Digital Commons Network^™

Fat Boy Can't Fly, Tianyu Yang

Theses

“Fat Boy Can’t Fly” is a 3 minutes 52 seconds long animated graduate thesis film. It tells an inspiring story about how a boy whose particular flaw prevents him from flying his sword to the mountaintop along with the others, but turns his weakness in to a strength to finally reach the peak of the mountain.

By combining 2D and 3D techniques, this film creates a relatively unique visual effect with vivid animation. It helps audiences go into the world to understand the characters and story.

This paper outlines the whole film creation process from the very beginning of an …

The Blue Sweater, Dhaneesh Kooliyath Jameson

Theses

‘The Blue Sweater’ is a journey through memories of a place and way of life that no longer exists. Memories that are now fading away and some I have already lost. I travelled back in my memory and gathered all that I remembered of living in my village. While we embraced development, we lost a lot too. Bridges sprung up connecting the islands of the coast to the city, machines began plying the land, and alongside, trees and animals started disappearing. My memories are now a mixed bag of vivid imageries of an actual tropical village that used to be, …

Open Up, Mahima Tuladhar

Theses

pen up is a graduate 2D animation thesis with a run time of 6 minutes and 27 seconds. It explores the strained relationship between a boy and his father. In amidst of a fight between the two the boy run’s out of the house following a light wisp. It leads him to a cliff where a woman in a black cloak stands. She gives the boy a very magical experience and a reminder of the love he once had with his family. He goes back home where he reminds his father about the love they once had and that they …

Mer Depré, Margaret Orr

Theses

Mer Depré is an experiment to see if the essence of the experience of depression can be captured through film. Inspired by personal experiences, it invites the viewer to enter a world of darkness and anxiety.

The creation of Mer Depré began with sound. A rough soundtrack was used to create the bones of the film before visuals were laid on top. Most of the animation was done using stop motion techniques. When animating, the process was as important as the end result, and many different materials were used to create various effects. The compositing process compiled all of the …

Testing And Evaluating Dye Color: A Study Using Spectrophotometry On Technicolor And Eastman Color Motion Picture Film, Melissa Sagen

Theses

The history of color motion picture film is linked to two companies: Technicolor and Eastman Kodak. Technicolor was formed in 1915 by Herbert Kalmus, Daniel Comstock, and W. Burton Wescott, who realized that color film could enhance motion picture entertainment. Introduced in 1932, it was a three-color process that was widely used into the late 1950s. The three-color process utilized a camera with one lens that exposed three black and white negatives simultaneously by splitting the incoming visible light through a prism. The prism would create two beams of light which would then expose one film negative to green light …