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The Composition Of Anonymity: Toward A Theory, History, And Pedagogy, Timothy Thomas Dansdill

Doctoral Dissertations

In keeping with its recognized function of non-identity through the suppression of proper name recognition, anonymity is not recognized as "essential" to nominalist consciousness or to intersubjective action through language. The founding philosophical discourses of identity, authority, and community reveal an "anonymous function"---a transgressive discourse of impersonation, authenticity, and immunity---which this dissertation traces in phenomenology, discourse theory, poetics, rhetoric, and composition.

The first two chapters draw from phenomenology (Schutz and Natanson), and discourse theory (Foucault), to propose a theory of anonymity as integral to any understanding of personal identity across the entire performative range of self/other orientations. Chapter three draws …

Embodied Narratives: Ways Of Reading Student Literacy Histories, Stephanie Diane Paterson

Doctoral Dissertations

When asked about their former experiences and attitudes towards reading and writing first-year students often begin with statements like, " I don't know how to write," or "I'm not a big reader," or "I'm not creative." Behind these facile and familiar sentences is a world of experience we know very little about and are hard-pressed to explain.

Students are situated on a precarious fault line within the academy and their narratives function like maps of this treacherous terrain. Their stories do not simply reflect personal, private crises but cultural phenomena---including taken-for-granted issues surrounding the "necessity" of discipline and an almost …

Layering Literacies: Computers And Peer Response In The 21st Century, Christopher Warren Dean

Doctoral Dissertations

Research into peer response work has a long history in the field of composition, and the work of my dissertation is to extend that research into the newer subfield of composition, computers and writing. Specifically I focus on the way students use multiple linguistic competencies (oral, print and electronic competencies) to perform a variety of selves in peer response. Drawing on the work of Erving Goffinan, the extant literature of peer response, work done in ethnomethodology, and research done in three first year composition classrooms, I outline the contours and strategies that students use to engage in peer response while …

Grief (W)Rites: Composing Loss In The Composition Classroom, Mary Elizabeth Hallet

Doctoral Dissertations

This dissertation studies first-year college student essays about grief, loss and death. It begins with the author's own narrative of grief and moves on to explore the complications of revealing grief in an academic context, discussing the personal and political implications of doing so. The dissertation argues that narratives of grief in composition classrooms are often part of a larger dialogue among both students and teachers, and that often these narratives are written as kinds of responses to one another. It explores the relationship between these kinds of dialogues and elegies written by nineteenth century women, which invite reciprocation and …

Taking A Pedagogical Turn: What Happens When The Student /Teacher Conference Moves To The Center Of The Basic Writing Course, Gregory John Bowe

Doctoral Dissertations

This dissertation examines the redesign of a basic writing course at a large, urban, majority-minority public university in Miami, Florida. In the redesigned course, there are no regular class meetings at all. Instead, small groups of five students meet with a teacher in "writing circles," where they workshop papers. The content of the course is provided by a third-party software program in a dedicated computer lab. The redesign project is examined in light of the particular institutional history of Florida International University, with special emphasis on the roles of space, time, and face-to-face interaction in the teaching of writing to …

It's Not As Thick As It Looks: Unpacking The Rehearsal Practices Of Theatre Professionals And The Significance For The Teaching Of Reading And Writing, Dale Lorraine Wright

Doctoral Dissertations

The purpose of my study was to identify and describe the components of theatre rehearsal and their implications for the teaching of reading and writing. Using qualitative methods of inquiry such as direct and participant observation and group and individual interviews, I documented the rehearsal process and literacy practices of members of a professional theatre company that performs only in academic environments. In analyzing the data I used Anderson and Jack's strategies for listening and determined that there are four major components of theatre rehearsal: chunking (the breaking down of the script into smaller, more manageable pieces), repetition (the constant, …