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Graduate Recital, Joseph Golden Ward

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The performer's presentation of the recital was concerned with finding the most logical order in which to play the instruments, demonstrating technique on the trombone, and improving playing technique on the french horn, baritone and tuba in an attempt to improve the performer's quality of teaching. The performer sincerely believes that any effort put forth to improve the technique on more than a major instrument will improve teaching procedures on all instruments. It is the performer's intention through this report to describe (1) the problems he encountered with improving his technique on the french horn, baritone and tuba; (2) how …

Graduate Recital, Earl Lynn Starks

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The primary objective of this report is to gain an increased knowledge of the various musical styles and practices of the periods which this recital report covers. Further it seems reasonable to expect that the student will develop a greater understanding of and appreciation for the composers and compositions contained herein.

Secondary objectives include the effective implementation of the tools of music research and the logical, coherent presentation of information in a formal paper.

It is with these objectives in mind that the writer undertakes the preparation of this report.

Recital Report, Dan I. Stowell

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

While preparing the master's recital the writer had three major objectives: a desire to perform music from the most important periods of clarinet literature; to demonstrate characteristics interpretations of music of each period including styles of phrasing and various types of articulation; to demonstrate the ability to control various technical, dynamic, and tone production problems on the clarinet.

The objectives of this paper are to trace briefly the historical development of the clarinet; to give a short history of each composer whose works were involved in the recital; to give an analytical review of each movement, including form and major …