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Organic Space, Lisa Gardner
Organic Space, Lisa Gardner
Theses and Dissertations
My works evolve from a concrete vision but tend to lack recognizable imagery. Color and texture are central to my process. By isolating the element of color, I strive for purely formal qualities in my color field paintings. Working on textured suraces, such as burlap, allows me to capture textural elements, which further adds to the aesthetic components of my art. The lack of realistic imagery provides an opportunity for the viewer to personally interpret the visual elements. It is my objective that during the aesthetic experience, the viewer becomes captivated by the unique ways that colors play within tiny …
Toward A New Kinship Constellation, Nellie Helen Frances Appleby
Toward A New Kinship Constellation, Nellie Helen Frances Appleby
Theses and Dissertations
This thesis attempts to elaborate on my artwork during my graduate studies, while contextualizing it within the framework of the art world and the works of other artists. A main project during this time was to minimize the singular interpretation and framing of a fine art photographic print, while expanding its possibilities of meaning through the addition of important ephemera and objects such as plants, drawings, moving imagery, conversation and the unknown.
Invisible Green, Amanda Sauer
Invisible Green, Amanda Sauer
Theses and Dissertations
How is nature conceived today, a generation into the environmental movement? Many contemporary artists grapple with how to reconcile our inheritance of both a precarious natural world and the culture that created it. My work investigates the subtle intricacies of our relationship with nature. I use photography to develop a way of seeing that points to the often-unnoticed nature in front of us. In particular, my work recognizes and re-imagines nature's deep connections in the context of our ecologically changed world.