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Discarnation: Expounding On Marshall Mcluhan's Critique Of Modern Subjectivity, Amanda Sevilla
Discarnation: Expounding On Marshall Mcluhan's Critique Of Modern Subjectivity, Amanda Sevilla
Electronic Theses and Dissertations
This project presents Marshall McLuhan’s work as an explication of discarnate subjectivity in mediated environments, with special focus on the consequences of technological environments in society. The first and second chapters focus on McLuhan’s ground, sensibilities, and practice to shed light on his intricate discussions of social perceptions emerging in modern times—i.e., communal awareness propels perceptual and cultural shifts. The third chapter attends to people’s perceptual compass, or their ability to interpret the world around them. Chapter four considers some of the phenomenological aspects of McLuhan’s probes. The ideas show disconnects between time and space that contribute to discarnation in …
"I Have A Seat In The Abandoned Theater": Post-Foundational Subjects, Inoperative Teleologies, And The Aesthetics Of Dispossession, Averil L. Novak
"I Have A Seat In The Abandoned Theater": Post-Foundational Subjects, Inoperative Teleologies, And The Aesthetics Of Dispossession, Averil L. Novak
Electronic Thesis and Dissertation Repository
What is the nature of political ‘reality,’ and in what ways are we capable of affecting it? Who (or what? and where?) is the subject of democratic politics? Of revolutionary politics? Are they opposed to one another? The grand narratives that ‘ground’ this project and the resistances that unground them form the basis for a post-foundational analytic of the subject of politics, of identity, and of community, which constitutes a mobilization of democratic resistance as a commitment to persistent (and in some cases, relentless) contestation, interruption, and disruption. These questions are explored through the argument that modern politics is …
Subjectivity, Passion, And Mystical Intuition: Nietzsche's Early Writing, Joseph Leivdal
Subjectivity, Passion, And Mystical Intuition: Nietzsche's Early Writing, Joseph Leivdal
Electronic Thesis and Dissertation Repository
For Nietzsche, the subject is aesthetically creative, meaning that the subject is a dynamic process of self-transformation that involves not only the subject’s sense of self, but the meaning of their world. In my first chapter, I look at "On Truth and Lying in a Non-Moral Sense" to show how Nietzsche deconstructs rationalist epistemology in order to show that knowledge and meaning are an aesthetic activity. In my second chapter, I look at "On the Uses and Disadvantages of History for Life" to argue that Nietzsche sees creativity as a passionate, sublime overflow, a rupture with the present that artistically …
The Zombie Apocalypse Has Already Happened: Queering Subjectivity In Zombie Film, Jessica Dunn
The Zombie Apocalypse Has Already Happened: Queering Subjectivity In Zombie Film, Jessica Dunn
Electronic Theses and Dissertations
This dissertation traces the encounter between psychology as a human science and the viral zombie film genre using the collaborative works of Deleuze and Guattari in conjunction with the queer anti-humanist theories of Colebrook and Halberstam. I interwove thematic (i.e. plot, dialogue, character development) and cinematographic (i.e. shot composition, editing, lighting, musical score) analyses of fourteen viral zombie films with theoretical arguments regarding the deterritorialization of the human subject and its relevance to psychology as a human science. The films were selected from the plethora of viral zombie films released after the turn of the 21st century. The selection was …
The Parable As Mirror: An Examination Of The Use Of Parables In The Works Of Kierkegaard, Russell Hamer
The Parable As Mirror: An Examination Of The Use Of Parables In The Works Of Kierkegaard, Russell Hamer
Dissertations (1934 -)
This dissertation focuses on an exploration of the use of parables in the works of Soren Kierkegaard. While some work has been done on Kierkegaard’s poetic style, very little attention has been paid to his metaphors, despite their prevalent use in his works. Much of the scholarship instead treats his parables as mere examples of philosophical concepts. In this work, I argue that Kierkegaard’s parables function primarily to cause the reader to see him or herself truly. The parables work like mirrors, reflecting our true selves back onto ourself. In this way, the parables prompt Kierkegaard’s readers to overcome the …
"Betwixt The World Destroyed And World Restored": Subjectivity And Paradisal Recovery In John Milton's Late Poems, Chihping Ma
"Betwixt The World Destroyed And World Restored": Subjectivity And Paradisal Recovery In John Milton's Late Poems, Chihping Ma
Dissertations, Theses, and Capstone Projects
This study focuses on the discovery of subjectivity through the recovery of lost paradise in Milton’s late poems, Paradise Lost, Paradise Regained, and Samson Agonistes. This theme revolves around the tension between the affective and the empirical, which also configure the spheres of the sacred and the profane. I explore how the irresistibly emancipatory impulse of recovering lost paradise compels Miltonic subjects to seek ways to return to their originary state or the divine ensemble. During this process, the subject is engaged with his own incapacity or privation while reaching into the sphere of unknown potentiality. In …