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The Basque Country: The Heart Of Spain, A Part Of Spain, Or Somewhere Else Altogether, Paddy Woodworth
The Basque Country: The Heart Of Spain, A Part Of Spain, Or Somewhere Else Altogether, Paddy Woodworth
Studies in 20th & 21st Century Literature
The Basque Country exhibits contradictory symptoms of good health and chronic internal rupture. A flexible and robust economy and a vibrant cultural life are undermined by opposed senses of identity, which make almost any statement about the region deeply contentious. The verifiability—or otherwise—of Basque nationalist and Spanish nationalist readings of Basque history and culture matter less today than the fact that they are held with genuine conviction by big sectors of Basque society. Both traditions have their own legitimacy, but neither has been capable of fully acknowledging or including the other. Paradoxically, Francoism reinforced Basque nationalist identity, and anxieties about …
Cœur, Temps And Monde In Le Forçat Innocent Of Supervielle: A Poet’S Existential Metaphors Of Prison And Shelter, Franck Dalmas
Cœur, Temps And Monde In Le Forçat Innocent Of Supervielle: A Poet’S Existential Metaphors Of Prison And Shelter, Franck Dalmas
Studies in 20th & 21st Century Literature
Poet Jules Supervielle has a marginal status in twentieth-century French literature as he was not engaged in any prominent movement of his time (Symbolism, Futurism, or Surrealism). In that regard, his poetry is neither nationally colored nor aesthetically connoted. It might well be the reason for his lacking consideration in the literary canon. But these differences must get our special attention. Supervielle was not born in France and he was to live and write his works in a state of existential angst, divided, as he always felt, between his native Uruguay and his French legacy. As such, the poet developed …
Wartime Writings, Or The Imaginary Lover Of Marguerite Duras, Bethany Ladimer
Wartime Writings, Or The Imaginary Lover Of Marguerite Duras, Bethany Ladimer
Studies in 20th & 21st Century Literature
The publication in 2006 of Marguerite Duras’s Cahiers de la guerre, ‘Wartime Writings,’ written between 1943 and 1949, made accessible to the reader the first known versions of the family drama that was to become the material of much of her fiction. As this work now takes its place as chronologically first in the intertext of Duras’s autofictional writings, it sheds considerable light on our understanding of the transformations in these texts that occurred over her lifetime. Whereas L’Amant had been presented and accepted as the disclosure of a real occurrence and the origin of the other works, it …