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LSU Master's Theses

Theses/Dissertations

2011

Sculpture

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Course Over Ground, Kyle James Bauer Jan 2011

Course Over Ground, Kyle James Bauer

LSU Master's Theses

This exhibition, Course Over Ground, cohesively combines a metaphorical reference to maritime navigation with sculptural forms that convey balance, tension, and control. My mixed media sculptures are conceived with an adherence to the formalist perspective of objects. Each sculpture exists as an honest form. The work, and my intention in making it, is evidence of the process of breaking down selective images or objects into what I understand to be their purest representational forms, such as a squares, cylinders, pyramids, and rectangles. I allude to themes and the metaphor of a journey, which coupled alongside my continual quest for self-discovery, …


Wiggle Veil (Or, Love Needs Objects), Adrienne Lynch Jan 2011

Wiggle Veil (Or, Love Needs Objects), Adrienne Lynch

LSU Master's Theses

The six sculptural works that comprise my thesis exhibition emerged from a prolonged series of investigations into the intricately interconnected phenomenon of embodied experience in the world as we know it. These works explore the connections between mysteries in our inner and outer worlds, taking as inescapable fact the notion that our bodily vessels, in all their complexity and subtlety, are the vehicles through which we encounter the world. As such, this work posits embodiment as both frame and anchor for all knowledge and experience. These sculptures, made from ceramic materials and mixed media such as sugar, salt, string, and …


A Matter Of Time, Rebecca Kreisler Jan 2011

A Matter Of Time, Rebecca Kreisler

LSU Master's Theses

We frame our experiences as narratives, and associate the narrative with the book. My work takes the form of an immersive installation of printed, paper polyhedrons that act for me as non-traditional book structures. The planes of the polyhedrons function as pages without prescribing a certain order of events. The focus has been to blur the linear narrative into a body of visual work that represents my particular human experience, one full of memories and dreams, contradictions and juxtapositions, chaos and calm. What began as an objective examination of concepts of time in physics, philosophy, and psychology has developed into …