Digital Commons Network^™

Not Again, Victor M. Perez Iii

Theses and Dissertations

Victor Perez explores personal narratives involving artifice, domesticity, and patriarchal harms through paintings which use a hybrid of digital and hand applied painting.

Always Wednesday, Danielle Roberts

Theses and Dissertations

Danielle Roberts’ work explores personal narratives. The spaces she paints radiate, simultaneously dark and luminescent. Resembling the kind of archetypes of place used in film her cinematic compositions invite the viewer into the frame. Her figures capture feelings of alienation illuminated by the unnatural existential glow of constructed contemporary light.

Interrogating The Light Bugs, Ana C. Villagomez

Theses and Dissertations

My paintings engage with ideas of time, memory and displacement. Intricately painted works appear to cover other layers of information hidden underneath through the act of rubbing, masking and erasing with unconventional tools such as scour pads, toilet brushes and rags, creating a surface that resembles a complex topographical map. But unlike a traditional cartographer, I seek to map my inner world.

Stations Or There Goes Nothing, Jeremy D. Lawson

Theses and Dissertations

Jeremy Lawson uses bright, expressive, abstract painting in conversation with minimalist sculpture to encourage a meditation on the death of the self, the potential for it's transformation, and the struggle to maintain the tools beyond language necessary to experience the sublime.

A Dumb Mouth From Which The Teeth Have Been Pulled, Anna Sofie Jespersen

Theses and Dissertations

This paper consists of a series of scenes in which various narratives with proximity to the truth plays out. within it I aim to articulate the dispersed subjectivity and forensic aspects to my work, as well looking at the perverseness in the desire for proximity to the fantasy, utilizing the self as a vehicle of desire.

Wildfires In The Uncanny Valley, Jenna Beasley

Theses and Dissertations

My work considers our affectual relationship to a rapidly changing environment through ideas about the philosophy and representation of nature, materiality, and the uncanny. In this text, I trace my artistic explorations of notions of apocalypse and catastrophe as they lead me to a deepened ecological viewpoint.

Dog Leading A Dog, Ariel Ld Mitchell

Theses and Dissertations

This thesis analyzes the artist's relationship with paint and painting, and maps it out in a semi-chronological way. It includes fragment of memories, a breakdown of her process, and other painters she relates to.

Posthumous Painting: On Pigment And Binder, Jameson G. Magrogan

Theses and Dissertations

Modernism brought about a logical culmination of painting, an epoch where logic and reason can no longer attempt to account for or speculate its behavior. This paper considers the perpetuation of painting from an ontological standpoint, documenting its inherent aporia, its relationship to meaning, and its function in contemporary society.

Creating Home, Ludovic Nkoth

Theses and Dissertations

My work explores and conceptualizes the idea of a world where my people were never colonized, a world where we are still existing with our culture, our powers and the idea of voodoo. I place myself, friends, and family in positions of power, in spaces the world took away from us due to the color our skin. This is the world my practice aims to create.

An Infinite Horizon: Space, Time, & Mind In The American Imaginary From Thomas Cole To Agnes Pelton, 1825-1961, Jason Friedman

Theses and Dissertations

This thesis examines how artists, intellectuals, spiritual seekers, and industrialists represented the American horizon across the nineteenth and twentieth centuries. The purpose of this inquiry is to show how art transmuted ideological and religious beliefs across time and to demonstrate the interdependence of esoteric self-perceptions and American hegemonic power.

Meditations, Adrian D. Mosby

Theses and Dissertations

Adrian Demarco Mosby (b. 1991, Bronx, Ny) is a figurative painter focused on the use of allegory and narrative. His stone like figures depict a modern day apathy and disillusion. The narrative content is meant to formulate a moral philosophy that might combat such apathy.

Memories As Old As Outer Space, Nicholas Benfey

Theses and Dissertations

My paintings draw from personal memory, as well as the nostalgic longing and nightmarish foreboding of the irrational psyche. Cosmic ruptures, cliffs, cemeteries, and parking lots appear alongside snowglobes and canopy beds. I aim to suggest things to be wary of, while giving space for optimistic fantasy and reflective wonder.

To The Studio, In The Studio, Home, Miquel R. Veldkamp

Theses and Dissertations

A curated series of poems and mini essays that reflect on personal life, politics, art history, folklore, science, identity and race. It addresses the questions that inform my work, and echoes its ethos of play, exploration, curiosity, vulnerability.

It's Messy, Polina Tereshina

Theses and Dissertations

My work is a way of thinking through things. Each painting, or object is usually a boiled down vision of something I’m learning, observing or remembering, as I make it. Everything becomes a compression of several ideas with a unique mood and temperature.

Painting The City In Flux, Simon S. Smith

Theses and Dissertations

In this paper, Simon Smith describes the way in which the cityscapes of New York serve as a source of inspiration for his painting process. The paper focuses on New York City's warping of time and space, and lays out how Smith sees abstract painting, grounded in a kind of not knowing, as an apt extension of or response to the experience of the city.

Searching: Waves, Spencer Molnar

Theses and Dissertations

This supportive statement examines a philosophical conception of the self and how it can be identified through experience, consciousness, and perception by focusing on a human inclination to rationalize, or concretize, that which is everchanging. The methods of exploring this concept were achieved by examining the formal structure of composition and materials through the process of visual art. By pushing against historical traditions of creating spatial illusions in visual art, we can conclude that the legibility of an artwork is equally dependent on the experiential world as it is the social construction of image making. The question that is left …

From Here And Now: Monuments Of Today And Everyday, Adam Shaw

Theses and Dissertations

The arc of my educational narrative was drawing to a close. I was a month out from my thesis exhibition, the culmination of a three-year experience. The studio was full of an energy I had been longing to feel. I was just beginning. Then came the Pause.

I Wasn't There, Lily Wong

Theses and Dissertations

My work reimagines personhood at the moment it becomes undone and investigates how an amplification of visibility can also function as a severing of humanity. A personal navigation of fracture and the forging of self through artificial extensions and distensions of the body.

Straight Through My Heart, Raul A. Aguilar Canela

Theses and Dissertations

Straight through my heart is an exhibition that explores the concept of heartbreak as a socio-political phenomenon. Through the affect of sadness the thesis analyses the way in which subjects are formed under cognitive capitalism. Paying particular interest to the collateral effects of neoliberal culture —hyper-stimulation, self-exploitation, competition, and obsession with productivity—and the pathologies they create —depression, anxiety, body aches, fatigue— this work shifts the burden of sadness from the individual to the community. By doing so it proposes heartbreak as a public feeling.

Pissing In The Pleasure Garden, Ellen Hanson

Theses and Dissertations

In this paper I will discuss self-representation and how my paintings refer to self-sexualization on the internet and depictions of muses in art history, allowing me to occupy the joint role of artist and muse through the repetition of my own image. My thesis exhibition, Pissing in the Pleasure Garden, uses freestanding canvases to imitate the form of a Hortus Conclusus. I use the closed garden to contend with the contradictions of control, eroticism, and voyeurism. Similar to the landscape of the early internet created by blogs and camgirl sites, the closed garden is both public and private.

Cloaca Palace, Connor Marie Stankard

Theses and Dissertations

In this thesis, I trace the compulsive fear of holes, known as trypophobia, from an uncontrollable obsession to a pleasurable preoccupation. The body’s physical porousness makes us receptive to our surroundings, allowing external matter in and destabilizing the boundaries of self and other. Matter invades us, encoding itself into our DNA and transforming humans into chimeric creatures.

Through paintings and multi-media installations, I encourage viewers to reflect on their own bodies as a series of holes, vulnerable receptors to the world. I use the figure of a woman to personify a human hole which has been infected by the outside, …