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A Critical And Performance Edition Of Agustin Barrios’S Cueca: Comparative Analysis Of Form, Notation, And Performance Practice Of Barrios’S Work To Traditional Chilean Cuecas From The Beginning Of The Twentieth-Century, Enrique Sandoval-Cisternas
A Critical And Performance Edition Of Agustin Barrios’S Cueca: Comparative Analysis Of Form, Notation, And Performance Practice Of Barrios’S Work To Traditional Chilean Cuecas From The Beginning Of The Twentieth-Century, Enrique Sandoval-Cisternas
Theses and Dissertations--Music
Agustin Barrios's guitar music has become increasingly popular over the last forty years. After his death, a revival of interest in his compositions began in the 1970s, motivated by a series of publications and recordings of his music by important guitar performers at that time. The most important of these recordings came from the Australian guitar performer John Williams, who was interviewed in 1976 by ABC Television Australia for a film about the Paraguayan composer. The next year, Williams recorded a collection of fifteen works in his album John Williams-Barrios: John Williams Plays the Music of Agustín Barrios Mangoré. …
Applied Temperament, Geoffrey D. Hershberger
Applied Temperament, Geoffrey D. Hershberger
Theses and Dissertations--Music
The following document was created in order to promote intonation consensus in ensembles and to better facilitate learning in educational settings. Non-keyboard instruments provide musicians an opportunity to make nearly infinitesimal adjustments to pitch while performing; this creates difficulties for students and challenges even the most seasoned professionals. Non-keyboard musicians struggle their whole lives to play in tune, and even when one knows exactly where they want to place a pitch, technical difficulties can foul any musician's performance. When performing solo, the musician must choose a tuning system that is suitable for the music being performed, and attempt to realize …