Digital Commons Network^™

Reassembled And Reimagined: A Study Of Princess Alexandra's Photocollage Album, Haley Steines

Theses and Dissertations

In the nineteenth century, album-making became a popular medium for Victorian women to experiment with due to its association with the domestic sphere and a growing art market aimed towards women. Once photography became an accessible and affordable medium, women began to include cartes-de-visite in their album pages resulting in a new form of album-making: the photocollage album. Princess Alexandra’s (1844-1925) photocollage album created in 1866 1869 contains several of the common themes and techniques seen amongst photocollage album creators. However, her status as the Princess of Wales and the preservation of photographs by the Royal Collection Trust allows for …

With Love & Rage: A Self Portrait Of Borderline Personality Disorder, Sarah Eckstine

Theses and Dissertations

With Love & Rage: A Self Portrait of Borderline Personality Disorder analyses how I use the act of taking self portraits to materialize emotions through photographic means. When I experience intense emotions symptomatic of borderline personality disorder, positive or negative, their onset is routinely sudden and overwhelming; what follows is an impulsive desire to photograph myself to archive the present before the emotions shift or return to stable levels.The Rage images document the emotional aftermath of a sexual assault and rape; anger and depression, by using a red-scale film to emphasize both confrontational and dissociated body language. The Love images …

"This Other Way": Photography At Black Mountain College, Kyle Canter

Theses and Dissertations

Relying on the photographic collections of the Western Regional Archives in Asheville, NC, as well as oral histories, personal correspondence, course notes, official college records, and other archival material, this thesis examines the history and pedagogy of photography at Black Mountain College.

"How Is Photography?": Robert Heinecken's Photographic Concept At The University Of California, Los Angeles, 1960–1991, Noa Wesley

Theses and Dissertations

This thesis examines the photography program Robert Heinecken established at UCLA, highlighting his interest in teaching photography as an idea rather than a technologically inflected medium. This pedagogical model provides a lens through which I trace the work of three of his students: Maria Nordman, John Divola, and Uta Barth.

How To Forget, Jesse D. Hoyle

Theses and Dissertations

How To Forget was born from a need to give tangible form to the psychic residue left behind by a life lived. Through the use of silk-screening of red clay mud onto ink-jet photographs, archival textiles, and site-specific installations, I attempt to tie and/or divorce myself from my own and my family's extended history and examine the function of memory within the dynamics of the archive. How To Forget takes a non-linear, non-chronological approach to this examination, compressing decades of time and space through the manipulation of the archive and my own self-portraiture, designed specifically to deny myself from its …

Contact Sheet, Jiwoong Jang

Theses and Dissertations

Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.

Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales

Theses and Dissertations

Graciela Iturbide’s career-defining engagement with indigenous subjects began with a commission by the Mexican government's Instituto Nacional Indigenista (INI) to document the Seri people. This thesis contextualizes the resulting photobook, Los que viven en la arena (1981), within the history of indigenous representation in Mexico and the controversial policies of the INI.

Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine

Theses and Dissertations

Esther Born’s The New Architecture in Mexico (1937) presents the first survey of Mexican modern architecture and documents early works by Luis Barragán, Juan O’Gorman, among other Mexican modernists. This thesis examines Born’s architectural photography alongside that of Lola Álvarez Bravo, Guillermo Kahlo, and other photographers and within discourses of modernity, history, and representation.

A Theory Of General Relativity, Madeleine Mae Morris

Theses and Dissertations

"A Theory of General Relativity" is a quiet exploration into the poetic and scientific ways we inhabit space and time. This work is a manifestation of the time I spent being my grandmother's caretaker and exists now in the form of an artist book, an exhibition of framed photographs with glass objects, and this written thesis. Throughout those five years, I became consumed by the relationships between Mothers and Daughters, which brought into excruciatingly sharp focus seemingly simple questions like: who are we, what have we done to each other, what do we owe to each other, do I reap …

Pioneers Of Evacuation, Pioneers Of Resettlement: The Photographic Archive Of The Japanese American Incarceration And The Settler Colonial Imaginary, Christina Hobbs

Theses and Dissertations

This thesis reexamines the photographic archive of the Japanese American incarceration during World War II produced by the US government, arguing that these images “restage” the evacuation, incarceration, and resettlement periods through a settler colonial “pioneer” mythology, thereby obscuring the precarity of Japanese Americans' racial positionality between “settler” and “native.”

In The Face Of Death The Photographic Reevaluation Of The Death Mask During The Weimar Republic, Maresa Carney

Theses and Dissertations

During the Weimar Republic three books that shared the morbid subject of death masks, were published in short intervals and immediately enjoyed enormous popularity. The three publications Das Ewige Antlitz , Totenmasken, and Das Letzte Gesicht serve as an underpinning of the cultural and philosophical investigation of death mask photography

Reclaiming The Appropriated Space Through Care, William P. Glaser

Theses and Dissertations

This thesis navigates the complex and (at times) frustrating experience of balancing caregiving and art making while attempting to converge both practices into one. The collaboration of caregiving and art making serves as a potential solution for those that struggle with the seemingly unreconcilable stratification of both activities.

The Silent Rage Of Being Loved, Michelle R. Albertson

Theses and Dissertations

The Silent Rage of Being Loved is a multimedia installation working primarily with photography, video, and sculpture. It explores the nuanced ways in which memory, grief, and veneration manifest physically in my life through objects and my body. My proposed thesis installation is intended as a place of refuge for my audience amongst a shrine-like space and for us, collectively, to reexamine and widen the ways in which we experience mourning and grief.

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

Wet, Flowering, Dry, Caroline A. Minchew

Theses and Dissertations

Wet, flowering, dry is a series of photographic works that explore how vernal pools are a macrocosm for holding memory and a site of omnipresent solitude and decay. This installation distills an embodied and ephemeral experience of how we are grounded in a network of invisible connections with our surroundings. This network becomes evident through biological, historical, and field research conducted at the vernal pools for over a year. Through slow observation and consideration of how multiple stories of place can weave together into a larger parable, Wet, flowering, dry reveals how the life cycle of a vernal pool is …

History Is The Devil's Doing, Christopher W. Berntsen

Theses and Dissertations

My work engages with the idea of queer time and place. The waterfront, especially that in New York City is a space where these ideas have felt most potent. I utilize photography, particularly various methods of collage that combine images made from a sixty year range engaging with the queer waterfront. This work visualizes the waterfront as a space in which time exists beyond a static linear understanding of it. I look back in order to look forward, forward in order to look back. Or am I looking both ways at once?

Subverting The Selfie: Analysis Of Cindy Sherman’S Instagram Photos And Untitled Film Stills, Katrina M. Russell

Theses and Dissertations

As a prominent artist of self-portraiture, Cindy Sherman has been captivating audiences and scholars for decades. Recently, some media outlets have begun generalizing all of Sherman's work under the selfie concept using her dual role as model and photographer as the defining factor along with her recent activity on Instagram. In this paper, I argue that characterizing all of Sherman's work as selfies is problematic and inaccurate while illustrating similar themes present in her early Untitled Film Stills series and more recent Instagram photos. First, I start by outlining the fundamental criteria for characterizing a photo as a selfie using …

Art And Environmental Racism In The United States: Through The Works Of Latoya Ruby Frazier, Pope.L, And Mel Chin, Veronika Anna Molnár

Theses and Dissertations

Through the works of LaToya Ruby Frazier, Pope.L, and Mel Chin, this thesis examines the ways in which artists address environmental racism in the United States. Focusing on three locations with majority Black populations and significant toxic hazards, this paper demonstrates artists’ agency to alleviate crises caused by environmental injustice.

Double Documents: Imaging And Installation In Sturtevant’S “Duchamps”, Chris Murtha

Theses and Dissertations

The artist Sturtevant produced exacting but inherently distinct recreations of artworks only recently completed by her contemporaries. This thesis examines the body of work she created after Marcel Duchamp between 1966 and 1973, and how that work reveals the central and entwined roles of photography and installation in her practice.

Stranger’S Window, Nation’S Mirror, Kyoko Hamaguchi

Theses and Dissertations

In this text, I consider my identity as a Japanese immigrant in the United States during a global pandemic and its impact on my understanding of home as a liminal space. In particular, I discuss notions of home in relation to my work as an artist including two works that utilize the home-sharing platform Airbnb and three works that deal with the dichotomy of inside and outside.

The Losses, The Heartbreaks, The Hungers..., Nestor Perez-Moliere

Theses and Dissertations

The Losses, The Heartbreaks, The Hungers… is a photographic body of work in which I engage in a conversation with myself on mental health and self-compassion. I am able to exist with myself within the same frame through the use of compositing techniques that depict a multiplicity of selves. In the work, I dwell in an isolated, psychological space that is constructed through a claustrophobic framing of the camera and black and white film imagery that accentuates the shadows and the light. The interactions with myself are of mixed nature: at times I am abusive to myself, but other times …

Girl In Action: Junior Bazaar, 1945-1948, Rose D. Bishop

Theses and Dissertations

This thesis provides an overview of Junior Bazaar, a short-lived magazine for teenage girls published by Hearst between 1945-1948. Under the supervision of art director Lillian Bassman the magazine featured a variety of aesthetic devices — such as photomontage, asymmetrical layouts, the selective use of color, and playful placement of graphic forms — in efforts to distinguish itself from other publications on the market and construct a visual space specific to its teenage readers. Bassman’s unconventional stewardship of Junior Bazaar made room for an up-and-coming set of photographers, including Richard Avedon, Robert Frank, Diane Arbus, Louis Faurer, and other …

The Harlem Book Of The Dead: Pan-Africanism, Funerary Portraiture, And The African-American Way Of Death, Jessica D. Feldman

Theses and Dissertations

This thesis examines the text and images contained in James Van Der Zee and Camille Billops’s seminal photobook The Harlem Book of the Dead (1978). The title, frontispiece, and introduction, combined with Van Der Zee’s funerary portraits, illuminate the connection between African-American rituals of death and Pan-Africanism. While these two concepts appear to be distinct, they are both predicated upon and intrinsically linked to key values in African American culture, including liberation and the meaning of community. Each chapter focuses on a different contextual framework for situating The Harlem Book of the Dead within the historical and political moment …

Tactics For Thriving On Multiplicity: Liliana Porter’S Photo-Drawing-Installations, 1973–Present, Jennifer Bratovich

Theses and Dissertations

This thesis examines Porter’s hybrid 1973 works during a period of transnational artistic mobility. It argues she employed strategies of reproduction and contingency to circulate the works among multiple contexts, and shows how her 2012 revisiting of these works led to their revitalization within current reassessments of Latin American conceptualism.

Running From The Touch On My Back: Affect And Technology In A Studio Practice, Anthony Noel Hamilton

Theses and Dissertations

I rediscovered a family photo box two years ago. An image of my grandfather sat on the top of the piles in the Tupperware box. The photo created an immediate intensity and infected the entire family photobox. My grandfather committed suicide twenty years before I was born. From the point of this discovery I have needed to explore why vernacular photographs can create haunting resonances. There seem to be limits to the information we can glean from photographs like this one. Photographs like this one activate our desires to fill in unknown details. They also encourage personal hauntings and lingering …

Kavana: Photography, Jewish Storytelling, And Memory, Hannah Altman

Theses and Dissertations

Jewish thought suggests that the memory of an action is as primary as the action itself. This is to say that when my hand is wounded, I remember other hands. I trace ache back to other aches - when my mother grabbed my wrist pulling me across the intersection, when my great-grandmother’s fingers went numb on the ship headed towards Cuba fleeing the Nazis, when Miriam’s palms enduringly poured water for the Hebrews throughout their desert journey - this is how the Jew is able to fathom an ache. Because no physical space is a given for the Jewish diaspora, …

Martian Mother, Elizabeth Mcgrady

Theses and Dissertations

This paper examines the relationship between humans and land, through the lens of the scientific and religious, bridging the physical realm with the spiritual. It acts as accompanying material to the project titled Martian Mother, supplementary information to the visual work, and an extension of the proposal, the center of the work. The proposal exists to send myself, or a like-minded individual, to Mars with artificial insemination equipment to give birth to the first Martian, becoming the first Martian Mother. This work is rooted firmly in speculative fiction, creating a nonlinear future framework for a new society and space exploration.

Non-Space: The Perception Of Reality, Carlos Limas

Theses and Dissertations

This is a formal study of real-world images that try to convey a clear approach to the way we look and relate to unexpected places that at first glance don’t exist in a metaphorical way or just don’t strike us as interesting or attractive. There’s no particular story to tell only the need to expose a different kind of beauty through my own personal subjective view and sensitivity expanding the criteria of my own esthetic values and context of a captured image in a particular scenario.

The perception of Non-Space relates directly to a well establish photography technique called Deadpan, …

Imaging Exploitation, Complexity, And Paradox In Subaltern Labor Photography, Mahnure Janis

Theses and Dissertations

Imaging Exploitation, Complexity, and Paradox in Subaltern Labor Photography is an expanded cinema performance examining 'cheap' labor in the fast fashion industry through a self-reflexive diasporic lens. The images and narration explores the garment factories in Bangladesh and contains ‘a photographer’s cognitive meta-data’, including ethical dilemmas while taking the images.

Self-Portraits And Gravity Bodies, Tim Foley

Theses and Dissertations

Self-portraiture allows for the rapid fruition of ideas. An analysis of the work of Francesca Woodman and Ana Mendieta shows how the artist’s body can be variably used in photography. David Wojnarowicz’s memoir establishes a connection between gravity and the human condition. My practice has been informed by this connection.