Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

University of Wollongong

Audio Arts and Acoustics

Auctioneer

Articles 1 - 2 of 2

Full-Text Articles in Entire DC Network

Mighty Beast: A Critical Reflection, Neil Verma Dec 2014

Mighty Beast: A Critical Reflection, Neil Verma

RadioDoc Review

This review-essay considers Mighty Beast, a radio feature by Sean Borodale, Sara Davies and Elizabeth Purnell, exploring how it approaches vernacular speech using poems based on auctioneering, sounds of market places and interviews with farmers and other workers. Listening closely to key passages, I highlight the role of Borodale’s 'in the moment' process and the use of sound editing as a form of writing, while situating the work within a longer history of livestock poetry and auctioneering in the sound arts. In the end, I argue that Mighty Beast is an outstanding piece to help think through larger issues of …


Mighty Beast: Review 1, Mike Ladd Dec 2014

Mighty Beast: Review 1, Mike Ladd

RadioDoc Review

MIGHTY BEAST: written by Sean Borodale, soundscape by Elizabeth Purnell, produced by Sara Davies, performed by Christopher Bianchi. BBC Radio 3, Between the Ears, 2013. 29mins10.

Mighty Beast is a ‘radio poem’ that takes us into the cattle saleyard, and the lives of the auctioneers, animal handlers and farmers that are its denizens. Radio poems operate through feeling as much as intellect, and give scope for different interpretations. They are not so much about imparting information or telling a story, as creating an experience. They are more associative than expository, often proceeding in a non-linear way. Often radio poems …