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The Place In Displacement: Stories Of Loss From The Chan-75 Dam, Patrick Daniel Mckenzie Apr 2019

The Place In Displacement: Stories Of Loss From The Chan-75 Dam, Patrick Daniel Mckenzie

Senior Theses

In 2008, AES (a U.S.-based, Fortune 500 power company) began construction on the Chan-75 dam in Nance del Risco, Panama. This dam flooded and displaced four indigenous Ngobe communities. However, this displacement represents more than just a relocation of people; it represents a fracturing of families and communities. While some impacts of displacement are obvious, other aspects of day-to-day loss are often ignored. Changes in family relations and sense of control, for example, cannot possibly be compensated by a corporation. This thesis examines both the history of the Chan-75 dam and the impacts its construction has had on one family.


The Introvert's Guide To The Galaxy: A Reflective Guide Of Solo Travel And Study Abroad, Hope Patterson Apr 2019

The Introvert's Guide To The Galaxy: A Reflective Guide Of Solo Travel And Study Abroad, Hope Patterson

Senior Theses

Oringinally meant to be a much longer volume, The Introvert’s Guide to the Galaxy is a creative anthology of works that explores one person’s Study Abroad and solo travel experiences. The main goal is to open a space to talk about unique experiences that cannot be anticipated, but should be learned from later. Topics include culture shock, sexism, alcohol culture, family, freelance tutoring, and risky outdoor activites.

Travel with our trusty guide as she fills you in on the things to know while traveling abroad, including finding perfect outdoor sleeping conditions because you missed all the taxis, dealing with the …


Pieces: An Inquiry In Family Stories, Southern Identity And Creative Nonfiction Writing, Morgan Elaine Lundy May 2016

Pieces: An Inquiry In Family Stories, Southern Identity And Creative Nonfiction Writing, Morgan Elaine Lundy

Senior Theses

This thesis project is, at heart, a creative nonfiction writing project—and one that evolved and changed over the course of its development. Ultimately it consists of two main parts: a 60 page oral history-based artist book, and an accompanying 14 page process paper which details my creative process as well as challenges, influences and insights. Drawing together smaller stylistic “pieces”—oral stories turned poems, pictures, documents, design elements, my own prose reflections through the repurposed mechanism of photo captions—the final text emerges as both a larger narrative and an embodiment of a culture of language greater than its smaller parts. Logistically, …