Digital Commons Network^™

Listening To Our Inner Breath: The Acoustic Architecture Of Avec Le Vent (With The Wind), Laura Romero

RadioDoc Review

Avec Le Vent (With the Wind) is a radio art composition directed, edited and mixed by Jeanne Debarsy, about the story of exile and memories of three Armenian people living in Brussels and Paris. This review is an attempt to describe how the author breaks with verbal discourse to create an experience of transportation for listeners, through the musical use of layers of breaths coming from the characters and the sound effects caused by instruments of wind, such as the duduk, a potent symbol of Armenia. It is a poetic approach to the experience of uprooting and …

Intimate Moments: Dispelling The Cancer Myth With Real Life - Summer Rain By Nanna Hauge Kristensen., Sophie Townsend

RadioDoc Review

Nanna Hauge Kristensen’s Summer Rain is a small piece in length and in scope. It is intimate, almost fragmentary. It is simply a story of a woman, who is a mother, and a daughter, and who has cancer; a woman undergoing treatment, and raising her child, and dealing with the ramifications of what cancer treatment means. An anthropologist by training, Kristensen’s observational, almost distanced approach style, allows us to glimpse her life, but also to feel it. There is something very empirical about what she’s doing in this piece, and she allows us no room to pretend that her cancer …

Editorial: How Women Are Reclaiming Their Power In The Podcast Sphere, Siobhán Mchugh

RadioDoc Review

This issue considers intimate stories, mostly by women - particularly germane in this era of #MeToo.

Mothers And Daughters In The Digital Private Era: Review Of “A Life Sentence: Victims, Offenders, Justice And My Mother” By Samantha Broun And Jay Allison And “Mariya” By Mariya Karimjee, Kaitlin Prest, And Mitra Kaboli., Michele Hilmes, Professor Emerita

RadioDoc Review

The conditions of contemporary soundwork have sparked an extraordinary flowering of intimate storytelling, much of it told by women. Freed from the bonds of technology, scale, and forms of support and distribution that keep traditional radio relentlessly mainstream, the new “digital privacy” of the last fifteen years has allowed new kinds of stories to be told: or rather, has allowed some of the oldest stories in the world to finally be spoken aloud. In both “Mariya” and “A Life Sentence” sexual violence against women is portrayed in all its complexity, tragedy, and terrible familiarity.

In “A Life Sentence,” Samantha Broun …