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Art Imitates Life: The Representation (Or Lack Thereof) Of Black Women In Video Games, Bug Gadson

Faculty Curated Undergraduate Works

The key focus of this essay is to compare the representation of black women in media, primarily in television and film, to the representation of black female characters in video games. Using black feminist theory, this essay illustrates the treatment of black female characters in gaming. The particular and deliberate methods of writing black female characters in video games are used to highlight white video game characters and their narratives, instead of giving life and dimension to the black female characters themselves. The hostile and unsafe environments in gaming spaces are cultivated through upholding these harmful stereotypes of black women, …

Intervention: Reality Tv, Whiteness, And Narratives Of Addiction, Jessie Daniels

Publications and Research

Purpose – Reality TV shows that feature embodied “transformations” are popular, including Intervention, a program that depicts therapeutic recovery from addiction to “health.” The purpose of this chapter is to address the ways whiteness constitutes narratives of addiction on Intervention.

Methodology – This analysis uses a mixed methodology. I conducted a systematic analysis of nine (9) seasons of one hundred and forty-seven (147) episodes featuring one hundred and fifty-seven individual “addicts” (157) and logged details, including race and gender. For the qualitative analysis, I watched each episode more than once (some, I watched several times) and took extensive notes on …

Citizen Bunker: Archie Bunker As Working-Class Icon., Kathleen Collins

Publications and Research

Archie Bunker, the central character and patriarch of Norman Lear’s “All in the Family,” (1971-1979) has been referred to as an “everyman” and an “angry-man prototype” with “hard had prejudice.” The name Archie Bunker itself has become synonymous with a blue-collar, racially chauvinistic mentality. The title of the show’s pilot and theme song, “Those Were the Days,” emphasized Archie’s dream of a simpler (though idealized) time, a world that he could understand and upon which he could exert some control. In 1970s America, Archie seemed to feel that the world was against him – economically, socially, politically and culturally – …

Popular Representations Of Jewish Identity On Primetime Television: The Case Of The O.C., Tamara Olson

Media and Cultural Studies Honors Projects

Relying on a close reading of the primetime television soap opera The O.C., this thesis argues that Jewish identity on television has become perfectly compatible with normative Whiteness. While The O.C. is filled with signifiers of Jewishness, they are cultural rather than religious and are celebrated rather than rejected by WASPs. This analysis highlights the way Jews have been transformed from racialized “Others” in popular culture to Whites who embrace Jewish cultural styles, especially Jewish humor.

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On Cultural And Structural Change In Rte Television Drama, Edward Brennan

Articles

No abstract provided.