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Replacing The Priest: Tradition, Politics, And Religion In Early Modern Irish Drama., Leslie Ann Valley
Replacing The Priest: Tradition, Politics, And Religion In Early Modern Irish Drama., Leslie Ann Valley
Electronic Theses and Dissertations
By the beginning of the twentieth century, Ireland's identity was continually pulled between its loyalties to Catholicism and British imperialism. In response to this conflict of identity, W. B. Yeats and Lady Augusta Gregory argued the need for an Irish theatre that was demonstrative of the Irish people, returning to the literary traditions to the Celtic heritage. What resulted was a questioning of religion and politics in Ireland, specifically the Catholic Church and its priests. Yeat's own drama removed the priests from the stage and replaced them with characters demonstrative of those literary traditions, establishing what he called a "new …
"The Mirror Turn Lamp": Natural-Supernatural In Yeats, Cleston Lee Armstrong Iii
"The Mirror Turn Lamp": Natural-Supernatural In Yeats, Cleston Lee Armstrong Iii
Dissertations
The supernatural portrayed in Yeats represents a carefully constructed convergence of all major themes in his canon. Yeats's first exposure to myth, the supernatural, and magic occurs in the 1890s when he worked as an editor of William Blake and Irish fairy lore. This experience at once inspired Yeats to explore mysticism and to shroud his own collected works in mystery. With the onset of modernity and the age of criticism this period ushered in, however, he was unable to capitalize on the spiritual as first imagined. As mere aesthetic, peculiar illuminations of the immaterial world Yeats so intensely sought …