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University of New Hampshire

Theses/Dissertations

1999

Literature

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Motherwork, Artwork: The Mother/Artist In Fiction By Parton, Phelps, Chopin, Woolf, Drabble, And Walker, Nancy Hoyt Lecourt Jan 1999

Motherwork, Artwork: The Mother/Artist In Fiction By Parton, Phelps, Chopin, Woolf, Drabble, And Walker, Nancy Hoyt Lecourt

Doctoral Dissertations

This study asks the question, What happens to a practicing (fictional) mother who also tries to be a practicing artist? How do literary texts represent such people? How do they represent the relationship between material and artistic work? The primary works studied are Sarah Parton's Ruth Hall, (1855), Elizabeth Stuart Phelps' The Story of Avis (1877), Kate Chopin's The Awakening (1899), Virginia Woolf's To the Lighthouse (1927), and Margaret Drabble's The Millstone (1965). The conclusion focuses on Alice Walker's short story, "Everyday Use."

Mother-artists finds themselves on the "wrong" side of the nature/culture binary, where ideologies about "true womanhood" and …


Class In Seventeenth-Century British Drama By Women, Erika Mae Olbricht Jan 1999

Class In Seventeenth-Century British Drama By Women, Erika Mae Olbricht

Doctoral Dissertations

This dissertation argues that seventeenth-century drama by women should be analyzed as a public discursive practice rather than as privatized "closet drama." This study focuses on class in order to delineate the texts' participation in public modes of representation and offers post-marxist readings as an alternative to the gynocritical/biographical model that dominates criticism on literature by women of the early modern period.

Chapter one of this dissertation problematizes separate spheres ideology, lest texts by women become separated from the economic sites that inform them. I consider the ideological importance of generic conventions, arguing that conventions of tragedy and comedy are …


Domestic Visions And Shifting Identities: The Urban Novel And The Rise Of A Consumer Culture In America, 1852-1925, Nancy Helen Von Rosk Jan 1999

Domestic Visions And Shifting Identities: The Urban Novel And The Rise Of A Consumer Culture In America, 1852-1925, Nancy Helen Von Rosk

Doctoral Dissertations

Domestic Visions reexamines the tradition of the urban novel in America by reading the works of Nathaniel Hawthorne, Henry James, William Dean Howells, Theodore Dreiser, Paul Laurence Dunbar, Edith Wharton, Abraham Cahan and Anzia Yezierska within the historical and cultural contexts of an evolving urban consumer culture. Bringing together not only a wide range of canonical and non-canonical texts, but also an analysis of America's shifting domestic ideals over the last half of the nineteenth and early twentieth centuries, this study traces the impact of a new spectacular urban public culture on both the private realm and those who are …


Language's "Bliss Of Unfolding" In And Through History, Autobiography And Myth: The Poetry Of Rita Dove, Carol Keyes Jan 1999

Language's "Bliss Of Unfolding" In And Through History, Autobiography And Myth: The Poetry Of Rita Dove, Carol Keyes

Doctoral Dissertations

This dissertation focuses on the first five books of poetry published by the American poet Rita Dove: The Yellow House on the Corner (1980), Museum (1983), Thomas and Beulah (1986; awarded the Pulitzer Prize in 1987), Grace Notes (1989), and Mother Love (1995). It situates her work within the whole field of American poetic discourse. Dove's relationship to myriad strands of American ars poetica traditions arises out of patterns of amplification and negotiation worked out in Dove's poetry in relation to a wide range of such traditions. Thus, the study's methodology proceeds from the poet T. S. Eliot's dictum that …