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Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies
Power Of The Korean Film Producer: Dictator Park Chung Hee's Forgotten Film Cartel Of The 1960s Golden Decade And Its Legacy, Ae-Gyung Shim, Brian Yecies
Faculty of Arts - Papers (Archive)
After censorship was eliminated in 1996, a new breed of writer-directors created a canon of internationally provocative and visually stunning genre-bending hit films, and new and established producers infused unprecedented venture capital into the local industry. Today, a bevy of key producers, including vertically integrated Korean conglomerates, maintain dominance over the film industry while engaging in a variety of relatively near-transparent domestic and international expansion strategies. Backing hits at home as well as collaborating with filmmakers in China and Hollywood have become priorities. In stark contrast to the way in which the film business is conducted today is Korean cinema’s …
Cinematic Hooks For Korean Studies: Using The ‘Apache’ Framework For Inspiring Students About Korea In And Through Film, Brian M. Yecies, Ben Goldsmith
Cinematic Hooks For Korean Studies: Using The ‘Apache’ Framework For Inspiring Students About Korea In And Through Film, Brian M. Yecies, Ben Goldsmith
Faculty of Arts - Papers (Archive)
Developing awareness of and maintaining interest in Korea and Korean culture for non-language secondary and tertiary students continues to challenge educators in Australia. A lack of appropriate and accessible creative and cultural materials is a key factor contributing to this challenge. In light of changes made to ‘fair use’ guidelines for the Digital Millennium Copyright Act in the United States in July 2010, and in order to prepare for a time in the near future when Australian copyright regulations might follow suit, this article offers a framework for utilizing film and digital media contents in the classroom. Case studies of …
What The Boomerang Misses: Pursuing International Film Co-Production Treaties And Strategies, Brian M. Yecies
What The Boomerang Misses: Pursuing International Film Co-Production Treaties And Strategies, Brian M. Yecies
Faculty of Arts - Papers (Archive)
This refereed paper illustrates some of the dynamic ways that members of the Korean, Australian, New Zealand and Chinese creative and cultural industries have engaged with international instruments such as co-production treaties. Strategies, benefits returned and lost costs, that is, sacrifices that are made in the process of producing a film or digital media program in more than one country, and/or with an international team are investigated to reveal how creators are engaging with the demands of different governments' policies. It is hoped that this paper and the larger research project to which it is attached will assist scholars, creative …