Digital Commons Network^™

The Effect Of Auditory Stimuli On Test Performance: Testing The Arousal Hypothesis, Ian Thomas Kells

Masters Theses

Since the publication of Rauscher, Shaw, and Ky’s study in 1993 on the “Mozart Effect”, the study of music and its effect on cognition and performance has gained significant attention. Roth and Smith (2008) investigated this “Mozart Effect” and suggested a continuation of research and interpretation through an arousal theory. This study examined the effects of a subject-identified arousing stimulus on performance on the Verbal Reasoning portion of the GRE, analyzed through an arousal theory framework. A sample of 24 non-music Western Michigan University students took part in one 60-minute testing period using subject-preferred music, which was then analyzed across …

Finding A Baseline For Accountability In Diversion Programming, Anthony G. Frontiera

Masters Theses

This present study looked at a Mid-West American Juvenile Justice institution with the hope of helping to build a baseline of understanding in terms of how their diversion programming efforts are shaping out. Historically, research and funding have not been directed into diversion efforts in the same ways that re-entry efforts have seen. Studies have shown that if diversion efforts are not effective, then another cohort of youth are consigned to 50% higher recidivism rates than otherwise. The research before you was conducted to assist this institution in understanding and then changing their course of action with regards to diversion …

U.S. Metropolitan Bridges To Puerto Rican Music Identity; Cuban And Puerto Rican Music Connections From The 1920'S-1970'S, William George Johnson

Masters Theses

“Cuba and Puerto Rico are As two wings of the same bird, They receive flowers and bullets Into the same heart ...” (Lola Rodriguez de Tio, 1868) Puerto Rican poet and political activist Lola Rodriguez de Tio penned these words after being inspired by the call for the independence of Puerto Rico. Her words were further canonized in Puerto Rican cultural identity after being published in the song La Borinquena by composer Rafael Hernandez. Hernandez’s song would later become a musical symbol of national identity for the island of Puerto Rico and the Puerto Rican Diaspora. The connection between the …

Extemporizing Pippi, Experimenting Spunk: Community, Temporality, And The Politics Of Free Improvisation, Benjamin Alan Oyler

Masters Theses

This thesis examines the music of the Oslo-based experimental ensemble SPUNK. Maja S.K. Ratkje, Kristin Andersen, Lene Grenager, and Hild Sofie Tafjord have operated at the juncture of site-specific conceptual art and experimentalism since the early 1990s, recording and releasing much of their work for Norway’s Rune Grammofon label. Employing voice, electronics, and acoustic instrumentation in a free improvisational style, the group’s music demonstrates a robust and varied engagement with a range of experimental and avant-garde traditions.

Drawing from ethnographic, theoretical, and historical methodologies, as well as my own experiences as a free improvisor and listener, I situate SPUNK’s work …

“Get Your Geek On”: Online And Offline Representations Of Audiotopia Within The Geekycon Community, Sarah Frances Holder

Masters Theses

This thesis examines the musical community of GeekyCon, a convention centered around popular media, such as Harry Potter, Broadway, and Disney. The GeekyCon community results from the connection between the unofficial convention Facebook group and the yearly physical event. This interconnectivity allows both the live and mediated space of GeekyCon to function as a heterotopia, a concept first conceived by Foucault (1967) as a separate space outside of the dominant society in which ideas and identities can be freely explored. Through ethnographic research, including participant observation as well as interviews, I present the music of GeekyCon as an audiotopia, a …

Paths Of Friction: Kvæðamannafélagið, Geography And Identity In 21st-Century Iceland, Konstantine A. Vlasis

Masters Theses

Originating in the 14th century, rímur continues to remain a significant tradition in Iceland. Rímur melodies, together with the texts of Icelandic Edda and Saga poetry, were the main form of household entertainment in Iceland for almost six centuries until modern, global technologies cultivated new interests. In the early 20th century, rímur enthusiasts gathered together to form the Iðunn Society of Intoners and Versifiers in Reykjavík, to preserve the singing traditions of their ancestors. Since then, numerous other societies have organized, many within the past decade. In this way, intoning societies have become a medium through which a national Icelandic …

Peter Mack Show, Peter Mack

Masters Theses

My animations and videos are personal articulations and reflections of the roles in life I assume: father, employee and artist. I have a particular interest in the seemingly mundane interactions in life, which often becomes a starting point for me to explore larger themes of family life, failure, and happiness. I approach these themes with humor and playfulness. The “show-and-tell” manner of many of my narratives, working in tandem with humor and DIY production values, gives my work the feeling of a strange children’s educational TV show in which I play the host, while underlining the personal nature of my …

The Performance Of Light: Exploring The Impact Of Natural Lighting In The New Umass School Of Performance, Dylan Brown

Masters Theses

This thesis explores how natural light can be integrated with built form to create a “performance of light” in architecture. Lighting conditions from a contemporary dance piece, as well as other architectural precedents, were studied, and aspects adapted into the building’s design. In addition to designing theatrical effects of light, the classroom and administrative spaces were designed to take advantage of natural light. Daylight studies were used to inform glazing design and material selection to stay within illuminance thresholds in the spaces.

This project is responding to the facility needs of the campus of UMass Amherst where the program of …

Laughing At Ourselves: Music And Identity In Comedic Performance, Peter Trigg

Masters Theses

Standup comedy actively performs and engages with constructions of self and social identity, especially in terms of ethnic difference and the negotiation of American race relations. Musical comedy, wherein standup comedians perform song onstage, represents one facet of this expression that configures musical texts and expectations in the service of cultural observation and critique. Bo Burnham and Reggie Watts characterize two disparate approaches to the practice based on their aesthetic tastes, existential anxieties, and racial experiences. The two present their respective identities onstage in relation to a changing American political landscape of the early 21st century that has seen widespread …