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A Responsible Parrhesia? A Review Of The Price Of Secrecy, Sara Tafakori Apr 2024

A Responsible Parrhesia? A Review Of The Price Of Secrecy, Sara Tafakori

RadioDoc Review

The Price of Secrecy immerses the listener in stories of individual trauma, of child abuse and rape, yet also draws lessons from them of wider social significance. It includes moments of narrative catharsis, interspersed with repeated reminders that the stories are unfinished and open-ended—that the solutions lie out there, in social action, rather than in the stories themselves. The series also gestures towards structural critique, especially of ‘the legal constraints’ it identifies, yet it places greater importance on changing the wider culture through challenging the culture of secrecy and shame around victims’ stories of rape and abuse. This centrally means …


Nigeria's Untold Stories At A Moment Of Change: An Interview With Audio Storyteller Fayfay, Abigail Wincott Apr 2024

Nigeria's Untold Stories At A Moment Of Change: An Interview With Audio Storyteller Fayfay, Abigail Wincott

RadioDoc Review

Odudu Efe, known as FayFay, is a Lagos-based audio producer and sound designer and also the founder of NaijaPod Hub, a network dedicated to supporting audio producers and promoting high quality audio storytelling in Nigeria. This interview with FayFay shows how her career in many ways reflects the challenges and promise of Nigerian audio storytelling at this moment in time. Like many freelancers, she takes on branding and imaging, tidies up sound and produces studio-based talk podcasts. But increasingly she’s being commissioned to work on complex historical documentaries and documentary-dramas. And this for FayFay is key, because like others in …


Listening To News, A New Interaction Ritual: An Emotional Interaction Analysis Of Jump Into The Rabbit Hole, Yang Ding Apr 2024

Listening To News, A New Interaction Ritual: An Emotional Interaction Analysis Of Jump Into The Rabbit Hole, Yang Ding

RadioDoc Review

Objectivity and neutrality have always been the reporting principles followed by journalists. The emergence of audio news presents reality in an invisible way, blurring the boundary between emotion and truth. Jump into the Rabbit Hole[1], as one of the few in-depth news podcasts in China, brings immersive stories to the audience with immersive production. These stories help the audience better understand the truth of the news and also cultivate the habit of listening to the news. This paper examines how interaction rituals in news podcasts are carried out using the benefits of podcast platforms in the context of …


Narrative Justice: Somebody Delivers The Answers That Police Will Not, Neroli Price Dec 2020

Narrative Justice: Somebody Delivers The Answers That Police Will Not, Neroli Price

RadioDoc Review

By investigating Courtney Copeland’s 2016 murder, the podcast series Somebody (2020) does the work that should be done by police. Narrated by Courtney’s mom, Shapearl Wells, the series not only decentres the official police narrative, but also opens up alternative paths towards seeking justice. Situated within the Black Lives Matter movement, calls to defund the police and questions about the usefulness of “objectivity” in journalism, Somebody attempts to put systemic violence on trial and hold those in power to account. Challenging extractive forms of journalism, Somebody moves towards a model of shared authority between producers and their sources. This review …


Down But Not Out: Tara And George And The Boundaries Of Subjectivity., Hamish Sewell Sep 2019

Down But Not Out: Tara And George And The Boundaries Of Subjectivity., Hamish Sewell

RadioDoc Review

Set on the streets of London, amidst the snarl of traffic and the clip of passers by, this work is a biographical sound portrait of two homeless people, Tara and George. It is a testament to the parlous state of homelessness in the UK today and is masterful in its execution.

To this work, producer and host Audrey Gillan brings a quality of frank disclosure and decency. Relationships between producers and their subjects are contentious, due to an inherent power differential. Gillan neither portrays Tara and George as archetypes nor as helpless and needy. She knows she is the one …