Open Access. Powered by Scholars. Published by Universities.®
- Discipline
- Keyword
-
- Blidungsroman (1)
- Cold war (1)
- Comparative cultural studies (1)
- Comparative popular culture (1)
- Comparison of marginalities and culture (1)
-
- Cultural studies (1)
- Culture and history (1)
- Culture and technology (1)
- Culture theory (1)
- Esther Raab (1)
- Feminist studies (1)
- Film and other media of cultural expression (1)
- Gender (1)
- Gender studies (1)
- Globalization (1)
- Hebrew Israeli Poetry; H. N. Bialik (1)
- Media studies (1)
- Monster (1)
- Moshe Dor (1)
- Nationalism/Zionism (1)
- Nativeness (1)
- South korea (1)
- comparative cultural studies (1)
- comparative popular culture (1)
- comparison of marginalities and culture (1)
- cultural studies (1)
Articles 1 - 2 of 2
Full-Text Articles in Entire DC Network
"A Generation Of Wonderful Jews Will Grow From The Land": The Desire For Nativeness In Hebrew Israeli Poetry, Hamutal Tsamir
"A Generation Of Wonderful Jews Will Grow From The Land": The Desire For Nativeness In Hebrew Israeli Poetry, Hamutal Tsamir
CLCWeb: Comparative Literature and Culture
This article examines the ways in which the desire for nativeness is constructed in Israeli Hebrew poetry through several historical episodes: H. N. Bialik’s poem 1896 poem “In the Field”; the poets as pioneers/immigrants in the 1920s, in contrast to the “nativist” poet Esther Raab; and the “nativist” poets of the 1950s (Statehood Generation), focusing on Moshe Dor. The desire to be native—to belong to the land in a way that is natural, self-evident, and therefore absolute and unquestionable— is one of the constitutive desires of nationalism in general, and of Zionism in particular. In Bialik’s poem, written during the …
Making The Global Visible: Charting The Uneven Development Of Global Monsters In Bong Joon-Ho’S Okja And Nacho Vigalondo’S Colossal, Ju Young Jin
CLCWeb: Comparative Literature and Culture
In her essay, “Making the Global Visible: Charting the Uneven Development of Global Monsters in Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal,” Ju Young Jin examines the entanglement of the global and the monstrous in two recent films that position Korea on the cusp between Cold War politics and global capitalism: Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal. The Korean filmmaker Bong Joon-Ho and Spanish filmmaker Nacho Vigalondo offer viewers films that challenge conventional notions of monster by fusing it with a coming-of-age plot of the female protagonist that takes place on a global scale, which contests the …