Digital Commons Network^™

An Examination Of Music Majors' Perceived Barriers To Complying With An Exercise Program, Matthew William Seitz

Doctoral Dissertations

This dissertation focused on a mixed-methods exploration of the barriers and motivation to exercise in a sample of music majors at a large southeastern university. Due to dietary concerns and other obstacles to engaging in regular exercise, musicians are at a greater dietary and cardiovascular risk than the general population. Previous research has revealed music majors, in general, do not identify as exercisers. This comes with its obvious health risks. Self-determination theory and exercise identity literature posits individuals who more strongly identify as exercisers and who are more intrinsically motivated to exercise will workout more often and more consistently than …

Paths Of Friction: Kvæðamannafélagið, Geography And Identity In 21st-Century Iceland, Konstantine A. Vlasis

Masters Theses

Originating in the 14th century, rímur continues to remain a significant tradition in Iceland. Rímur melodies, together with the texts of Icelandic Edda and Saga poetry, were the main form of household entertainment in Iceland for almost six centuries until modern, global technologies cultivated new interests. In the early 20th century, rímur enthusiasts gathered together to form the Iðunn Society of Intoners and Versifiers in Reykjavík, to preserve the singing traditions of their ancestors. Since then, numerous other societies have organized, many within the past decade. In this way, intoning societies have become a medium through which a national Icelandic …

“Get Your Geek On”: Online And Offline Representations Of Audiotopia Within The Geekycon Community, Sarah Frances Holder

Masters Theses

This thesis examines the musical community of GeekyCon, a convention centered around popular media, such as Harry Potter, Broadway, and Disney. The GeekyCon community results from the connection between the unofficial convention Facebook group and the yearly physical event. This interconnectivity allows both the live and mediated space of GeekyCon to function as a heterotopia, a concept first conceived by Foucault (1967) as a separate space outside of the dominant society in which ideas and identities can be freely explored. Through ethnographic research, including participant observation as well as interviews, I present the music of GeekyCon as an audiotopia, a …

Extemporizing Pippi, Experimenting Spunk: Community, Temporality, And The Politics Of Free Improvisation, Benjamin Alan Oyler

Masters Theses

This thesis examines the music of the Oslo-based experimental ensemble SPUNK. Maja S.K. Ratkje, Kristin Andersen, Lene Grenager, and Hild Sofie Tafjord have operated at the juncture of site-specific conceptual art and experimentalism since the early 1990s, recording and releasing much of their work for Norway’s Rune Grammofon label. Employing voice, electronics, and acoustic instrumentation in a free improvisational style, the group’s music demonstrates a robust and varied engagement with a range of experimental and avant-garde traditions.

Drawing from ethnographic, theoretical, and historical methodologies, as well as my own experiences as a free improvisor and listener, I situate SPUNK’s work …

Capitals Of Punk: Paris, Dc, And The Circulation Of Urban Counternarratives, Tyler William Sonnichsen

Doctoral Dissertations

In the history of underground music in the punk era, few cities’ scenes have garnered as much respect and influence as Washington, DC. Bad Brains, Minor Threat, Scream, Rites of Spring, Fugazi, and a deep catalog of other regional groups have accrued legendary status among fans of hardcore and have become subjects of popular books and documentaries. However, few accounts have investigated DC’s underground influence on other urban landscapes outside of the United States. This dissertation focuses on that relationship between DC and another iconic Western capital with a largely unheralded hardcore punk history, Paris.

Using qualitative, ethnographic methods, this …

Laughing At Ourselves: Music And Identity In Comedic Performance, Peter Trigg

Masters Theses

Standup comedy actively performs and engages with constructions of self and social identity, especially in terms of ethnic difference and the negotiation of American race relations. Musical comedy, wherein standup comedians perform song onstage, represents one facet of this expression that configures musical texts and expectations in the service of cultural observation and critique. Bo Burnham and Reggie Watts characterize two disparate approaches to the practice based on their aesthetic tastes, existential anxieties, and racial experiences. The two present their respective identities onstage in relation to a changing American political landscape of the early 21st century that has seen widespread …