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Family, Housing, And The Political Geography Of Gay Liberation In Los Angeles County, 1960-1986, Ian M. Baldwin May 2016

Family, Housing, And The Political Geography Of Gay Liberation In Los Angeles County, 1960-1986, Ian M. Baldwin

UNLV Theses, Dissertations, Professional Papers, and Capstones

This study examines the gay liberation movement in Los Angeles County through the lens of housing rights. It illustrates how sexual justice activism evolved in tandem with the fates of the welfare state and urban politics. Like racial minorities, queers have been stymied by economic barriers. Beginning in the 1930s, federal housing agencies established “family” requirements to housing subsidies, which the state defined through biology or marriage. In L.A. County, activists worked to overcome this heteronormative barrier at the grassroots and within the political establishment. Binding gay liberation to economic and family justice, queers opened housing shelters and social service …


Mouthy Bones, Shaun Leonard May 2016

Mouthy Bones, Shaun Leonard

UNLV Theses, Dissertations, Professional Papers, and Capstones

As a collection of poetry, this work interrogates the well trodden ground of the Beloved, hopefully with a modicum of originality, though the text itself wonders if, and how (and how!). Can “us” be? Amorous capability is extolled and explored, and people worry. Love happens, and everything is all right. Love happens, and nothing is alright. And then it is. The poems play with the act of writing and how that affects the reader, the subject/s, and the memories being used as fodder. The time and space of emotion and selfhood are melded and molded, through unexpected line breaks, poetic …


Tearing Up The Tallgrass, Brett Salsbury May 2016

Tearing Up The Tallgrass, Brett Salsbury

UNLV Theses, Dissertations, Professional Papers, and Capstones

This creative thesis project is a culmination of the Master of Fine Arts in Creative Writing degree at UNLV. The thesis—currently titled Tearing up the Tallgrass—was composed entirely during my graduate semesters at UNLV. As a book of poetry, it explores the dynamics of humans in nature, white privilege, objectivity, fact- and myth-making, and artistic practice. Written under the supervision of Claudia Keelan (committee chair) and Donald Revell (committee member), my committee further includes P. Jane Hafen (English) and Pierre Lienard (Anthropology). Their disparate subject and genre interests are meant to diversify the feedback received during this project’s composition. Some …