl Florio’s Quartette (Allegro de Concert).

Musical “Conquest”: The Spanish Use Of Music In The Spiritual Conquest Of The Nahua Peoples Of Sixteenth-Century Mexico, John Richardson

Undergraduate Honors Theses

Historians have grown more interested in Spanish Conquest and colonialism in the last century. While earlier historians saw the conquest through a more euro-centric lens, recent historians have tried to take a more nuanced approach to understanding the conquest. Within this research, historians are questioning traditional narratives of the "spiritual conquest," or the conversion of native peoples to Christianity. Scholars have shown that "conquest" is not the best term for this process, as there was much more give and take at play.

My research seeks to strengthen this narrative of religious accommodation through the lens of music. The transmission of …

An Entity Of Power: Hildegard Von Bingen And The Female Body, Jacqueline Larivee

History Student Work

No abstract provided.

Program Notes (Muap 621 – Recital), Ryan Pilius

Conducting Student Scholarship

Program notes include:

• Juggernaut (2015) - Gary D. Ziek
• First Suite in Eb (1909) - Gustav Holst
• As Summer was Just Beginning (1994) - Larry Daehn
• Foundry (2011) - John Mackey
• Overture for Winds (1959) - Charles Carter
• Yorkshire Ballad (1984) - James Barnes
• Armenian Dances: Part 1 (1972) - Alfred Reed

Singing Solidarity: Class Consciousness, Emotional Pedagogy, And The Songs Of The Industrial Workers Of The World, Tara Forbes

Wayne State University Dissertations

Singing Solidarity looks at songs and song culture in the Industrial Workers of the World (IWW) from its inception to its decline near the start of WWI and examines how IWW songs engaged with, transformed, and directed workers’ feelings to “spur [them] to action” (Gould 47). Songs in the IWW repertoire created a sense of group identity and cohesion, supporting the IWW’s project of class consciousness and working-class solidarity. This solidarity, I argue, was felt rather than theorized. The felt solidarity of the IWW collective was intensified through the act of singing as a group, which was simultaneously an instantiation …

Jigs, Reels, And “Realness”: An Investigation Of Ideas Of Authenticity And Tradition In New England French Canadian Music, Lowell Ruck

Honors Projects

Franco-American culture is increasingly recognized as an integral part of the heritage of Maine and New England, and has attracted growing academic attention in recent years. But while many scholars and cultural promoters focus on the French language in their work on this subject, few studies have considered the position of traditional music in Franco-American communities in the 21^st century. This thesis examines French Canadian traditional music as it is played in New England and the ways in which musicians think about authenticity and tradition in their art. Using material from ethnographic interviews, it illuminates how musicians draw from …

Furthering Cultural Understanding Through Music, Sophia Abukamail

Williams Honors College, Honors Research Projects

This project explores the role that music plays in fostering cultural understanding and equity by discussing the sociopolitical implications of musical collaboration between Palestinian and Israeli musicians. In order to do this, the paper will dive into the history of the conflict between Palestine and Israel, detail instances of musical collaboration between Palestinian and Israeli musicians, show how music is helping to bridge the divide between these two cultures, and examine the intentions and consequences of such collaborations as they relate to music, politics, and society. The purpose of this project is to investigate the ways that music can affect …

Putting Cajuns On The Map: Music's Role In Popularizing Louisiana's Bayou Culture, Christine Broussard

Electronic Theses and Dissertations

Southern Louisiana witnessed a grassroots Cajun cultural revival whose most active years stretched across three decades in the latter half of the twentieth century. While important local and world events created conditions favorable to its development, actors and events within the Cajun musical sphere specifically, and the establishment and use of iconography within that sphere, played integral roles in sustaining the Cajun renaissance into the 1980s. Activist efforts that recast long-held negative tropes about Cajun culture ensured modern-day Cajuns had access not only to cultural traditions but to the same spaces created to help keep those traditions alive. While those …

Teaching The Narod To Listen: Nadezhda Briusova And Mass Music Education In Revolutionary Russia, Annika K. Krafcik

Honors Papers

Nadezhda Briusova (1881-1951) was a pianist, music theorist, teacher, government worker, conservatory administrator, and journalist, who was instrumental in shaping mass music education in Moscow before and after the October Revolution of 1917. She believed that music was made up of two fundamental elements of being – movement and feeling – and argued that because its language was so elemental to the human experience, music was for everyone. She dedicated her life to teaching her students how to listen to and talk about music.

In my thesis, I analyze how Briusova’s mass music education programs created continuity across the revolutionary …

Music And Communal Division During The French Wars Of Religion, Cameron G. Wade

Honors Theses

This Senior Honors Thesis explores the social and cultural impact of confessional musical composition and performance on the French Wars of Religion (1562-1598). Because Huguenots and Catholics identified with and were widely identifiable by their respective musical styles, cultural divisions between each confession were emphasized by differences in music. This capacity of sacred and confessionally-influenced secular music to highlight and reinforce societal divides is evidenced by the interconfessional violence that accompanied the public performance of sacred music in cities as well as the pressures imposed on composers to create music which clearly aligned with their respective confessions. As the wars …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

“Native American Folk Song Suite”: A Study Of Traditional Native American Melodies, The Role Of Music In Native American Society, And Its Translation To The Modern Wind Ensemble, Preston Parker

Electronic Theses and Dissertations

Music holds a sacred place for the many Native American tribes of the United States. Over the past 150 years, ethnomusicologists Dr. Theodore Baker (1851-1934), Dr. Frances Densmore (1867-1957), and John Donald Robb (1892-1989) have preserved these songs by sitting down with indigenous Native Americans and recording their music straight from the source. Through these recordings, these ethnomusicologists created a springboard for composers, including myself, to study the past and create new music that honors the traditions and culture of Native Americans. I have applied my new knowledge of these musical techniques and traditions to create a work for wind …

Cool Notes In An Invisible War: The Use Of Radio And Music In The Cold War From 1953 To 1968, Matthew R. Crooker

Browse all Theses and Dissertations

The current status of the literature involving radio broadcasts and music from the Cold War delves into either one area of concentration or the other. That is, either historians have little to no mention of radio, or historians explore music without mentioning radio. There are no studies that solely focus on the use of radio and music in combination with one another. This is what the thesis offers to this area of concentration. In addition to examining the use of radio and music in combination with one another, this work delves into radio directly after the conclusion of the Second …

Uncovering Alice Bag: An Alternative Punk History, Emily Macune

Scripps Senior Theses

The intention of this thesis is to provide an alternative counter-narrative to the mainstream histories of punk that center white men. By focusing on the contributions of fem queer and POC punks, I aim to legitimize punk music as a form of resistance against systems of oppression that are oppositional to the commodified forms of mainstream punk. Using Alice Bag, as my central case study as a fem queer punk that is often left out of punk historical narratives, I contextualize her work through feminist, queer, and media studies lenses to bridge the gap between academia and forgotten personal experience.

Music In Unconventional Spaces: The Changing Music Scene Of Great Depression America, 1929-1938, Rachel Carey

Masters Theses, 2010-2019

The world of the Great Depression was in massive transition as the economy crumbled and people sought an escape from their ordinary and troublesome lives. The expanding and remodeling cultural forms of this time worked to provide this diversion for all people. One of these forms in particular adapted to fulfill the need of the American people: music. While music was a popular form of culture throughout the American past, it went through a large transition beginning in the Gilded Age through the Great Depression in order to survive. With the beginning of the Great Depression, professional and amateur groups …

Spectacular Politics And Everyday Performance: Tracing Music From Ceauşescu’S Romania To Multicultural America, Benjamin Dumbauld

Dissertations, Theses, and Capstone Projects

Drawing from fieldwork conducted throughout the United States and Canada, this dissertation examines the continued performance of socialist-era music within the Romanian-American community. It addresses why a community largely made up of people who sought to leave the country during the authoritarian regime of Nicolae Ceauşescu continue to perform music tied to that period by tracing the historical performance and reception of multiple genres, ranging from traditional peasant music to folk rock. The dissertation begins by examining the nationalization of Romania’s music industry under the early socialist regime (1944-1965), and locates the difficulties Communist Party members confronted in delineating a …

Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman

Dissertations, Theses, and Capstone Projects

Gustave Vogt (1781–1870) was the most famous oboist in Europe during the mid-nineteenth century. Throughout his career he played with the best orchestras in Paris, toured Europe widely, and also taught the next generation of oboists at the Paris Conservatoire from 1802–1853. Although many of the details of his life have been lost to history, he did leave behind a record of the esteem in which he was held. This is preserved physically in the form of an album of short musical compositions honoring Vogt, collected between 1831 and 1859. The album has never been published, and is in the …

The Music And Politics Of Willy Chirino, Nancy N. Balcziunas

Honors College Theses

Cuban musician and singer Willy Chirino, the self-proclaimed inventor of the “Miami Sound,” was sent to the United States as a teenager in the 1960s under Operation Pedro Pan to escape the influence of Fidel Castro's communist regime. Throughout his career, he has used his music to spread a personal and political agenda; his rejection of communism and the Castro regime can be seen through his song lyrics, humanitarian efforts, and direct engagement in the world of politics.

Love Sick The Musical - A Reflection Of My Undergraduate Studies, William Kelly

Senior Theses

No abstract available

The "Noble Savage" In American Music And Literature, 1790-1855, Jacob Mathew Somers

Theses, Dissertations and Capstones

In the aftermath of the War of 1812, America entered a period of unprecedented territorial expansion, economic growth, and political unity. During this time American intellectuals, writers, and musicians began to contemplate the possibility of a national high culture to match the country’s glorious social and political achievements. Newly founded periodicals urged American authors and artists to adopt national themes and materials to replace those imported from abroad, and for the first time Americans began producing their own literary, artistic, and musical works on a previously inconceivable scale. Though American writers and composers explored a wide range of “national themes,” …

Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow

Electronic Theses and Dissertations

This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. The study of a total of fifty qualifying songs included a focus on their lyrical and musical content, the performers' personae and careers, and the way the particular outside factors of feminism and changing gender relations in American society may have influenced them. These songs do not show a purely linear progression of or emphasis on social change, in spite of country music's pride in conveying the truth about the lives of its songwriters, …

Finding Music’S Words: Moses Und Aron And Viennese Jewish Modernism, Maurice E. Cohn

Honors Papers

This thesis attempts to understand Schoenberg and his opera Moses und Aron as important participants within the philosophical debates of their time, but also to understand that participation as necessarily musical—his music is analogous to, rather than representative of, the surrounding philosophy of his era. The first chapter addresses the broader relevant trends in Jewish philosophy, coming to focus specifically on parallels between Schoenberg and the philosopher Franz Rosenzsweig. It does not attempt to understand Schoenberg as a Jewish philosopher per se. Rather, it explores the ways in which the problems facing Jewish philosophers of Schoenberg’s generation—namely, debates about the …

Sound And Vision: Marketing Recorded Music In The Age Of Radio, Daniel Martin Murphy

Theses and Dissertations

In the early 1930s, the popularity of radio and the economic austerity of the Great Depression threatened to make the phonograph record obsolete. However, by the time the United States entered World War II in 1941, records were returning to popularity. This return coincided with the first instances of the appearance of unique cover artwork on record albums. This thesis explores the cultural and industrial factors that converged in the late 1930s to make album artwork viable in ways that it would not have been earlier. This thesis also investigates how RCA Victor and Columbia, two record companies that had …

Bridging The Gap: A Study Of Compositional Similarities Across Time, The 'Realization' Techniques Of Johann Sebastian Bach And Louis Armstrong, Erin Cheshire

Honors Theses

This study is an examination of certain compositional techniques during the Baroque and jazz eras and how there are unexpected similarities throughout. The premise of this argument draws attention to the notion that, although the world has changed, this particular compositional technique has remained relatively unaltered. Given the aesthetic differences between these two compositional styles, the unlikely conclusion is that some aspects of music truly never go away, they simply change procedures.

By examining the emergence of the figured-bass style in the Baroque period and certain notational features in jazz, the evidence will trace the origins of these compositional techniques …