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Not Again, Victor M. Perez Iii Dec 2021

Not Again, Victor M. Perez Iii

Theses and Dissertations

Victor Perez explores personal narratives involving artifice, domesticity, and patriarchal harms through paintings which use a hybrid of digital and hand applied painting.


A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen Dec 2021

A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen

Theses and Dissertations

This paper consists of a series of scenes in which various narratives with proximity to the truth plays out. within it I aim to articulate the dispersed subjectivity and forensic aspects to my work, as well looking at the perverseness in the desire for proximity to the fantasy, utilizing the self as a vehicle of desire.


To The Studio, In The Studio, Home, Miquel R. Veldkamp May 2021

To The Studio, In The Studio, Home, Miquel R. Veldkamp

Theses and Dissertations

A curated series of poems and mini essays that reflect on personal life, politics, art history, folklore, science, identity and race. It addresses the questions that inform my work, and echoes its ethos of play, exploration, curiosity, vulnerability.


I Wasn't There, Lily Wong Jan 2021

I Wasn't There, Lily Wong

Theses and Dissertations

My work reimagines personhood at the moment it becomes undone and investigates how an amplification of visibility can also function as a severing of humanity. A personal navigation of fracture and the forging of self through artificial extensions and distensions of the body.


Pissing In The Pleasure Garden, Ellen Hanson Jan 2021

Pissing In The Pleasure Garden, Ellen Hanson

Theses and Dissertations

In this paper I will discuss self-representation and how my paintings refer to self-sexualization on the internet and depictions of muses in art history, allowing me to occupy the joint role of artist and muse through the repetition of my own image. My thesis exhibition, Pissing in the Pleasure Garden, uses freestanding canvases to imitate the form of a Hortus Conclusus. I use the closed garden to contend with the contradictions of control, eroticism, and voyeurism. Similar to the landscape of the early internet created by blogs and camgirl sites, the closed garden is both public and private.


Cloaca Palace, Connor Marie Stankard Jan 2021

Cloaca Palace, Connor Marie Stankard

Theses and Dissertations

In this thesis, I trace the compulsive fear of holes, known as trypophobia, from an uncontrollable obsession to a pleasurable preoccupation. The body’s physical porousness makes us receptive to our surroundings, allowing external matter in and destabilizing the boundaries of self and other. Matter invades us, encoding itself into our DNA and transforming humans into chimeric creatures.

Through paintings and multi-media installations, I encourage viewers to reflect on their own bodies as a series of holes, vulnerable receptors to the world. I use the figure of a woman to personify a human hole which has been infected by the outside, …