Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- African Studies (5)
- International and Area Studies (5)
- Social and Behavioral Sciences (5)
- African Languages and Societies (3)
- History (3)
-
- Holocaust and Genocide Studies (3)
- Creative Writing (2)
- Africana Studies (1)
- Communication (1)
- Education (1)
- Epistemology (1)
- Fiction (1)
- First and Second Language Acquisition (1)
- French Linguistics (1)
- Higher Education and Teaching (1)
- Journalism Studies (1)
- Linguistics (1)
- Philosophy (1)
- Poetry (1)
- Political Science (1)
- Race, Ethnicity and Post-Colonial Studies (1)
- Teacher Education and Professional Development (1)
- Keyword
-
- Genocide (2)
- Language (2)
- Writing (2)
- Africa (1)
- African Humanism (1)
-
- Algerian poetry (1)
- Archive (1)
- B. Dadié (1)
- Colonial ideology (1)
- Cultural identity (1)
- Culture (1)
- Côte d ’Ivoire (1)
- Discursive (1)
- Domestic languages (1)
- Emotion (1)
- Endogenous standard (1)
- Epistemology (1)
- Ethics (1)
- Exile (1)
- Fiction (1)
- Francophone press (1)
- Francophonie (1)
- French (1)
- French status (1)
- Hamite (1)
- Journalism (1)
- Language creativity (1)
- Language sciences (1)
- Lexicology (1)
- Linguistic insecurity (1)
Articles 1 - 9 of 9
Full-Text Articles in Entire DC Network
Chercheurs D’Afrique Et Archive Coloniale, Jean-Pierre Karegeye
Chercheurs D’Afrique Et Archive Coloniale, Jean-Pierre Karegeye
Présence Francophone: Revue internationale de langue et de littérature
The main goal of this article is to demonstrate that discourse on the Rwandan genocide has an origin. In other words, the hamitic myth transcends the question of race and is present in its most radical form in the events of 1994 in Rwanda. However, the myth itself is not intrinsically genocidal, but it did clear the path. The danger arose when the myth was demythified, that is to say, perceived as historic reality and scientific knowledge, and entered a new environment of genocide discourse. To proceed based on the notion of archive is to approach the genocide in relation …
Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Esquisse D’Un Projet Épistémologique Pour La Science Politique Dans Une Afrique Post-Génocide, Mame-Penda Ba
Présence Francophone: Revue internationale de langue et de littérature
This article attempts to answer two main questions: “What does it mean to teach political science in an African university when oneself is African?” and “what social realities are we documenting (or should we document)?” As a political scientist, I came to ask myself these questions based on my encounter with the genocide of the Tutsi in Rwanda, and based on the questions that this major event had kindled in me. My encounter with the subject of “genocide” was in all respects an upheaval because I understood suddenly a large weakness in the way political science was taught at Université …
La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga
La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga
Présence Francophone: Revue internationale de langue et de littérature
The goal of this study is to show that the fiction of genocide aims to share emotions between the narrator and the reader. It is possible to consider the narrator as representing the real reader and not only as the simple recipient written into the text. This is to say that the narrator is a part of the story but is also the reader’s counterpart as the real recipient, because both-- narrator and real reader-- are integrated in the imaginary world of the story. The role of the author is to construct intermediate mechanisms between the reader and the author. …
Bernard Binlin Dadié, Le Père De La Littérature En Côte D’Ivoire, Claire L. Dehon
Bernard Binlin Dadié, Le Père De La Littérature En Côte D’Ivoire, Claire L. Dehon
Présence Francophone: Revue internationale de langue et de littérature
To fully understand today’s literature in the Ivory Coast, it is important to remember its first steps. A general overview of the main ideas and characteristics of Bernard B. Dadié’s literary works demonstrates the audacity and originality of the first Ivorian who wrote in French, and who helped impose French as the national language in the Ivory Coast.
Créativité Et Lecture En Langue Seconde : Propositions Pour La Lecture Des Textes Des Journaux Francophones Du Cameroun, Louis Martin Onguéné Essono
Créativité Et Lecture En Langue Seconde : Propositions Pour La Lecture Des Textes Des Journaux Francophones Du Cameroun, Louis Martin Onguéné Essono
Présence Francophone: Revue internationale de langue et de littérature
Nowadays, it is common to say that the French press in Africa greatly contributes to the lower level of French. If true, this assertion hides a much deeper problem that concerns the act of writing and the act of reading in a non-native language. The performance of newspaper, radio or television journalists show that these writers share the same competence and face the same difficulties as the entire French-speaking population who is compelled to transmit ideas and information in a second language they do not master, or just a bit. This paper aims at understanding the reasons why non-African readers …
Présence Francophone, Numéro 82 (2014)
Présence Francophone, Numéro 82 (2014)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
La « Langue Fantôme » : Une Présence Familière Dans L’Écriture – Présentation Du Poète Malek Alloula Suivie D’Un Entretien, Yamna Abdelkader-Chaldi.
La « Langue Fantôme » : Une Présence Familière Dans L’Écriture – Présentation Du Poète Malek Alloula Suivie D’Un Entretien, Yamna Abdelkader-Chaldi.
Présence Francophone: Revue internationale de langue et de littérature
The evolution of Malek Alloula’s works, an important poet of Algerian literature whose first works date back to the sixties, is analyzed by Yamna Abdelkader. Afterwards, she interviews him on his poetic work and its relationship to language. The poet thus explains his writing ; how he composes his poetry in relation to the creative process ; his technique ; the influence of its cultural origins, and its relationship to language. In using the term “phantom language”, the poet refers to the haunting presence of the Arabic language spoken in Algeria, which, while unseen, has a major influence on his …
Abstracts
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
L’Humus De La « Memidentité » Ou La Métaphysique De La Pawòl Dit Contre L’Oubli, Hanétha Vété-Congolo
L’Humus De La « Memidentité » Ou La Métaphysique De La Pawòl Dit Contre L’Oubli, Hanétha Vété-Congolo
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.