Digital Commons Network^™

Cyber-Narrative In Opera: Three Case Studies, Naomi Barrettara

Dissertations, Theses, and Capstone Projects

This dissertation looks at three newly composed operas that feature what I call cyber-narratives: a work in which the story itself is inextricably linked with digital technologies, such that the characters utilize, interact with, or are affected by digital technologies to such a pervasive extent that the impact of said technologies is thematized within the work. Through an analysis of chat rooms and real-time text communication in Nico Muhly’s Two Boys (2011), artificial intelligence in Søren Nils Eichberg’s Glare (2014), and mind uploading and digital immortality in Tod Machover’s Death and the Powers (2010), a nexus of ideologies surrounding voice, …

The Position Of A Woman: A Poetics Of Grace Paley’S Political Storytelling, Jamie Zabinsky

Dissertations, Theses, and Capstone Projects

While literary critics have long shown modest interest in writer-activist Grace Paley’s short fiction, no scholarship has yet focused on her extensive record of nonfiction writing. This thesis concentrates on Just As I Thought, an anthology of Paley’s essays, articles and speeches organized by Paley herself in lieu of any memoir or autobiography. Hannah Arendt’s theorizations of time, thought and standpoint serve as frameworks to establish the essay collection, arranged according to Paley’s political life along a timeline of feminist history, as a political storytelling project. Political storytelling, in the Arendtian sense and in context of this thesis, aims …

This Is What A Feminist Tweets Like: "Women's Language" And Styling Activist Identities In A #Yesallwomen Twitter Corpus, Eleanor A. Morikawa

Dissertations, Theses, and Capstone Projects

This dissertation presents results of a study of linguistic practice in the context of feminist activism on Twitter. Twitter has become a primary medium for social and political activism and a rich venue for study of the relationship between digitally mediated language and identity production. The focus of this study is the viral Twitter hashtag #YesAllWomen, a hashtag that rose in popularity following a misogyny-motivated terrorist attack in the spring of 2014. This dissertation treats the #YesAllWomen hashtag as an imagined space and a Discourse (Gee, 2015) where language serves as a site for the production of gender and feminist …

Rich In Needs: The Forgotten Radical Politics Of The Welfare Rights Movement, Wilson Sherwin

Dissertations, Theses, and Capstone Projects

Situated temporally between the Civil Rights Movement and the Women’s Movement, the Welfare Rights Movement of the 1960s and 70s distinguished itself by its militant critique of waged labor. Returning to the movement’s archives I examine how the mostly poor, Black, female participants developed their “antiwork politics”, how they asserted their right to live not only meager but occasionally luxurious lives—demanding not only bread but also roses. In the courts, streets, welfare offices, department stores, policy proposals, and numerous internal debates, these women waged national battles to assert full autonomy over their families, consumption, sexuality, and their own time.

As …

Gendered Subjectivity And Resistance: Brazilian Women’S Performance-For-Camera, 1973–1982, Gillian Sneed

Dissertations, Theses, and Capstone Projects

This dissertation considers the work of a group of women artists in Brazil during the period of the military dictatorship (1964–1985), working in the genre of “performance-for-camera” (i.e., performance for film and video, rather than for a live audience). The artists are Lygia Pape (1927–2004), Letícia Parente (1930–1991), Anna Bella Geiger (b. 1933), Sonia Andrade (b. 1935), Anna Maria Maiolino (b. 1942), and Regina Vater (b. 1943). Some of these women were friends and colleagues who collaborated with each other; all of them contributed significantly to the development of film and video art in Brazil. Their works share an impulse …

The Woman We Don’T Want To Be: The Anti-Heroine In American Women’S Modernisms, Madison Priest

Dissertations, Theses, and Capstone Projects

Anita Loos’ Lorelei has a baby because “a kid that looks like any rich father is as good as money in the bank.” Edith Wharton’s Undine uses hers as a pawn in divorce negotiations with the child’s father. Jessie Redmon Fauset’s Angela abandons her sister so her boyfriend won’t guess she’s black, and Nella Larsen’s Helga frustrates and alienates everyone she loves. Yet these protagonists were subject not just to gleeful mockery and sanction, but to furtive pity, uncomfortable recognition, even envy. Each age calls for its own bogeys; and the anti-heroine was, I contend, the perfect instantiation of American …

Migrant Domestic Labor In The Global South: The Plight Of Filipina Domestic Workers In Morocco, Sara Asselman

Dissertations, Theses, and Capstone Projects

In studying feminist theory, I discovered that domestic and care labor are often gendered and racialized. They are gendered because they are performed almost exclusively by women, and racialized because in western societies they are often relegated to women of color or migrant women. Feminist literature provides that migrant domestic labor often entails a migration flow between countries of the global north and countries of the global south and between countries that are economically disparate. Feminist theorists often criticize political economic and social structures reproduced by neoliberalism, globalization and neocolonialism for creating a global market for migrant domestic and care …