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Literature-Based Social Studies Learning Activities For First Grade Students In The Selah School District, Selah, Washington, Bonnie D. Isom Jan 1991

Literature-Based Social Studies Learning Activities For First Grade Students In The Selah School District, Selah, Washington, Bonnie D. Isom

All Graduate Projects

The purpose of this project was to develop literaturebased social studies learning activities to be used with first grade students in the Selah School District. To accomplish this purpose, literature-based social studies learning activities for first grade students were gathered and developed for inclusion in a teacher resource packet. Appropriately used, children's literature can enhance learning in social studies and lead to increased teacher effectiveness.


Developing In-Class Activities To Support First-Second Grade Literature Instruction, Trina Danette Miller Jan 1991

Developing In-Class Activities To Support First-Second Grade Literature Instruction, Trina Danette Miller

All Graduate Projects

Literature-based activities were developed in the curriculum areas of Social Studies and Mathematics to be used with the district's adopted literature book program. A district survey indicated a strong interest in these two curriculum areas. This project will provide teachers with activities that support literature instruction in a learning center environment. The activities also help students to self-select a book of interest and to become actively involved in learning center activities that support the books of choice, plus increase their interest and comprehension.


Arcadia Disjointed: Confrontations With Texts, Polemical, Utopian, And Picaresque., Deborah Ann Jacobs Jan 1991

Arcadia Disjointed: Confrontations With Texts, Polemical, Utopian, And Picaresque., Deborah Ann Jacobs

LSU Historical Dissertations and Theses

Beginning with the historical example provided by the extended text of the Popish Plot, that is, by the polemical press battle which raged during this major threat to Charles II's Restoration government, I identify what I term a narrator/narrative disjunction. The narrator/narrative disjunction occurs when the narrator or teller relates one story, while the narrative he or she relates suggests or strongly intimates that the narrator should be adjudged less than reliable. In the course of this exploration, I read several Tory polemical texts on the Popish Plot, including Dryden's Absalom and Achitophel, not as literary works, but rather as …


From Image To Identity: The Search For Authenticity In The Early Modernist Drama Of Maxwell Anderson, John Millington Synge, Federico Garcia Lorca And D. H. Lawrence., Janice Maria Oliver Jan 1991

From Image To Identity: The Search For Authenticity In The Early Modernist Drama Of Maxwell Anderson, John Millington Synge, Federico Garcia Lorca And D. H. Lawrence., Janice Maria Oliver

LSU Historical Dissertations and Theses

Working roughly from the last decades of the nineteenth century into the first quarter of the twentieth, early modernist playwrights wrote in times which were dominated by realism, but when many still looked to poetic forms for expression. They shared artistic space with realist practitioners like Ibsen and Shaw on the one hand and poetic dramatists like Yeats and Eliot on the other. Interested in dramatizing the conflict between the private and the public selves, they faced a central problem of creating a form and attendant style that could bridge the gap between the individual and her/his environment, thus harmonizing …


A Brooding Eloquence: Amplification And Irony In Marlowe's Dramas., Jeffery Galle Jan 1991

A Brooding Eloquence: Amplification And Irony In Marlowe's Dramas., Jeffery Galle

LSU Historical Dissertations and Theses

My subject is the relationship between rhetoric and the range of possible reaction to Marlowe's protagonists in his five major plays--Tamburlaine I and II, Doctor Faustus, The Jew of Malta, and Edward II. In a very broad sense, I conceive of the rhetoric of each play in terms of opposing rhetorical forces, amplification and irony, and attempt to account for the relative intensity of amplification and irony in each play as I study the rhetoric of the protagonist. One strategy, amplification, entails the investment of a major character with logical arguments from invention, effective arrangement of ideas from disposition, and …


Patterning The Past: History As Ideology In Modern Southern Fiction., Deborah Wilson Jan 1991

Patterning The Past: History As Ideology In Modern Southern Fiction., Deborah Wilson

LSU Historical Dissertations and Theses

In this study, I analyze the modes of historical representation in works by Robert Penn Warren, William Faulkner, Eudora Welty and Ellen Douglas. In the chapter on All the King's Men, a novel that exemplifies the masculine historical perspective of traditional Southern literature, I show how Warren defines history as a process moving toward a predetermined end and then structures the narrative so that the women characters are constantly positioned outside that definition. In the second chapter, I begin with Eudora Welty's The Robber Bridegroom, examining the ways she alters the traditional story line of American history by drawing attention …


Questioning Authorship In Twentieth Century Literary Autobiography., Donna Marie Perreault Jan 1991

Questioning Authorship In Twentieth Century Literary Autobiography., Donna Marie Perreault

LSU Historical Dissertations and Theses

This dissertation, "Questioning Authorship in Twentieth-Century Literary Autobiography," provides readings of narrative autobiographies by some of this century's most prominent and rebellious professional writers. Individual chapters interpret the autobiographies of Jean-Paul Sartre and Richard Wright, Gertrude Stein, Simone de Beauvoir, and Zora Neale Hurston. The autobiographies that I read variously represent the transformation of a writer into an author and collectively problematize the personal and literary authorizations effecting this transformation. I examine how these narratives put into question both processes of authorization and the cultural contexts in which they occur, contexts which, diverse though they are, all valorize and regulate …


Cotton Mather's "Magnalia Christi Americana" And Rehearsed Spectacles Of New England History, 1820-1862, Christopher Daniel Felker Jan 1991

Cotton Mather's "Magnalia Christi Americana" And Rehearsed Spectacles Of New England History, 1820-1862, Christopher Daniel Felker

Doctoral Dissertations

The decade from 1820-30, is a time recognized by many as a cultural moment when a truly "national" identity and its probable origins focused the attention of intellectuals. Part One of the dissertation examines the key moments in Magnalia dedicated to a political and historical appraisal of Puritanism in New England. In Part Two, I consider three works written after the publication of the Robbins edition: Nathaniel Hawthorne's "Grandfather's Chair" (1839); Harriet Beecher Stowe's The Ministers Wooing (1859); and Elizabeth Drew Stoddard's The Morgesons (1862). These works best illustrate the Magnalia's politically astute display of the accordance between a writer's …


Character Education Through Secondary School Literature Classes, Mary Elizabeth Curfman Jan 1991

Character Education Through Secondary School Literature Classes, Mary Elizabeth Curfman

UNLV Retrospective Theses & Dissertations

Perhaps because of a lack of knowledge about American history and tradition, American youth are disconnected from society and feel little moral obligation or responsibility to others. While American public schools traditionally taught values and ethics, most no longer do so in any consistent or systematic fashion; This thesis will defend a synthesis of the thinking of certain influential moral philosophers and learning theorists on the nature of moral character and its development. Since its recommendations are for improving character education in public secondary school literature classes in the Clark County School District, Las Vegas, Nevada, the thesis will also …


Carlyle And The Economics Of Terror: A Study Of Revisionary Gothicism In "The French Revolution", Mary Desaulniers Jan 1991

Carlyle And The Economics Of Terror: A Study Of Revisionary Gothicism In "The French Revolution", Mary Desaulniers

Digitized Theses

Carlyle's The French Revolution occupies a distinctive place in literary history; its obscure and resistant style, its unrelenting use of Gothic overtones and its deliberate cultivation of equivocalness are part of a linguistic economy that challenges the currency of the sign. Reduced in function to an exchange value, the current sign participates in an arbitrary discourse which Carlyle overcomes with the motivating dynamics of German Transcendental Philosophy. To this end, paper money is exposed as an act of misrepresentation; its validity substantiated by arbitrary and conventional agreement, paper money remains a "wagered" word, a "contractual "sign or general equivalent. In …


Le Vase Clos Proustien., Fabrice Igor Leroy Jan 1991

Le Vase Clos Proustien., Fabrice Igor Leroy

LSU Historical Dissertations and Theses

Proust's main novel, A la recherche du temps perdu, has been analyzed by Gilles Deleuze as the story of an experience of learning, the narrator's account of his gradual understanding of signs. This means that Proust's novel can be read as a continuous act of semiotic and social interpretation, and Claude Duchet's hypothesis that the systems of objects in a novel comprise a discourse of their own--a semiotic network within the text--can be a point of departure in the study of such signs, precisely of the detail as a dynamic structure. Such examination of the narration of fictional objects/signs belongs …


A Reading Of "A Good Man Is Hard To Find" And "A Curtain Of Green": The Influence Of Parable On Flannery O'Connor And Eudora Welty., Allison Carol Chestnut Jan 1991

A Reading Of "A Good Man Is Hard To Find" And "A Curtain Of Green": The Influence Of Parable On Flannery O'Connor And Eudora Welty., Allison Carol Chestnut

LSU Historical Dissertations and Theses

A Good Man is Hard to Find by Flannery O'Connor and A Curtain of Green by Eudora Welty are short story cycles harmonized by their marked imitation of the style and structure of parable. O'Connor added stories after initially sending the collection to the publisher and then rearranged them accordingly; her work represents a completed cycle. Welty's collection, published in an order different from their individual publications and their original placement in an early typescript, is an arranged cycle. Moreover, parabolic style and structure unify each cycle. A parable typically is a brief story told in the past tense, usually …


Self And Power: Political Reconstruction In The Drama Of Christopher Marlowe., Patricia A. Brown Jan 1991

Self And Power: Political Reconstruction In The Drama Of Christopher Marlowe., Patricia A. Brown

LSU Historical Dissertations and Theses

Christopher Marlowe created Renaissance drama as we think of it today. Marlowe's princely protagonists are studied here not as sovereigns responsible for the general well-being of their subjects, but as ambitious characters who use power to control their personal environment. Seen from this viewpoint, the dramatic function of the central characters is either to develop a new stance toward the idea of public authority or to refashion an old one. Instead of attending to governance, they attempt to encompass all existence within themselves: Tamburlaine the world conqueror; Edward and Dido, public rulers whose private relationships transform their public positions; the …


The 'Bildungsgedicht' As Garden In Nineteenth- And Twentieth Century Canadian Long Poems, Wanda Ruth Campbell Jan 1991

The 'Bildungsgedicht' As Garden In Nineteenth- And Twentieth Century Canadian Long Poems, Wanda Ruth Campbell

Digitized Theses

Much of the recent interest in the Canadian long poem has centered on poems that have been written in the last two decades. This thesis links the contemporary Canadian long poem with earlier developments by examining one kind of long poem that appears throughout Canada's literary history: the Bildungsgedicht or "formation poem" in which the creation of community parallels the creation of character. Like the Bildungsroman, these poems deal with "the formative years or spiritual education" (OED) of characters, but within the context of the growth and development of communities, often using the topos of the garden with its varied …


Touch Monkeys: Nonsense Strategies For Reading Twentieth-Century Poetry, Marion M. Parsons Jan 1991

Touch Monkeys: Nonsense Strategies For Reading Twentieth-Century Poetry, Marion M. Parsons

Digitized Theses

Literary nonsense is often relegated to the nursery. I suggest that much can be gained from considering the genre of nonsense (called "Nonsense" herein) and linguistic "nonsense" as challenges to sense which do not result in a continual deferral of stable meaning. Such a view of Nonsense facilitates the reading of avant-garde and experimental poetry.;Chapter one provides a taxonomy of Nonsense criticism, and attempts to sort out the various, often conflicting, critical "definitions" of literary nonsense. Chapter two adapts and extends Julia Kristeva's theory of poetic language to make possible a substantially different reading of nonsense language, and provides sample …


Images Of Voice In "Paradise Lost", Elizabeth M. Sauer Jan 1991

Images Of Voice In "Paradise Lost", Elizabeth M. Sauer

Digitized Theses

This thesis examines the relative status and authority of the poetic voices of Paradise Lost and Paradise Regained within a literary and socio-political context. The case against the monological function of the primary narrator has most recently been made by critics including Donald Bouchard and Jonathan Goldberg who discuss the dialogical nature of this speaker, and by Kathleen Swaim and Barbara Lewalski who examine the exchanges among the different narrators. Another scholar, Gordon Teskey, observes that before PL "few characters in non-dramatic literature appear as free as Milton's to choose their own story" (11). Milton's interpretive model of historical intervention …


Dominance, Marginality, And Subversion In French (Post)Colonial Discourse., Suzanne Mary Chester Jan 1991

Dominance, Marginality, And Subversion In French (Post)Colonial Discourse., Suzanne Mary Chester

LSU Historical Dissertations and Theses

This dissertation examines a selection of fictional texts by Marguerite Duras, Andre Gide, Assia Djebar and Tahar ben Jelloun. In my readings of these colonial and post-colonial narratives, I explore the textual strategies which transform marginalized positions based on colonialism, gender, sexual orientation and class into positions of dominance. In Gide and Duras, for example, this is evident in their complicity with dominant ideologies of colonialism. By contrast, the second section of the dissertation focuses on the oppositional strategies in the work of Djebar and ben Jelloun, two post-colonial writers from North Africa. Here, I analyze the ways in which …


Faulkner, Truth, And The Artist's Directive: A Reading Of "A Fable"., Bobby Lynn Matthews Jan 1991

Faulkner, Truth, And The Artist's Directive: A Reading Of "A Fable"., Bobby Lynn Matthews

LSU Historical Dissertations and Theses

The old general in A Fable embodies the resolution of questions about the relation of art and life that Faulkner evoked in his invention of Quentin Compson in The Sound and the Fury and pursued in a series of subsequent characterizations. This artist-figure motif discloses Faulkner's implication of the relation in the modern crisis of faith. Faulkner images in narrative fiction what Nietzsche asserts in discourse, namely, the need for a reversal of the Platonic valuation of eternal "truth" (ideality) over art. The characterization of Quentin shows the potentially terrible consequences of man's propensity for mythopoeic invention, as Quentin's unconscious …


Writing And Modernity: Colette's Feminist Fiction., Lezlie Hart Stivale Jan 1991

Writing And Modernity: Colette's Feminist Fiction., Lezlie Hart Stivale

LSU Historical Dissertations and Theses

My choice of Colette's fiction as the subject of critical analysis is one occasioned not only by the richness of her literary corpus, but also by the marginalization of Colette's work as "natural" or "feminine" within the French literary canon. While much has been written on Colette, consideration of her personal life has overly influenced the critical evaluation of her works. I break with the prevalent biographical trend in Colette criticism by approaching seven of her novels from feminist perspectives informed by deconstruction, narratology and psychoanalysis. These productive readings reveal multiple destabilizing effects. A close reading of Cheri locates sites …


Forged Ties: The 'Comitatus' And Anglo -Saxon Poetry., Leslie Ann Stratyner Jan 1991

Forged Ties: The 'Comitatus' And Anglo -Saxon Poetry., Leslie Ann Stratyner

LSU Historical Dissertations and Theses

The focus of this study is the illumination of the most unchanging and consistent aspect of Anglo-Saxon poetry: the poetic representation of the ethos of the warrior band. The ideals of the comitatus offer a contributing, if not controlling, structure to nearly the entire corpus of Anglo-Saxon poetry. That warband could attain no finer poetic representation than Beowulf and "The Battle of Maldon," which, in presenting not only positive but negative models of behavior, best exemplify the ideals of the comitatus as embodied in Anglo-Saxon verse. Chapter 1 examines the institutions and practices of that masculine circle as illustrated in …


Voices Of The Self In Daniel Defoe's Fiction: An Alternative Marxist Approach., Zaixin Zhang Jan 1991

Voices Of The Self In Daniel Defoe's Fiction: An Alternative Marxist Approach., Zaixin Zhang

LSU Historical Dissertations and Theses

The alternative Marxist approach to literary criticism in the present study consists of three "vocal" modes of interpretation: the public voice, the private voice, and the homeless voice of the self. The public voice represents authorial visions of the ideological real projected by dominant ideology that covers up the "objective" real, while the private voice corresponds to the authorial conscious or unconscious insertion into radical ideology that turns the "objective" real into the ideological real. However, the homeless voice of the self obliterates any ties with history and authorial ideology. A personification of the Marxist "particular interest" of the self, …


The Fiction Of Fishing: Richard Brautigan's Metafictional Romance, Brian T. Way Jan 1991

The Fiction Of Fishing: Richard Brautigan's Metafictional Romance, Brian T. Way

Digitized Theses

The writings of Richard Brautigan achieved considerable popular and critical praise in the 1960s but were generally ignored or denounced thereafter. This dissertation offers a reassessment of Brautigan's oeuvre by advancing a contemporary reading of his works within the critical and cultural environment of his times. After a preliminary examination of So the Wind Won't Blow It All Away to illustrate the artful complexity of Brautigan's final work, the dissertation examines the critical and literary framework that surrounded Brautigan's earliest writings, submitting that his works are best understood in a postmodern critical context. Trout Fishing in America, A Confederate General …


Symbol And Sacrament: The Incarnational Aesthetic Of Christina Rossetti, Mary Arseneau Jan 1991

Symbol And Sacrament: The Incarnational Aesthetic Of Christina Rossetti, Mary Arseneau

Digitized Theses

This thesis attempts to establish that Christina Rossetti's particular religious milieu (of which the Oxford Movement was a prominent feature) was a formative influence not only on her religious poetry, but also on the pervasive aesthetic and symbolic practice that unifies the general and devotional sections of her volumes of poetry. Underlying the Oxford Movement (and its emphasis on the Incarnation, its revival of ceremonial in Anglo-Catholic worship, the renewed emphasis on sacrament that it engendered, and the sacramental aesthetic characteristic of Tractarian poetics) is a belief that material creation is able to contain and communicate moral and spiritual meaning. …


Authority And Interpretation In Chaucer's "Tale Of Melibee", Dominick M. Grace Jan 1991

Authority And Interpretation In Chaucer's "Tale Of Melibee", Dominick M. Grace

Digitized Theses

Although Chaucer's concern with problems of authority is widely recognized by scholars, the Tale of Melibee, which he assigned to his persona in the Canterbury Tales, is equally widely regarded as an unambiguous assertion of moral authority. The allegory is transparent, its moral clear, and the tale a slavishly literal translation of Renaud de Louens' Livre de Mellibee et Prudence, critics argue. Though its placement in the Canterbury context raises questions of interpretation--Chaucer prefaces the tale with overt stress on the matter of the tale's sentence, and the tale is followed by Harry's misreading of it--most critics accept the view …


Metaphysical Concepts In West African Prose: Spiritual Significance And Aesthetic Implications, Kathleen A. Morrison Jan 1991

Metaphysical Concepts In West African Prose: Spiritual Significance And Aesthetic Implications, Kathleen A. Morrison

Digitized Theses

This dissertation examines how West African prose in English is informed and shaped by the underlying African world-view and its expression in the beliefs and practices of the ethnic group from which each writer originates. The world-view is of a cosmos controlled by multiple deities and spirits, a world in which the gods exist for man and in which power is not dichotomized as spiritual and physical, nor as good and evil. The study includes one autobiography and sixteen novels by eight writers from five ethnic backgrounds: Chinua Achebe (Igbo), Elechi Amadi (Ikwerre), Ayi Kwei Armah (Akan), Kofi Awoonor (Ewe), …


Les Romans De Louis Guilloux Entre 1927 Et 1942: Aux Frontieres Du Populisme (French Text), Monica Lebron Jan 1991

Les Romans De Louis Guilloux Entre 1927 Et 1942: Aux Frontieres Du Populisme (French Text), Monica Lebron

Digitized Theses

In 1942, Louis Guilloux was awarded the Prix Populiste for Le Pain des reves, a novel which, along with the six which preceded it, is generally considered to be representative of the populist literary trend. Guilloux's novels are profoundly significant representations of historical events which took place during the first half of the 20th Century. The effect of periods of political turmoil upon society and the injustice brought down upon the working class figure prominently in Guilloux's novels.;Following two lines of development, the thesis studies the novels both in their generic relationships with populist literature and from the point of …


A World Remade: Graham Greene's Thrillers And The Nineteen-Thirties, Brian Diemert Jan 1991

A World Remade: Graham Greene's Thrillers And The Nineteen-Thirties, Brian Diemert

Digitized Theses

Within Graham Greene's large body of work stand several texts which, for reasons explored in this thesis, he originally called "entertainments". Because this label seems to suggest that these texts are not as important as his other novels, they have received relatively little critical attention. This thesis helps to redress this imbalance.;Beginning with a brief consideration of generic distinction, I argue that Greene's use of the "entertainment" label is tied to the specific historical, political, and literary context of the nineteen-thirties in Britain. At this time, Greene and other writers reacted to the literary and critical practices of the high …


"India, The New Myth--A Collective Fiction": The Construction Of History In British And Indian Fiction About India's Independence Movement, Teresa Dawn Hubel Jan 1991

"India, The New Myth--A Collective Fiction": The Construction Of History In British And Indian Fiction About India's Independence Movement, Teresa Dawn Hubel

Digitized Theses

This dissertation is a study of imperialist and nationalist constructions of modern Indian history, encompassing Indo-Anglian and Anglo-Indian fiction written between 1880 and the year of India's political independence, 1947. Its theoretical approach is feminist and new historicist, and consequently it engages not only the fiction that sought to define the nationalist/imperialist moment in India but other public documents that contributed to this definition, such texts as British accounts of India's social life and moral problems, speeches, articles, and books by Indian nationalists, and analyses of the political situation written by British and Indian historians. This thesis is committed to …


The Mystical/Political Poetry Of Denise Levertov, Dorothy Nielsen Jan 1991

The Mystical/Political Poetry Of Denise Levertov, Dorothy Nielsen

Digitized Theses

I examine the complex and untheorized relationship between mysticism and politics in Denise Levertov's poetry and poetics. Levertov's reputation began to suffer during the sixties when she wrote about the Vietnam War, partly because of the idea--a vestige of the New Criticism--that poetry should transcend its political and social contexts. In the case of Levertov criticism, the preference for a timeless "poetic" plane has been reinforced by the prevalent assumption that her pre-war poetics was grounded in a celebratory mysticism that precluded political commentary. In reality, Levertov's mystical poetics--which shows traces of diverse influences, including Hasidism, the Romantic lyric, objectivism …


"Operating From Bastard Territory": Attitudes Toward The Motherland And The Colonial Self In Four Australian And Canadian Novelists, Elisabeth J. Koster Jan 1991

"Operating From Bastard Territory": Attitudes Toward The Motherland And The Colonial Self In Four Australian And Canadian Novelists, Elisabeth J. Koster

Digitized Theses

This thesis explores the question, inherent to the fiction of both Canada and Australia as settler colonies, of what images are used to depict the motherland, and how this depiction affects the new colony's ability to create its sense of distinctiveness.;Examining critical studies of these national fictions in conjunction with those novels by four prominent Australian and Canadian authors which most closely examine the relationship between colony and Britain, this study uncovers four recurrent themes related to establishing a distinctive sense of self: the conception of opposing images of Britain and the new home; the experience of exile as a …