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The Ha-Ha Holocaust: Exploring Levity Amidst The Ruins And Beyond In Testimony, Literature And Film, Aviva Atlani

Electronic Thesis and Dissertation Repository

ABSTRACT

Jewish humour sheds a crude light on the social, political, and historical realities of the Holocaust. Paradoxically, contentiously, doses of levity during this period were very much a reality, and even a psychological necessity. The purpose of my thesis is to explore the historical, social, and political ramifications of such laughter provoking manifestations. In doing so, the nuances are highlighted which are found within the laughter of the ghettos, the transit camps, and the concentration camps. Furthermore, some of these jokes, and their subsequent variations, reappear within the discourse of children of survivors. The dissertation explores how some of …

A Space Without Memory: Time And The Sublime In The Work Of Janet Cardiff And George Bures Miller, Margherita N. Papadatos

Electronic Thesis and Dissertation Repository

The central question of my investigation is: how do artists present the unpresentable when presentation itself is impossible? Concentrating solely on Janet Cardiff and George Bures Miller’s artworks Opera For a Small Room (2005) and The Killing Machine (2007), I redevelop Jean François Lyotard’s concept of the sublime as put forth in his The Inhuman: Reflections on Time, in order to ask how Cardiff and Miller give shape to the unpresentable in their work. Opera and Killing are works that dynamically problematize and play with ideas of presentation, subjectivity, memory, and time. Thus, I explore my central question of …

The [Ftaires!] To Remembrance: Language, Memory, And Visual Rhetoric In Chaucer's House Of Fame And Danielewski's House Of Leaves, Shannon Danae Kilgore

Honors Program Theses

Geoffrey Chaucer's dream poem The House of Fame explores virtual technologies of memory and reading, which are similar to the themes explored in Danielewski's House of Leaves. "[ftaires!]", apart from referencing the anecdotal (and humorous) misspelling of "stairs" in House of Leaves, is one such linguistically and visually informed phenomenon that speaks directly to how we think about, and give remembrance to, our own digital and textual culture. This paper posits that graphic design, illustrations, and other textual cues (such as the [ftaires!] mispelling in House of Leaves] have a subtle yet powerful psychological influence on our reading and …

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …

The War That Does Not Leave Us: Memory Of The American Civil War And The Photographs Of Alexander Gardner, Katie Janae White

Theses and Dissertations

In July of 1863 the photographs A Harvest of Death, Field Where General Reynolds Fell, A Sharpshooter's Last Sleep, and The Home of a Rebel Sharpshooter were taken after the battle at Gettysburg by a team of photographers led by Alexander Gardner. In the decades that followed these images of the dead of the battlefield became some of the most iconic representations of the American Civil War. Today, Gardner's Gettysburg photographs can be found in almost every contemporary history text, documentary, or collection of images from the war, yet their journey to this iconic status has been little discussed. The …

Memoric Form: Poem As Memory, Lawrence V. Eby

Electronic Theses, Projects, and Dissertations

Machinist in the Snow is a narrative long poem, much like a novel in verse that deals with the loss of memory and environmental rebirth. In the book, the narrator exiles himself into a frozen nature and attempts to return the frozen wasteland into its former, flourishing environment. The poems take on the memoric form of memory in a wide range of poetic forms from the traditional sonnet, haiku, or villanelle, to a scattered projective verse. In the center of these poems is an attempt to mimic the mind in the way that it shifts, in its moments of clarity, …

Held, Erika Diamond

Theses and Dissertations

My work is a symptom of my ongoing quest to achieve immortality. I perpetually attempt to make permanent the traces we leave behind and the impressions we make upon each other. I use the body to portray boundaries – between the skin and the heart, comfort and disquiet, holding and letting go. The objects I make serve both as an agent for physical contact and as the commemoration of an ephemeral interaction. I create personal fossils, revealing the interstices formed when two bodies come into contact with one another. I use materials that reference endurance and longevity to record transient …

Submersion, Hannah M. Harper Ms.

Undergraduate Honors Theses

The artist discusses the influence, concept, and process behind creating a cohesive body of work and accompanying show, Submersion, for the completion of her Bachelor of Arts degree and undergraduate research for the Fine and Performing Art Scholars branch of East Tennessee State University's Honors College. The show is to be held May 1st through May 7th of 2014 with its reception on May 3rd in the Submarine Gallery located on ETSU campus. The artist explored themes of the unknown, subconscious, and memory, using water as a reoccurring symbol. The works include five large portraits and two small to medium …

The Pool Of Memory, Elizabeth Diane Hansen

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

A selection of images portraying "The Pool of Memory"

A Memento Of Complexity: The Rhetorics Of Memory, Ambience, And Emergence, Glen Southergill

All Dissertations

Drawing from complexity theory, this dissertation develops a schema of rhetorical memory that exhibits extended characteristics. Scholars traditionally conceptualize memory, the fourth canon in classical rhetoric, as place (loci) or image (phantasm). However, memory rhetoric resists the traditional loci-phantasm framework and instead emerges from enmeshments of interiority, collectivity, and technology. Emergence considers the dynamics of fundamental parts that generate complex systems and offers a methodological lens to theorizing memory. The resulting construct informs everyday life, which includes interfacing with pervasive computing or sensing familiarity. Further, congruently with a neurological turn that contradicts simplification, this dissertation resituates rhetorical memory as generative …

The Highland Clearances And The Politics Of Memory, Daniel Guy Brown

Theses and Dissertations

This dissertation explores the ways that the Highland Clearances of Scotland have entered into public consciousness through primary and secondary sources. My dissertation argues first that the Highland Clearances fall within the sphere of colonial intervention, and secondly that there exists a robust body of cultural production that reflects the postcolonial nature of the Highlands. This cultural production is the subject of my dissertation, which examines primary and secondary histories, historical novels, drama and public memorials that preserve and reconstruct the memory of the Clearances. The first chapter examines a number of primary and secondary histories of the Highland Clearances. …

La Muerte, La Memoria Y La Filosofía Existencial En La Literatura Testimonial Pos-Dictatorial De Primo Levi, Jorge Semprún Y Jacobo Timerman, Andrew Mcnair

Senior Theses and Projects

What effect does the ubiquity of death in a traumatic experience have on an individual's memory and soul, and how is this manifested in one's written testimony? Through the analysis of their philosophical introspection, the testimonies of Primo Levi's The Drowned and the Saved, Jorge Semprún's Literature or Life, and Jacobo Timerman's Prisoner Without a Name, Cell Without a Number meditate on the atrocities they experienced during Levi and Semprún's incarceration under the Nazi regime in Europe between 1942 and 1945, and Timerman's imprisonment under the regime of Jorge Rafael Videla in Argentina between 1976 and 1983. The …

Ghosts, Orphans, And Outlaws: History, Family, And The Law In Toni Morrison's Fiction, Jessica Mckee

USF Tampa Graduate Theses and Dissertations

This dissertation explores Toni Morrison's most prevalent motifs: the ghost, the orphan, and the outlaw. Each figure advances a critique of dominant narratives, specifically those that comprise history, family, and the law. In Chapter One, I argue that Morrison's ghost stories contrast two methods of memory, one that is authoritative and another that is imaginative, in order to counter the official renderings of history. Her ghosts signal forgotten aspects of American history and provide access to another storyline--one that lies in the shadows of the novel's principal narrative. This chapter compares the ghosts of Love and Home in order to …

A Psychoanalytic Exploration Into The Memory And Aesthetics Of Everyday Life: Photographs, Recollections, And Encounters With Loss, Dimitrios Mellos

Dissertations, Theses, and Capstone Projects

The project at hand explores some of the psychological functions of photography as both an everyday and an artistic cultural practice from a psychoanalytic perspective. It is proposed that, contrary to commonsensical opinion, photographs are not accurate depositories of memory, but rather function as a functional equivalent of screen memories, thus channeling the subject's memory in ways that are objectively distorted and distorting, but psychologically meaningful and important; moreover, they are a special kind of screen memory in that they are often created pre-emptively and are physically instantiated.

Additionally, it is suggested that, by dint of their materiality, photographs achieve …

Coming Of Age During The Sixties: A Narration Of Lives Through Music And Battle, Jennifer L. Oliveri

Dissertations, Theses, and Capstone Projects

This thesis has been written based on my retrieved memory, as it concentrates on autobiographical memories and the lives of two politically opposing men, from the American sixties. I discuss the effect of music and the war in Vietnam as it was experienced by these men--a moderately angry veteran and a "hippie." I examine how their stories were "retold" to me, which in turn created new memories. This is a study in the memory of memories.

Recollections: An Internal Analysis Of Memory And Perception, Samuel Jimenez

Electronic Theses and Dissertations

I investigate the depths of memory, the entanglement of personal recollections with communal knowledge (learned semantic information from media and society such as facts and social norms) and the changing perceptions of environments over time. Memories define us. Throughout life we are exposed to vast quantities of imagery through a variety of media and personal experiences. Over time our firsthand experiences and what we witness in film, print, photography, and the internet become indistinguishable in our memory. My work recreates consequential scenes from my past through technical drawings and blended imagery while exploring the possibilities provided by the interaction of …

Counter-Narrating The Nation: Homi K. Bhabha's Theory Of Hybridity In Five Broken Cameras, Rachel Evers

Honors Projects

This paper examines the theories of Homi K. Bhabha, a major figure in contemporary post-colonial study. His work on hybridity, mimicry, and counter-narrative helps to illuminate the documentary film Five Broken Cameras, which shows five years in the life of Palestinian farmer, Emad Burnat, under Israeli occupation in the West Bank. The film is shown to be a performative counter-narrative representing Palestinian national becoming.

The Prologue Past, Raymond Mckee

Electronic Theses and Dissertations

The Prologue Past is a collection of four essays and one novella which explore the past in different fashions. Memory, and the ability to reflect and find meaning in our experiences, is an important cornerstone of engaging the past. Memories are a true anomaly of how our inner-consciousness operates. With each day, the past facilitates a special part of our memory bank which we seldom have any control of. While the abilities of people to recall times, events, places, and experiences differ largely in capacity, we all undoubtedly share universal traits in the manner in which we hold onto our …

Sudden Onset, Diane E. Keeney

Dissertations and Theses

No abstract provided.

Fare Thee Well, Georgia L. Godwin

LSU Master's Theses

The common thread in all my work is time—its passage, effects, and remembrance. I have created a series of works that are meditations on time, the ephemeral quality of memory and the effects of aging, profession, and life decisions on our bodies, especially faces. The physical materials and my treatment of them reinforce these themes, showing the erosive qualities of earth, and drawing inspiration from natural features that signify the passage of time such as desert hoodoos, desert varnish, old wood, erosion and chemical oxidation, and from man-­‐made features such as old documents that have been written, erased, and rewritten. …

Memory, Memorial, James Kimura-Green

LSU Master's Theses

My thesis exhibition investigates concepts of memory and memorial. These are fueled by feelings of yearning, longing, and nostalgia. We allow memories to linger. I believe we try to strengthen these memories, encase them and tuck them away deep in our minds. These memories create in our psyche psychological memorials. Like physical memorials, our memories too deteriorate and crumble over time. We fill in the gaps to the point where it is unknown just how true these memories are. At times I think that mine are now idealized and idyllic then they really were. The paintings in my exhibit are …

The Imagined After: Re-Positioning Social Memory Through Twentieth-Century Post-Apocalyptic Literature And Film, Amanda Ashleigh Wicks

LSU Doctoral Dissertations

Maurice Halbwachs first proposed a collective approach to memory in the early twentieth century, but the vast majority of subsequent scholarship investigates memory’s social properties from a theoretical point of view. This project instead proposes that memory functions as a social phenomenon in significant and real ways, primarily understood through the social relations that arise within social frameworks, which provide a structure against which people’s memories come together to form important memory-narratives that configure individual and social consciousness. Once people transform memory from individual thought-image into socially structured language, memory takes on social properties. Memory relies upon social frameworks to …

TodavíA Bailamos La Cueca Sola : From Local Protest Practice Against Chile's Dictatorship To (Trans)National Memory Icon, Karolina Sonja Babic

Legacy Theses & Dissertations (2009 - 2024)

This dissertation is a multi-sited cultural-historical ethnography about the cueca sola, a dance that was created to denounce the disappearances of citizens during Chile's dictatorship in the 1970s. Some women with missing relatives, who belonged to the music group Conjunto Folclórico of the Association of the Relatives of the Detained and Disappeared (AFDD), created a variation on the Chilean national dance (the cueca - traditionally a courtship dance between a man and a woman) which did not involve a male partner. Instead, they performed it alone. In so doing, these women, who were among the first to denounce the military's …

Echoes And Artifacts, Molly Elizabeth Miller

LSU Master's Theses

Architecture has many different contexts and meanings, but regardless of time and place, buildings act as a physical container of memory. This body of work explores the use of large facades as residue of a personal memory and uses physical deterioration to parallel the distortion of memory as a result of time and emotion. The work makes use of warping and tearing of materials and is created through the combination of large-scale relief prints, drawing, sewing, and the cutting away of materials. The exhibition includes an installation of fabric-based prints, a series of wall-based altered paper prints, and several artist …