Digital Commons Network^™

Selected Commissioned Works For Solo Piano By National Artists For Music In The Philippines' National Competitions For Young Artists (Namcya) In The Philippines, Almond See Ponge

Theses and Dissertations

This document examines the importance of the role of the National Competitions for Young Artists (NAMCYA) in the Philippines and its commissioned competition pieces for solo piano by Philippine National Artists for Music. It underscores the significance of NAMCYA’s contribution to nurturing young talents and enriching Philippine piano literature that helps strengthen its national identity. An analysis of selected commissioned works by Col. Antonino Buenaventura, Lucrecia Kasilag, and Ramon Santos, shows the integration of Western and Filipino musical idioms with neo-classical, neo-romantic, and contemporary composition techniques. Performance notes are also provided to assist future pedagogues and performers of these works.

Melding Of Traditions: African American Cultural And Learned Style Topics In The Music Of Roger Dickerson, Kenneth Green Ii

Theses and Dissertations

Roger Dickerson, born in 1934, is an African American composer, educator, and pianist from New Orleans. His compositions include multiple works for band, orchestra, voice, choir, chamber ensembles, and solo instruments. Dickerson, a two-time Pulitzer Prize nominated composer, published only one work for wind band, Essay for Band in 1958. Unfortunately, this work was rarely performed in its first sixty years, and it is not known by many band directors. In recent years, there has been a movement to program music by composers from historically marginalized and underrepresented communities. Essay for Band has benefited from this movement which also seeks …

Demystifying The Choral Music Of Herbert Howells: A Pedagogical Approach Via Selected Works, Michael Ballard

Theses and Dissertations

The music of Herbert Howells is a mystery for many choral musicians. Howells’s popularity in England is unquestioned, but knowledge of his music has grown slowly in the United States. While the BBC Singers’ performance of Requiem in 1980 brought new enthusiasm for his music and the Requiem, he is still seldom performed in the United States outside of small circles which are generally in Anglican or Episcopalian communities. This is likely due to lack of exposure to his music and the perception that the music is inaccessible and mysterious. Some of Howells’s more complex music is inaccessible for …

Becoming Musical: Towards A Typology Of Non-Musical Sounds In Recorded Popular Music, Jacob David Mccooey

Theses and Dissertations

There are many instances in popular music in which traditionally non-musical sounds are used musically. There is currently no research on the types and functions of non-musical sounds used musically (NMSUMs). I have collected and organized a collection of example tracks that contain these NMSUMs and analyzed their functions to determine a typology of these sounds. The analysis of the NMSUMs focused on intertextuality, intratextuality, form, texture, and how the sounds relate to traditional, musical sampling. Throughout the course of the analysis, several trends were distinguished amongst the many tracks gathered, and these trends form the basis of the typology.

“Everything Old Is New Again”: The Rise Of Interpolation In Popular Music, Grayson M. Saylor

Theses and Dissertations

With hip-hop becoming the number one genre in the United States, many artists working outside of the hip-hop genre are trying to emulate the success of hip-hop artists by incorporating compositional techniques of hip-hop into their own music. One of the most common hip-hop techniques adopted by artists working in other genres is sampling. However, with copyright rules and regulations becoming more strictly enforced, artists are finding creative ways to emulate sampling styles, while trying to avoid copyright concerns, including interpolation. Through the technique of interpolation, by reperforming aspects of the original song, artists are able to quote and reference …

A Holistic Approach For Neurodivergent Learners In The High School Choral Classroom, Peter Allen Haley

Theses and Dissertations

There is a wealth of literature in the fields of music education, music therapy, and psychology regarding neurodivergent people, but next to no pedagogical material relating to large-group practices, particularly within the choral rehearsal. Many, if not most high school choir directors will encounter neurodivergent students in their programs at some point and will likely not know which strategies effectively include their neurodivergent learners in their classrooms. This paper includes a survey of existing research and literature related to music education (particularly secondary choral music education) and Universal Design for Learning, and offers rehearsal techniques, classroom management strategies, and repertoire …

A Conductor’S Guide To Lucrecia Roces Kasilag’S Misang Pilipino (1965), Denise Ysabel Ellis

Theses and Dissertations

Composer Lucrecia Roces Kasilag (1918-2008) is a National Artist for the Philippines and a UNESCO International Artist of the World. Though she has many more accolades and triumphs to note, both national and international, Kasilag is not well known outside of her native Philippines. One factor that obscures this composer from the world is that much of her work is unpublished, as are other historical Filipino composers’ works.

Kasilag composed her first Misang Pilipino in 1965 to commemorate the 400^th year of Christianization in the Philippines, but multiple editions of the work were written and used for different occasions. …

Negotiating Nationalism: Camille Saint-Saëns, Neoclassicism, And The Early Music Renaissance In France, Joshua Arin Harton

Theses and Dissertations

The music of Camille Saint-Saëns hints at modernism. Musicologists have largely avoided describing Saint-Saëns as a neoclassical or modernist composer, since much of his musical output occurred during the Romantic era. However, Saint-Saëns appears to have already been engaging with the nationalist and revivalist concerns which drove later twentieth-century French composers toward neoclassicism and other forms of musical modernism. Revivals of la musique ancienne (‘ancient’ music) and la musique française (“French” music) were well underway when Saint-Saëns began composing, and they continued throughout his career. Scholars have largely pursued these two revivals separately, with early music revival in France following …

Redefining Ornamentation As Formal Functions In 21St-Century Popular Music, Matthew Kolar

Theses and Dissertations

Ornaments are embellishments and decorations of pre-established music; therefore, their existence relies on comparison to that original basis . Because pop music’s text is the recorded track rather than a written score, the determination of what is the main melody is strongly influenced by its first iteration, and ornaments can be found by comparisons of further iterations to the primary source. The goal of this thesis is to categorize the types of ornaments that exist in this repertory as well as define their overall functions. In this sense, ornamentation is being redefined; ornaments are not just decorations to a melody, …

“Power, Poison, Pain & Joy”: Applying A Critical Race Conceptual Model Of Implicit Racial Bias To Narratives Framing Blackness In Black Sports Columns, Black Music, And Black Journalism, Christina Lauren Myers

Theses and Dissertations

This dissertation presents a Critical Race Conceptual Model of Implicit Racial Bias to representations of African Americans in mass media to illustrate how stereotypical depictions and racist ideologies arise in media content, including by Black content creators. By bridging the concepts of implicit bias, framing theory and concepts from critical race theory through the conceptual model, I contend that content creators implicitly share racially biased beliefs. Moreover, Black content creators in expressing the authentic experiences of the Black community also do the same. Thus, Black content creators further stereotypes, majoritarian narratives as well as deficit perspectives about the Black community …

Redistributing Cultural Capital: Graduate Programs In Wind Conducting At Historically Black Universities; Toward An Alternate Future, Jamaal William Nicholas

Theses and Dissertations

The visibility and popularity of marching bands at Historically Black Colleges and Universities (HBCUs) represents a multi-generational tradition of marching and musical excellence. With performances that reach national and international audiences through large viewership, HBCU marching band culture is elevated to artistic prominence with each major league sporting event performance, Presidential inaugural parade, and viral retweet of a performance by a recording artist. After decades of significant contribution to instrumental music education, however, HBCUs have been unilaterally unable to develop graduate programs in wind conducting. Using a qualitative study design, the goal of the current study was to identify challenges …

Transcribing Baroque Lute To Marimba: Viability, Techniques, And Pedagogical Possibilities, Cory James High

Theses and Dissertations

Transcriptions and adaptations of works originally composed for other instruments are commonplace within the current marimba repertoire. Marimbists have been borrowing repertoire from other instruments and transcribing or arranging them for performance on the marimba due to the relative youth of the instrument. These adaptations began as a necessity, but they are still often programmed due to their popularity, and because many academic institutions require the performance of era-specific works or works by certain composers such as Johann Sebastian Bach, and no literature was composed for the marimba during those times.

Source instruments for these marimba adaptations have varied some, …

Disparities In Programming African American Solo Vocal Music On College Campuses Across The United States, Ramelle Brooks

Theses and Dissertations

This study investigates the representation of African American composers within the solo vocal literature genre of classical music. Literature suggests the music of African American composers is seldom taught in classical musical studies. The study explored one publicly available college recital database from each U.S. geographical region (Northeast, Midwest, South, West), which included listings of songs performed at each recital. The researcher recorded the number of recitals including African American composers and provided a numerical breakdown of song genres associated with African American Americans that included African American arts songs, Spirituals, Blues, Gospel, Jazz, and operatic arias. The number of …

Co-Constructive Music Improvisers: An Ethnographic Case Study, Emma Elizabeth Young

Theses and Dissertations

The purpose of this exploratory ethnographic case study was to examine music improvisations co-constructed by my elementary students and me, their music teacher. Guiding research questions were (a) How do my elementary students and I co-construct music improvisations? (b) How do I describe our music improvisations? (c) How do my elementary students describe our music improvisations? (d) How do my elementary students describe their own music improvisations? (e) How do my elementary students describe their peers’ music improvisations?

I facilitated co-constructive music improvisation sessions with each music class at Coosa Elementary School for seven weeks during Fall 2020. Each student …

The Music Festival: A Case Study On The Establishment, Development, And Long-Term Success Of An Instrumental Music Education Event From A Logistical Perspective, Dakota Corbliss

Theses and Dissertations

In this paper, I will combine insight collected from interviews of people involved with events related to the arts, particularly in the field of the music. These discussions include a variety of perspectives including executive directors, logistics personnel, operations managers, faculty, guest artists, as well as festival participants. Through a multi-layered and thoroughly filtered lens, I aim to establish an outline for a guide that will allow individuals in the field of music set their extracurricular educational program up for success.

There are many factors that need to be considered when establishing a music festival, but this paper will mainly …

Romanticism In Nineteenth-Century Russian Nationalistic Music: Case Studies Of Glinka’S Ruslan And Lyudmila And Cui’S Mystic Chorus, Jeffrey Crayton Yelverton Jr.

Theses and Dissertations

This thesis is comprised of two case studies of the works Ruslan and Lyudmila and the Mystic Chorus, which were composed by two nineteenth century Russian composers Mikhail Glinka (1804–1857) and César Cui (1835–1918). The Chapter on Glinka’s Ruslan and Lyudmila trances the influence of German romantic thought on the opera as a reinterpretation. The theories of Novalis” (1772–1801); Friedrich Schlegel (1772–1829); and E.T.A. Hoffman (1776–1822) contribute to the reinterpretation of the opera as a dream that privileges German romantic ideas over Russia nationalistic ones. The Chapter on Cui’s Mystic Chorus, on the other hand, focuses on mysticism …

Stewarding College Music Training In America: The Emergence Of Music Entrepreneurship Education And The National Association Of Schools Of Music, Kathryn Louise Brown

Theses and Dissertations

As the only nationally recognized accreditor for American postsecondary music units, the National Association of Music (NASM) determines quality standards for American music training. In an effort to improve professional outcomes for music school graduates, NASM added an entrepreneurial component to both graduate and undergraduate accreditation standards as early as 1999. References to entrepreneurship within NASM conference proceedings increased between the mid-1960s and 1995, as NASM stewarded American college music training through numerous sustainability challenges resulting from intense technological, economic, political, and cultural change. Music entrepreneurship education emerged from the development of curricular innovations in response to these challenges: music …

The Sequential Method: An Analysis Of Robert Jesselson’S Cello Pedagogy, Kalim D. Alvarez Campos

Theses and Dissertations

Dr. Robert Jesselson has made significant professional contributions as a cello performer and music educator. His pedagogical approaches are innovative in helping students overcome technical problems, building good work habits, instilling self- discipline, addressing kinesthetic issues, and improving practice techniques. His Sequential Method involves a systematic and logical progression of technical exercises, scale systems, etudes and repertoire. It is unique in its applications for teaching and learning left and right hand techniques, building a progression of etudes which address technical and musical issues and working through the cello repertoire in an organized and meaningful manner that is appropriate to the …

The Tie That Binds: The History, Conductors, And Music Of The Mystic Area Ecumenical Choir Festival, Mark Daniel Merritt

Theses and Dissertations

The Mystic Area Ecumenical Choir Festival, which began in 1968, is now in its 50th year. The festival is sponsored each year by the Mystic Area Ecumenical Council. The festival combines multi-generational choirs from numerous churches in and around the coastal villages of Noank and Mystic in Connecticut. Numerous nationally recognized choral directors, composers, and clinicians have been invited to guest conduct the choirs of the festival. For festival milestones, new choral pieces are commissioned.

This research project explores the history of church choirs in New England, beginning with mandated singing of metrical psalms, the singing schools which started in …

The Attitudes And Perceptions Of Undergraduate Non-Keyboard Music Majors Toward The Usage Of Functional Keyboard Harmony In The Group Piano Curriculum At The University Of South Carolina School Of Music, Katherine A. Chandler

Theses and Dissertations

The purpose of this study was to examine the attitudes and perceptions of undergraduate non-keyboard music majors toward functional keyboard harmony in the group piano curriculum at the University of South Carolina School of Music. Sixty-five (65) undergraduate music majors who were enrolled in music degrees in the spring 2018 semester at the University of South Carolina School of Music completed the survey, for an 82% completion rate. The questionnaire had six primary focuses: (1) demographic data and general information of undergraduate non-keyboard music students, (2) students‟ previous music education experiences, (3) students‟ previous harmony education experiences and perceived comprehension …

Examining Professional Music Teacher Identity: A Mixed Methods Approach With Stringed Instrument Teachers, Elizabeth A. Reed

Theses and Dissertations

The purpose of this study was to investigate the perception of professional music teacher identity (PMTI) among stringed instrument teachers who are alumni of the University of South Carolina String Project (USCSP) preservice teacher education program. Using a fixed mixed method design, I first surveyed all USCSP alumni from the past 20 years using the PMTI Questionnaire. For the qualitative portion of the study, the researcher interviewed three USCSP alumnae in their post-second stage of teaching (year 11–20). All USCSP alumni identified, rated, and ranked their expertise in subject matter, didactical, and pedagogical aspects. USCSP post-second stage alumnae also identified …

Teresa Carreno: Pianist, Composer And Pedagogue. Her Life And Work From The Perspective Of Virtuoso Piano Playing At The End Of The 19th Century, Claudio Olivera

Theses and Dissertations

Teresa Carreño (1853 – 1917) was the first Venezuelan artist to achieve international recognition. As a child prodigy, she impressed pianists such as Louis Moreau Gottschalk, and quickly became a phenomenon in the United States. As an acclaimed pianist, the sheer power of her performances earned her the title of Valkyrie of the piano, and she had an extremely active performing career until months before her death.

Throughout her life, she interacted with the most important musical personalities of the time, including Franz Liszt and Anton Rubinstein, among many others. She was also a talented singer, as Gioaccino Rossini personally …

Expanding The American Canon: A Conductor's Compendium Of Black American Orchestral Composers, Nseobong Ekpo

Theses and Dissertations

From the colonial days in the early 1600s until the present, Black Americans have contributed to the musical life of America. Black Americans and composers of African descent have contributed to symphonic music since the early days of Western Art Music. However, Black Americans have not been adequately represented in symphonic concert programs past or present. This document aims to address the issue of accessible published works by Black Americans by presenting a current resource of available and ready-tobe- performed symphonic orchestral music by Black American composers. This document will include: A brief historical overview of contributions of Black Americans …

A Soul Composed Of Harmonies: George Herbert's Life, Writings, And Choral Settings Of His English Poetry, Benjamin Todd Ebner

Theses and Dissertations

George Herbert’s poetry is among the greatest religious poetry written in the English language. His introspective and nuanced understanding of the human soul and his beautiful style of writing have earned him his place among the great poets. His catalogue is filled with poems ready to be set to music, and dozens of them have been. However, there is no document that seeks to gather an annotated list of these compositions in one place. Further, while a few of these compositions are performed often, there are dozens of other worthy compositions that should be heard on a more wide and …

Independence At Large: Contemporary China's Alternative Music Scenes And The Cultural Practices Of Post-Socialist Urban Youth, Shan Huang

Theses and Dissertations

Using contemporary Beijing’s alternative music scenes as a focal point, this ethnographic research seeks to enrich the understanding of China’s post-socialist urban youth by examining their cultural practices. First, this thesis offers an analytical account of the popularizing embrace of “independent cultures,” which is defined as a collection of experienceable objects and activities in musical, filmic, theatric, and other cultural forms that are well recognized yet believed by advocates as having aesthetic and participatory features that are different from those produced in the popular culture industry. While the vogue for independent cultures is substantially conditioned by the socioeconomic attributes of …

Shape-Note Hymnody As Source Material For Modern And Post-Modern Choral Art Music, David C. Guthrie

Theses and Dissertations

The musical repertoire known as shape-note hymns constitutes some of the oldest indigenous music still in use in America. This body of works has been studied for its origins and history, its continuing use in social and pedagogical functions, and its use in settings of worship. However, its use as the basis for performance-oriented, concert music has been far less explored. This present study seeks to examine the ways in which composers have arranged and adapted these hymns into choral art forms throughout the twentieth and twenty-first centuries. In particular, the study will examine the use of this music in …

Expansion And Contraction In Movements I And Vii Of Gyorgy Ligeti's Hamburg Concerto, Andrew Charles Hannon

Theses and Dissertations

György Ligeti's final composition, Hamburg Concerto (1999, rev. 2002), features his compositional technique of expansion and contraction. The concerto is scored for two flutes, oboe, two bassett horns (both doubling on clarinet), bassoon, solo double horn, four natural horns, trumpet, trombone, two percussionists, and single strings. The natural overtones of the horns offer unique harmonic possibilities that relate to Ligeti's use of expansion/contraction. While several analysts have examined expansion/contraction in other works by Ligeti, no one has yet looked at this technique in Hamburg Concerto, particularly as applied to Ligeti's use of natural overtones. This paper examines the two outer …

Chamber Music In Alternative Venues In The 21st Century U.S.: Investigating The Effect Of New Venues On Concert Culture, Programming And The Business Of Classical Music, Sarah May Robinson

Theses and Dissertations

This study investigates chamber music performances outside of traditional concert venues in the 21st-century U.S. The literature review traces the use of non-traditional venues throughout history from Bach's coffee house concerts to the gallery and loft concerts, which first emerged in the 1950s and 60s. The literature review will also look at the business of classical music established in the 20th century.

The study explores whether new venues have changed the landscape of classical music by interviewing players and concert promoters who present concerts in non-traditional venues as well as owners of popular music venues, which host classical music. Using …

An Examination Of Middle School Counselors' Comfort With Technology, Patricia Christina Roddy

Theses and Dissertations

The purpose of the current study was to investigate the differences in comfort with technology in middle school counselors in South Carolina. The researcher’s goal was to determine the effects of years of experience, technology training, gender, and age on middle school counselors’ comfort with technology.

After a review of literature, it was determined that this study was warranted to determine middle school counselors’ comfort with technology. As technology progresses, it is critical that school counselors are appropriately trained to utilize technology in their work. Their comfort levels with technology should be as strong as their ability to use a …

The Music Of James Reese Europe For Vernon And Irene Castle, Ralph G. Barrett

Theses and Dissertations

James Reese Europe (1881-1919) was one of the leading African American musicians of the first two decades of the twentieth century. He was renowned as a conductor of theater and dance orchestras, a composer of syncopated dance music and popular song, and an advocate for improved opportunities and remuneration for African American professional musicians in New York. From late 1913 until mid-1915, Europe was musical director for the popular exhibition dance team of Vernon (1887-1918) and Irene (1893-1969) Castle. During their brief career, the Castle's were instrumental in changing the sordid image of social dancing during America's 'dance craze' of …