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The Highland Clearances And The Politics Of Memory, Daniel Guy Brown May 2014

The Highland Clearances And The Politics Of Memory, Daniel Guy Brown

Theses and Dissertations

This dissertation explores the ways that the Highland Clearances of Scotland have entered into public consciousness through primary and secondary sources. My dissertation argues first that the Highland Clearances fall within the sphere of colonial intervention, and secondly that there exists a robust body of cultural production that reflects the postcolonial nature of the Highlands. This cultural production is the subject of my dissertation, which examines primary and secondary histories, historical novels, drama and public memorials that preserve and reconstruct the memory of the Clearances. The first chapter examines a number of primary and secondary histories of the Highland Clearances. …


Counter-Narrating The Nation: Homi K. Bhabha's Theory Of Hybridity In Five Broken Cameras, Rachel Evers Jan 2014

Counter-Narrating The Nation: Homi K. Bhabha's Theory Of Hybridity In Five Broken Cameras, Rachel Evers

Honors Projects

This paper examines the theories of Homi K. Bhabha, a major figure in contemporary post-colonial study. His work on hybridity, mimicry, and counter-narrative helps to illuminate the documentary film Five Broken Cameras, which shows five years in the life of Palestinian farmer, Emad Burnat, under Israeli occupation in the West Bank. The film is shown to be a performative counter-narrative representing Palestinian national becoming.


TodavíA Bailamos La Cueca Sola : From Local Protest Practice Against Chile's Dictatorship To (Trans)National Memory Icon, Karolina Sonja Babic Jan 2014

TodavíA Bailamos La Cueca Sola : From Local Protest Practice Against Chile's Dictatorship To (Trans)National Memory Icon, Karolina Sonja Babic

Legacy Theses & Dissertations (2009 - 2024)

This dissertation is a multi-sited cultural-historical ethnography about the cueca sola, a dance that was created to denounce the disappearances of citizens during Chile's dictatorship in the 1970s. Some women with missing relatives, who belonged to the music group Conjunto Folclórico of the Association of the Relatives of the Detained and Disappeared (AFDD), created a variation on the Chilean national dance (the cueca - traditionally a courtship dance between a man and a woman) which did not involve a male partner. Instead, they performed it alone. In so doing, these women, who were among the first to denounce the military's …