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Kandinsky’S Dissonance And A Schoenbergian View Of Composition Vi, Shannon M. Annis

USF Tampa Graduate Theses and Dissertations

In this study, I clarify the relationship between Wassily Kandinsky's move towards abstraction in painting and his encounters with the music and theory of Arnold Schoenberg. Prior studies have concentrated on the similarities in their theories, but I examine Kandinsky [sic] idiosyncratic understanding of Schoenbergian concepts and the evolution of his engagement with music theory over the period of 1909 to 1914. I identify dissonance as the aspect of Schoenberg's music and theory that Kandinsky found most relevant to his own developing compositional theory for abstract painting. In music, dissonance is commonly considered to be combinations of tones that sound …

Poetry And Ritual: The Physical Expression Of Homoerotic Imagery In Sama, Zachary Holladay

USF Tampa Graduate Theses and Dissertations

Sufi poetry of the Abbasid Caliphate (750-1258 CE/132-655 AH) exhibited a particular penchant for highlighting the relationship between humankind and God with homoerotic language. While the homoerotic nature of Sufi poetry has received considerable scholarly attention, the ritual expression of such literature has not. The ritual of sama was a practice that occurred in the Sufi institutions and incorporated various elements of the poetry examined. By listening to the poetry, in the form of song and often with accompanying instrumentation, the mystics would experience transient moments of altered state experiences, usually interpreted as moments of union with God.

This thesis …