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Kneeling But Still Singing: Threshold Identity, Disidentification, And Invitation In U.S. American National Anthem Protest, Michael L. Forst

Kaleidoscope: A Graduate Journal of Qualitative Communication Research

Driven by a desire to transcend current divisive political and social discourse, this article analyzes Denasia Lawrence’s 2016 U.S. national anthem performance and Black Lives Matter protest. Lawrence knelt while performing the anthem to protest biased policing practices in the U.S. In engaging Lawrence’s actions and statements about this event through rhetorical criticism, I employ theories of intercultural hybridity (threshold identity and disidentification) and invitational rhetoric to demonstrate the inherent potentials for political activism in her act. I assert that Lawrence’s embodied performance invites viewers to re/consider the multilayered implications of her protest, and to hopefully engage with differences more …