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Representing Heritage And Loss On The Brittany Coast: Sites, Things And Absence, Maura Coughlin
Representing Heritage And Loss On The Brittany Coast: Sites, Things And Absence, Maura Coughlin
English and Cultural Studies Journal Articles
This is an essay about the interplay of objects, art and visual culture in several community museums and historical sites dedicated to local social history in coastal Brittany. There, in the later nineteenth and early twentieth centuries, Breton maritime culture invented a range of compensatory ritual objects, sites and practices to account for loss of life at sea. The presentation of this material culture of mourning in small museums, regional museums and ecomuseums on the Breton North Coast and the islands of Sein and Ouessant are examined in this essay. These material objects once bore material witness to crucial moments …
Satire And Dissent: A Theoretical Overview, Amber Day
Satire And Dissent: A Theoretical Overview, Amber Day
English and Cultural Studies Journal Articles
In an age when Jon Stewart tops lists of most-trusted newscasters and Michael Moore becomes a focus of political campaign analysis, the satiric register has attained renewed and urgent prominence in political discourse. Day focuses on three central contemporary forms: the parodic news show, the satiric documentary, and ironic activism. She highlights their shared objective of circumventing the standard conduits of political information and the highly stage-managed nature of current political discourse. In so doing, she argues, they provide fans with a sense of community and purpose notably lacking from organized politics in the twenty-first century.
Live From New York, It's The Fake News! Saturday Night Live And The (Non)Politics Of Parody, Amber Day, Ethan Thompson
Live From New York, It's The Fake News! Saturday Night Live And The (Non)Politics Of Parody, Amber Day, Ethan Thompson
English and Cultural Studies Journal Articles
Though Saturday Night Live's “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. Instead, the segment has been shaped by a series of hosts who made a name for themselves by developing distinctive comic personalities. In contrast to more politically invested contemporary programs, the genre of fake news on Saturday Night Live has been largely emptied to serve the needs of the larger show, maintaining its status as just topical, hip, and unthreatening enough to attract celebrities and politicians, as well …