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An Analysis Of The Thematic Structure Of Chopin's Polonaise-Fantaisie, Opus 61, Thomas Walter Bull
An Analysis Of The Thematic Structure Of Chopin's Polonaise-Fantaisie, Opus 61, Thomas Walter Bull
Graduate Student Research Papers
The analysis of the Polonaise-Fantaisie was undertaken to ascertain, insofar as can be done through the analysis of one work, whether or not Frederic Chopin's music is loosely structured and unpolyphonic as some of his critics have maintained.
A Study Of The Adolescent Boy's Changing Voice, Harold Robert Estby
A Study Of The Adolescent Boy's Changing Voice, Harold Robert Estby
Graduate Student Research Papers
It was the purpose of this study (1) to arrive at an understanding of the vocal mechanism and how it changes during the changing voice period, (2) to discover what preparation can be made for the changing voice period, and (3) to find information on the changing voice period that would lead to an understanding ot how the changing voice develops and how it should be cared for and trained.
An Extention Of Musical Concepts In The Junior High General Music Program, George M. Ice
An Extention Of Musical Concepts In The Junior High General Music Program, George M. Ice
Graduate Student Research Papers
This paper intended to show how an extension of theoretical concepts of musical learning may contribute to an effective, unified, general music program in the junior high school.
Puccini's Treatment Of Verismo, Janet M. Ice
Puccini's Treatment Of Verismo, Janet M. Ice
Graduate Student Research Papers
The employment of verismo, or realism, in opera did not begin with Puccini; however, his treatment developed the concept to its fullest. Inasmuch as Puccini was one of the foremost composers of his time, a study of his treatment of verismo seems valuable.
A Style Analysis: Bach's Brandenburg Concerto, No. 2 In F Major, Charles Raymond Wallgren
A Style Analysis: Bach's Brandenburg Concerto, No. 2 In F Major, Charles Raymond Wallgren
Graduate Student Research Papers
This paper is primarily concerned with one example of Johann Sebastian Bach's instrumental style--the "Brandenburg Concerto No. 2." The style of this work was influenced by the musical resources known to Bach, compositional techniques, and the capabilities of the instruments in the baroque period. The manner in which Bach used these resources and the integrity of what he had to say are evidences of his individual genius.