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Sergei Mikhailovich Lyapunov’S Piano Sonata Op. 27 (1908): Style, Structure, And Nineteenth-Century Precedents, Andrey Y. Karpyuk

Doctoral Dissertations

Sergei Mikhailovich Lyapunov (1859-1924), Russian composer, pianist, conductor, musicologist, editor and pedagogue, holds an important place in the history of Russian music.Lyapunov established his reputation as a composer and as a distinguished professor at the Saint Petersburg Conservatoire in the early 1900s. Given his prominence in Russian music history, it is surprising that his work is relatively unknown in the United States.

Lyapunov’s Op. 27 Piano Sonata, composed in 1906-08 and published in 1908, is a work of considerable merit both compositionally and pianistically. It is one of the few consequential works modeled directly after Liszt’s Sonata in B minor, …

Parody And Transcription In The B-Minor Mass, David Woolard

Honors Theses

Johann Sebastian Bach's Mass in B Minor is not entirely an original work. Eleven of the twenty-five moments were either borrowed from Bach's earlier cantatas or were transcribed from the Mass into later choral works. In the process of borrowing, Bach often made significant changes in the original composition. In the preparation of this paper, each parody movement in the Mass was compared with the work from which it was drawn or, in four cases, the work drawn from it. Variants between the model and the parody were written down and classified. The resulting categories suggest insights into Bach's reasons …