Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

LSU Master's Theses

2009

Photography

Articles 1 - 3 of 3

Full-Text Articles in Entire DC Network

Recollections Of Paradise Lost, Japheth Alan Storlie Jan 2009

Recollections Of Paradise Lost, Japheth Alan Storlie

LSU Master's Theses

Recollections of Paradise Lost is both a memoir and a fictitious account. While the images in this series are based on actual people and events from my childhood, they are nonetheless implied narratives. Through the employment of universal symbols of childhood nostalgia such as tricycles, tire swings, toys, etc., these photographs are intended to implore the viewer to make connections with their own pasts. These narratives are meant to captivate and enchant and at the same time, disturb and haunt. Ultimately, the objective is for the audience to reconsider and re-experience the joys, fears, losses and traumas associated with childhood …


A Shared Silence, Jessica Alice Mowers Jan 2009

A Shared Silence, Jessica Alice Mowers

LSU Master's Theses

I took a journey home to Western New York and turned the camera’s lens on both my family and myself. 

 This thesis is a story about my family and me. I photographed my family to confront the tragic car accident that took my brother’s life and my mom’s sanity. I also acknowledged the present state of my family with these photographs by exploring the root of many of my fears and anxieties that stem from the tense and stressful atmosphere within my home as a result of this car accident.


Everyday, Jill Tucker Moore Jan 2009

Everyday, Jill Tucker Moore

LSU Master's Theses

In our everyday lives we are bombarded with thousands, even millions, of images. Suffering information overload, we filter out the vast majority of these impressions – the person we pass on the street or sitting in the car next to us at a stop light. We only ‘see’ those people, places and things that ‘matter’, all else becomes ‘noise’; filtered into the background of consciousness – vaguely familiar, yet simultaneously foreign, creating a ‘manageable paradigm’ or construct of the world we inhabit. I take photographic portraits every day. Not of the ‘important’ in my life, but the nondescript, often overlooked …