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Sewing And Dressmaking In Martha Mcmillan's Day (1891), Elizabeth G. Allen

Martha McMillan Research Papers

This paper describes the process of sewing and dressmaking in America from the mid 1800s to the early 1900s and provides historical context for Martha McMillan's discussion of sewing and dressmaking in her 1891 journal.

Ohio River Survey (Fa 656), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 656. Kentucky Folklife Program project titled: “Ohio River Survey,” which includes interviews, tape logs, photographs and other documentation of folklife along the Ohio River in Illinois, Indiana and Kentucky. Interviews may include a description of belief, traditional occupation, practice, craft, or tool, informant’s name, age, birth date, and address.

Level 1an - Holes And Ridges Knitted Dishcloth - 103, Debra Proctor

All Current Publications

Cotton yarn is a good yarn to use for a dishcloth. It is absorbent, stronger wet than dry, machine washable and can be bleached if needed. These dishcloths are easy and fun to make. Make several and give them as gifts.

Level 1b - Fleece Tied Pillow - 204, Ronda Olsen, Debra Proctor, Karen Biers

All Current Publications

As you prepare to make your Fleece Tied Pillow, you will need to decide whether you want to make a 14, 16, or 18" pillow.

Baby Rail Blues, Debra Proctor, Deonn Stott

All Current Publications

This is a great quilt for beginning and experienced quilters. Accuracy begins with the basics

Level 1an - Double Yarn Knit Slippers - 102, Debra Proctor, Kristine Saunders

All Current Publications

This is a simple basic slipper for knitters just learning how to knit. Two strands of worsted weight yarn are used to make the slippers more durable (and warm).

Level 1an - Diagonal Knit Dishcloth - 101, Debra Proctor

All Current Publications

Cotton yarn is a good yarn to use for a dishcloth. It is absorbent, stronger wet than dry, machine washable and can be bleached if needed. These dishcloths are easy and fun to make. Make several and give them as gifts.

Level 1a - Designer Pillowcase - 102, Ronda Olsen, Debra Proctor

All Current Publications

Select firmly woven 100% cotton or cotton polyester blend fabric that is a minimum of 42" wide.

Level 1b - Reversible 16" Tied Pillow - 202, Ronda Olsen, Debra Proctor, Karen Biers

All Current Publications

When the pillow cover is completed it should fit snuggly around the pillow form.

Level 2 - Fleece Stocking Hat - 301, Debra Proctor, Ronda Olsen, Karen Biers

All Current Publications

This pattern is fun because you become the designer. With a few simple guidelines you can make your hat to please your taste. The tail can be longer or shorter.

Level 1b - Reversible 18" Tied Pillow - 203, Ronda Olsen, Debra Proctor, Karen Biers

All Current Publications

When the pillow cover is completed it should fit snuggly around the pillow form.

Level 1b - Reversible 14" Tied Pillow - 201, Debra Proctor, Karen Biers

All Current Publications

When the pillow cover is completed it should fit snuggly around the pillow form.

Considerations For Knit Fabrics, Usu Extension

All Current Publications

There are a number of characteristics of a knit fabric that will influence the pattern used and the sewing techniques chosen. Knits can vary from light weight to bulky weight and from tightly to loosely knit.

Fleece Facts, Usu Extension

All Current Publications

Launder and choose the side of fleece you like best for the outside, unless it is a water resistant or wind proof fleece and then it should have a definite right and wrong side.

Nf00-424 Sewing With Velvet, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact discusses sewing techniques for velvet.

Nf00-413 Sewing With Sand-Washed Fabrics, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact discusses various sewing techniques for sand-washed fabrics.

Nf00-412 Sewing With Elastic, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact discusses the types of elastic available and a variety of uses for each.

Nf00-431 Sewing With Voile, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact discusses techniques for sewing with voile.

Nf00-430 Sewing With Velveteen, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact discusses sewing uses for velveteen.

Nf00-419 Sewing With Lycra® Blends, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact discusses sewing and lycra blends.

F00-416 Sewing With Silky Textured Fabrics, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact discusses a variety of uses for silky textured fabrics.

Knitted Nesting Pincushion, Debra Proctor

All Current Publications

Knitted Nesting Pincushion

Make Your Own Knitting Needles, Debra Proctor

All Current Publications

Making your own knitting needles can be fun. Yarn will not slip as easily on wooden knitting needles, making them a good choice for beginners.

Nf96-250 What You Ought To Know About Sewing Machine Needles, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact has information on different types of sewing machine needles.

Nf93-142 Buying A Serger, Rose Marie Tondl, Kathleen Heiden

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact discusses various features available in sergers.

G93-1137 Interfacings, Rose Marie Tondl, Kathleen Tolman

University of Nebraska-Lincoln Extension: Historical Materials

This NebGuide tells how to select, prepare and apply interfacing to enhance garment quality.

Interfacing is a supportive fabric placed between the facing and garment fabric. Although hidden from view, it is a critical part of clothing construction. The necessity for interfacing is dependent on garment detail, fabric type and desired effects. It can make the difference between a professional-looking garment and a disappointment.

G93-1125 Lining A Jacket Or Coat, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

The purpose of a lining is to add to the comfort of the wearer; preserve the shape of a garment or add body to it; and conceal construction details and raw edges of fabric, thus giving a finished appearance to the inside of the garment. A neatly applied lining usually adds to a garment quality.

The fabric and style of the garment may influence whether a lining should be used. Woven fabrics are more frequently lined (to conceal raw edges) than knit fabrics. If a woven fabric coat or jacket is not lined, give seam allowances and facings a special …

G92-1091 Sewing With Knit Fabric, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This publication discusses kinds of knits, testing for stretchability, and blocking, cutting and sewing with knits.

Knits are an important part of every wardrobe because they are comfortable to wear and easy to care for. They shed wrinkles well and do not ravel when sewn. Knits are versatile and can be seen in everything from the most casual wear to the dressiest. Knits come in a variety of fabrics that vary in texture, stretchability, fiber content, weight and design.

G91-1028 Preparing Fabric For Use, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

Grain perfection is the goal for people who sew.

Smart styling and a professional look in clothing construction require correct use of the grain of the fabric. No formula or method can conceal a poorly cut garment.

Garment pieces cut or pulled off grain will not fit correctly and will hang poorly when worn. Whether simple or elaborate in design, the fabric shows whether or not it has been cut on the exact grain.

Nf91-47 Micro-Fibers, Rose Marie Tondl

University of Nebraska-Lincoln Extension: Historical Materials

This NebFact discusses the advancements of micro-fibers in the clothing industry.