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Turned On: An Exploration Of Intimacy In The Age Of Technology., Franchesca Breanna Chorengel
Turned On: An Exploration Of Intimacy In The Age Of Technology., Franchesca Breanna Chorengel
Senior Projects Spring 2018
Senior Project submitted to The Division of Arts of Bard College.
Reflections On "The Dreamer Examines His Pillow" - Scene 1, Alexander Mckerrow Cowley Glass
Reflections On "The Dreamer Examines His Pillow" - Scene 1, Alexander Mckerrow Cowley Glass
Senior Projects Spring 2018
Senior Project submitted to The Division of Arts of Bard College.
Love, Kissed Into Verse: Swinburne, Tennyson, And The Failure Of Love In Consummation Versus The Triumph Of Love Through Time In Poetry, Julia E. Berry
Love, Kissed Into Verse: Swinburne, Tennyson, And The Failure Of Love In Consummation Versus The Triumph Of Love Through Time In Poetry, Julia E. Berry
Senior Projects Spring 2018
At its core, this project seeks to examine the veracity of identifying love and sex as inextricable concepts within romantic relationships. Locating this exploration in the study of Victorian poetry, various poems from A.C. Swinburne’s “Poems and Ballads” and Alfred, Lord Tennyson’s elegy “In Memoriam A.H.H.” provide portraits of love with and without consummation. The first chapter focuses its gaze upon Swinburne’s poems, where consummation in romantic relationships erodes love and causes love’s inability to survive through time. The second chapter analyzes “In Memoriam A.H.H.” and its portrayal of loving, even after the death of the beloved. Ultimately, after considering …
I Love You Three-Fifths, Brittany B. Tucker
I Love You Three-Fifths, Brittany B. Tucker
Senior Projects Spring 2018
Disparities in representation are gaps that can be filled. They’re also abundances that can be destroyed or dispersed. Misrepresentation is another useful tactic. In “I Love You Three-Fifths” I’m choosing to misrepresent the white body by caricaturing and simplifying it in order to address the relationship between American blackness and whiteness through portraiture. This “dis-representation” allows me to paint intimacy and interaction without committing to the Western ritual of rendering white bodies. Instantly, by rendering myself realistically, I become the primary subject. I am real while the white man is the joke of the painting. It’s a reversal of the …
Lost Girls, Sienna Ann Marie Thompson
Lost Girls, Sienna Ann Marie Thompson
Senior Projects Spring 2018
Senior Project submitted to The Division of Languages and Literature of Bard College.