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Collaborative Theatre/Creative Process, Jimmy Bickerstaff
Collaborative Theatre/Creative Process, Jimmy Bickerstaff
Communication and Theater Association of Minnesota Journal
Theatre production is a collaborative creative activity. Recent theory and research into group creativity recognizes the relationships between individuals, groups, and the contexts in which creativity emerges. It also suggests that between the interactive creative processes of the collaborators and their work, the work itself becomes a kind of creative entity. In this essay, I explain how all creativity is now seen as collaboration, outline this process, and illustrate the differences between seeing theatre as an aggregate, collective activity and the more integrated view, in which the process is synergistically collaborative. An understanding of the cognitive and behavioral processes of …
The Story Of 42nd Street, Diane Cypkin
The Story Of 42nd Street, Diane Cypkin
Communication and Theater Association of Minnesota Journal
Book review of The Story of 42nd Street: The Theatres, Shows, Characters, and Scandals of the World’s Most Notorious Street by M.C. Henderson and A. Green.
"No Day But Today:" Life Perspectives Of Hiv-Positive Individuals In The Musical Rent, Valerie Lynn Schrader
"No Day But Today:" Life Perspectives Of Hiv-Positive Individuals In The Musical Rent, Valerie Lynn Schrader
Communication and Theater Association of Minnesota Journal
This article explores how life perspectives of HIV-infected individuals are portrayed in the musical Rent. A rhetorical analysis of Rent’s script and lyrics reveals that people living with HIV may hold a particular life perspective after learning that they are HIV-positive; they may seek to leave a legacy, to experience life to the fullest or to devote their lives to others. These emergent themes are consistent with those found in previous research. In addition, this analysis revealed one theme that was not consistent with previous research; this theme is connected to the process of grieving. By understanding how people living …
"Brother," Enjoy Your Hypermodernity! Connections Between Gilles Lipovetsky's Hypermodern Times And Post-Soviet Russian Cinema, James M. Brandon
"Brother," Enjoy Your Hypermodernity! Connections Between Gilles Lipovetsky's Hypermodern Times And Post-Soviet Russian Cinema, James M. Brandon
Communication and Theater Association of Minnesota Journal
In prominent French social philosopher Gilles Lipovetsky’s Hypermodern Times (2005), the author asserts that the world has entered the period of hypermodernity, a time where the primary concepts of modernity are taken to their extreme conclusions. The conditions Lipovetsky described were already manifesting in a number of post-Soviet Russian films. In the tradition of Slavoj Zizek’s Enjoy Your Symptom (1992), this essay utilizes a number of post-Soviet Russian films to explicate Lipovetsky’s philosophy, while also using Lipovetsky’s ideas to explicate the films. Alexei Balabanov’s 1997 film Brat (“Brother”) is examined in the context of Lipovetsky’s work, along with other films …
Exploring Literary Characters In Classroom Performance, Gerald Lee Ratliff
Exploring Literary Characters In Classroom Performance, Gerald Lee Ratliff
Communication and Theater Association of Minnesota Journal
Original classroom exercises are an invaluable instructional tool to actively engage students in analysis and performance of dramatic and non-dramatic literary texts. The basic principle of classroom performance emphasizes a critical and creative teaching perspective that stimulates student responses to the aesthetic, emotional and intellectual content of a literary text. Selected exercises that promote a more theatrical impulse in the study and performance of literary texts present meaningful opportunities for students to give vocal and physical visualization to the actions, attitudes and emotions of literary characters and, ultimately, enriches the classroom learning experience.