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The Archon(S) Of Wildfell Hall: Memory And The Frame Narrative In Anne Brontë’S The Tenant Of Wildfell Hall, Alyson June Fullmer
The Archon(S) Of Wildfell Hall: Memory And The Frame Narrative In Anne Brontë’S The Tenant Of Wildfell Hall, Alyson June Fullmer
Theses and Dissertations
In the first chapter of Anne Brontë’s The Tenant of Wildfell Hall, Gilbert Markham invites his reader to join him as he attempts to recall the past. Because Gilbert uses the journal of another to supplement his own memories, the novel's frame narrative structure becomes saturated with complex memory-based issues and problems. Thus, the complicated frame narrative provides fertile ground for exploring the novel through memory. In studying the frame narrative, scholars have typically devoted their criticism to Gilbert and how he shapes the frame. Few scholars afford the other primary narrator of the novel, Helen, any power in shaping …
“There Is No God And We Are His Prophets”: The Visionary Potential Of Memory And Nostalgia In Cormac Mccarthy's No Country For Old Men And The Road, Marie Reine Pugh
“There Is No God And We Are His Prophets”: The Visionary Potential Of Memory And Nostalgia In Cormac Mccarthy's No Country For Old Men And The Road, Marie Reine Pugh
Theses and Dissertations
Memory and nostalgia work in complex, paradoxical ways in Cormac McCarthy's No Country for Old Men and The Road, both haunting the main protagonists, Sheriff Ed Tom Bell and the father, as well as bringing them to crucial realizations. These men give up the traditional hero role for the more meaningful and generative image of “carrying the fire,” which unites these two novels. Carrying the fire represents a memorial and nostalgic longing for home and family. Bell and the father attain this vision because of their obsession with the past, and because of their struggle with memory and nostalgia. Memory, …