Digital Commons Network^™

Reflections On The Victorian(Ist) Impulse To Totalize Africa, Adrian S. Wisnicki

Department of English: Faculty Publications

IN this essay, I offer some reflections on how Victorianists might understand nineteenth- and early twentieth-century discursive practices for mapping Africa. In doing this, I respond to what Sukanya Banerjee, our panel organizer, asked us to do in determining the focus for our essays—namely, that we direct “attention to topics in Victorian studies that [we] feel might otherwise be overlooked or viewed differently.” In what follows I introduce and problematize a series of Victorian-era maps or, more specifically, problematize what such maps represent conceptually, then offer some alternate means by which Victorianists might critically engage with cultural and social reality …

Joining A Conversation Research Project, Nicole Green, Deborah Minter

Department of English: Faculty Publications

Description: This unit is a culminating (end-of-semester) project designed to have students bring together the knowledge they have developed throughout the semester in the service of purposefully joining a real-world conversation, addressing a specific audience (or related set of audiences) who are part of that conversation. This unit has a small number of texts that the whole class reads and/or analyzes together. Instead, a lot of the work happening in this unit is project-driven and process-oriented.

Time Frame: This unit was designed/paced as the last unit of the course (and it followed an earlier unit focused on rhetorical analysis of …

Interpretation And Ovidian Myth In Alexander’S Bridge And O Pioneers!, Paul Olson

Department of English: Faculty Publications

This essay describes interpretive strategies widely applied to Ovidian mythic materials during the period of Cather’s early career, especially those operative in Alexander’s Bridge and O Pioneers! The article assumes that widely held conventional interpretations of myths, in this case Ovidian myths, in a specific time and area are part of their semantic content, or iconology, and are tools Cather used in communicating with her audience. The essay then looks at a passage in the 1912 Alexander’s Bridge and two disputed passages in the 1913 O Pioneers! along with extended Bacchic themes in the latter novel that employ conventional Ovidian …

Idiomatic Surrogacy And (Dis)Ability In Dombey And Son, Peter J. Capuano

Department of English: Faculty Publications

To assert that Charles Dickens possessed a mastery of language unique among nineteenth-century novelists for its vernacular inventiveness is hardly controversial. The Oxford Dictionary of English Idioms lists Dickens among its most cited sources (others include the Bible and Shakespeare). Dickens’s use of ordinary, unembellished, and what Anthony Trollope termed vulgarly “ungrammatical” lower-class language sets his novels apart in style and tone from those of his famous peers (249). William Thackeray, the Brontës, George Eliot, Elizabeth Gaskell, Margaret Oliphant, Thomas Hardy and others – despite their many differences – generally composed their fiction in higher, more formal linguistic registers than …

Time And The Bibliographer: A Meditation On The Spirit Of Book Studies, Matt Cohen

Department of English: Faculty Publications

In light of the global return of tribalism, racism, nationalism, and religious hypocrisy to power’s center stage, it is worth returning to the question of the relevance of bibliography. It is a time when, at least at the seats of power in the United States and some other places, books seem to have become almost meaningless. Bibliographic pioneer D.F. McKenzie’s strategy was not to constrain bibliography in self-defense, but to expand it, to go on the offense. What is our course? This essay explores bibliography’s past in order to suggest ways in which it can gain from an engagement with …

Feeling It:Toward Style As Culturally Structured Intuition, Keith Rhodes

Department of English: Faculty Publications

I have been moved to write a serious article about teaching style not because I have great and earth-shaking method to impart, but in some sense because I do not, even after years of study—including the small bit of empirical research at the core of this article. Style, as it turns out, remains as difficult, complex, and ultimately intuitive as most of the rest of writing. I hope, ultimately, to encourage writing teachers to focus more attention on style, basing approaches on what we already know rather than waiting and hoping for some flawless system to materialize. Indeed, by the …

Walt Whitman At The Aurora: A Model For Journalistic Attribution, Kevin Mcmullen, Stefan Schöberlein

Department of English: Faculty Publications

Relatively little manuscript material exists to definitively tie Walt Whitman to the bulk of the journalistic writing attributed to him, particularly the writing in the early years of his career. Because the vast majority of his early journalistic work was unsigned, attribution is most often based on the knowledge of Whitman’s involvement with a given paper, coupled with the identification of some sort of Whit- manic voice or tone in a given piece of writing. However, a writer’s style and tone are often affected by the form and context in which they are writing, meaning that Whitman’s journalistic voice is …

The Victorian Body, Peter J. Capuano

Department of English: Faculty Publications

The nineteenth century is extremely important for the study of embodiment because it is the period in which the modern body, as we currently understand it, was most thoroughly explored. This was the era when modern medical models of the body were developed and disseminated, when modern political relations to the body were instantiated, and when modern identities in relation to class, race, and gender were inscribed. While questions about the distinctions between personhood and the body were studied by the ancients, nineteenth-century developments in technology, economics, medicine, and science rendered such categories newly important for Britons who were the …

Foreword To D.W. Robertson, Jr., Uncollected Essays, Paul Olson

Department of English: Faculty Publications

During the late summer of 1992, I received a call from Darryl Gless, a professor of Renaissance literature at the University of North Carolina and my former student, asking me if it would be all right if he and other people looking after the literary remains of D. W. Robertson would send me a package of published and unpublished articles that Robertson had left behind upon his death in July of that year. Gless had been a friend of Dr. and Mrs. Robertson in Chapel Hill, visiting with them frequently while trying a bit to look after their well-being in …

Courtly Connections: Anthony Sherley’S Relation Of His Travels (1613) In A Global Context, Kaya Sahin, Julia Schleck

Department of English: Faculty Publications

This article revisits Anthony Sherley’s Relation of his travels into Persia (1613), reading the text within the larger context of early modern Eurasia. It highlights the ways in which at least one European traveler sought and found not alterity, but commensurable structures, social roles, political ideologies, and personal motivations in the Islamic polities to the east and emphasized these connections to his European readers. Furthermore, in making the case that Sherley’s narrative is informed by local actors in Safavid Persia, it maintains that a certain level of Eastern knowledge is present within Western texts from this period and awaits scholarly …

Courtly Connections: Anthony Sherley’S Relation Of His Trauels (1613) In A Global Context, Julia Schleck, Kaya Sahin

Department of English: Faculty Publications

Despite various attempts by literary theorists and historians to find more integrative ways of studying early modern societies and cultures, fairly essentialist notions of the difference between Europe and the rest of the world continue to persist in scholarship. The assumption of fundamental differences then leads to a search for sundry misperceptions, misunderstandings, mischaracterizations, and other skewed representations in early modern texts, particularly in those produced by European travelers. Similarly, studies on cultural, ideological, religious, and intellectual exchanges have not always been able to transcend approaches that solely focus on encounters, a word that sometimes implies haphazard meetings and difficult …

Teaching Attentive Reading And Motivated Writing Through Digital Editing, Amanda A Gailey

Department of English: Faculty Publications

Though English departments, including my own at the University of Nebraska, have been teaching digital humanities (DH) courses for over a decade, hyperbolic claims about the perils and promises of using computers in the study of literature continue to appear in the press. A piece in the Los Angeles Review of Books likens the algorithms used by some digital humanities methods to fascism (Marche). Another, in The Huffington Post, compares the rise of digital humanities to “our uncritical acceptance of drone attacks” (Mohamed). On the other hand, digital humanists such as Franco Moretti, who famously promote “distant reading” as opposed …

A Matter Of Scale, Matthew L. Jockers, Julia Flanders

Department of English: Faculty Publications

Transcript of a staged debate between Julia Flanders and Matthew L. Jockers on the question of how scale is impacting research in the digital humanities. The debate took place on March 18, 2013 at Northeastern University as part of the Boston Area Days of Digital Humanities Conference.

The Aesthetic Unconscious, Roland K. Végső

Department of English: Faculty Publications

Within the context of recent European history, examines the phrase "aesthetic ideology" and attendant conceptual considerations. Discusses Jacques Rancière’s work and his unequivocal rejection of what he calls “this great anti-aesthetic consensus,” and the central category of the “distribution of the sensible” (le partage du sensible). Rancière calls some level of political engagement “primary aesthetics” and opposes it to actual “aesthetic practices.”

Further, considers Alain Badiou’s critique of Rancière’s Disagreement. Badiou summarizes Rancière’s argument by calling it “a democratic anti-philosophy that identifies the axiom of equality, and is founded on a negative ontology of the collective that sublates the …

Stalin’S Boots And The March Of History (Post-Communist Memories), Roland K. Végső

Department of English: Faculty Publications

I would like to propose here is precisely the invention of a relation to history and the public sphere of sociality that deconstructs the trauma/nostalgia opposition. The theoretical goal is to separate concrete narrative forms from actual political contents. It follows from the previous point that it might be possible to conceive of historical moments or concrete rhetorical situations in which we need to rely on nostalgic rather than traumatic narratives in order to imagine progressive political change. In these situations, the political task could be the development of a certain “critical nostalgia” that does not try to replace trauma …

Significant Themes In 19th-Century Literature, Matthew L. Jockers, David Mimno

Department of English: Faculty Publications

External factors such as author gender, author nationality, and date of publication affect both the choice of literary themes in novels and the expression of those themes, but the extent of this association is difficult to quantify. In this work, we apply statistical methods to identify and extract hundreds of "topics" from a corpus of 3,346 works of 19th-century British, Irish, and American fiction. We use these topics as a measurable, data-driven proxy for literary themes. External factors may predict fluctuations in the use of themes and the individual word choices within themes. We use topics to measure the evidence …

The Parapraxis Of Translation, Roland K. Végső

Department of English: Faculty Publications

Within the context of politics and culture, provides a theoretic framework for the analysis of modern translation. Includes section titles, "The paradoxa of translation," "The pragmatics of translation," and "The truth of translation."

The Shape Of Catharine Sedgwick's Career, Melissa J. Homestead

Department of English: Faculty Publications

Catharine Maria Sedgwick published her first novel in 1822 and her last in 1857. Her productivity slackened in the 1850S, as aging weakened her eyesight and arthritis made it difficult to write clearly. However, from 1822 through the 1840s, she published multiple works of prose fiction (tales, sketches, novellas, or novels) nearly every year. Despite this extraordinary record of productivity, Sedgwick regularly appears in literary history as the author of a single work, Hope Leslie (I827), her historical novel about relations between the Puritans and the native inhabitants of New England. A few other women authors before and contemporary with …

Cold War Legacies In Digital Editing, Amanda A. Gailey

Department of English: Faculty Publications

The editorial methods developed during the Cold War professionalized scholarly editing and appealed to new ideas about the relationship between American academics and the government by aligning with the supposedly value-neutral goals and methods of the behavioral sciences, much to the discomfort of many humanists. Some of the implicit assumptions underlying midcentury editorial methods persist in digital editing, and may risk positioning digital editions as marginalized scholarship within the digital era, just as print scholarly editions became widely considered second-rate scholarship in the twentieth century.

"The Borders Between Us": Loren Eiseley's Ecopoetics, Thomas Lynch

Department of English: Faculty Publications

Loren Eiseley's literary reputation today rests almost exclusively on the significance of his nonfiction nature essays, which deservedly stand as influential exemplars of creative nonfiction science and nature writing. However, in his early years as an undergraduate at the University of Nebraska, Eiseley had the reputation as an important and promising poet, and he published poetry in a range of literary journals. Most notably, his work appeared in the earliest editions of Prairie Schooner, whose editorial staff he joined in 1927, the year after it began publication. And, not limited to his own school's journal, he published in a variety …

Introduction, Subsidiary Developments In Georges Bataille: Phenomenology And Phantasmatology (Stanford University Press, 2012), Rodolphe Gasché, Roland K. Végső

Department of English: Faculty Publications

Introduction, Subsidiary Developments to Georges Bataille: Phenomenology and Phantasmatology (Stanford University Press, 2012).

First paragraph:

The foreword to this study on Georges Baraille evokes a figurea phantasm, a scientific myth-whos.e analysis has become possible only now that this study has been completed. Like the eyes of Janus, the god of forewords, these subsidiary developments simultaneously glance in the direction of what is to come and look back ftom the results to the intention that occasioned the following arguments, in order to ascertain that this figure. which was a subjective 50urce of inspiration. did not receive a thematic treatment. The upcoming …

The Mother Tongues Of Modernity: Modernism, Transnationalism, Translation, Roland K. Végső

Department of English: Faculty Publications

The relation of modernism to immigrant literatures should not be conceived in terms of an opposition between universalistic and particularistic discourses. Rather, we should explore what can be called a modernist transnationalism based on a general universalist argument. Two examples of this transnationalism are explored side by side: Ezra Pound’s and Anzia Yezierska’s definitions of the aesthetic act in terms of translation. The readings show that the critical discourses of these two authors are structured by a belief in universalism while showing opposite possibilities, both generated by modernist transnationalism. The essay concludes that we now need to interpret the cultures …

Edition, Project, Database, Archive, Thematic Research Collection: What's In A Name?, Kenneth M. Price

Department of English: Faculty Publications

What are the implications of the terms we use to describe large-scale text-based electronic scholarship, especially undertakings that share some of the ambitions and methods of the traditional multi-volume scholarly edition? And how do the conceptions inherent in these choices of language frame and perhaps limit what we attempt? How do terms such as edition, project, database, archive, and thematic research collection relate to the past, present, and future of textual studies? Kenneth M. Price considers how current terms describing digital scholarship both clarify and obscure our collective enterprise. Price argues that the terms we use have more than expressive …

Chaos Is The Poetry: From Outcomes To Inquiry In Service-Learning Pedagogy, Shari J. Stenberg, Darby Arant Whealy

Department of English: Faculty Publications

It is no secret that the contemporary university values a model of efficiency, of tangible, quantifiable outcomes. Jan Currie and Lesley Vidovich (qtd. in Downing, Hurlbert, Mathieu 9) contend that since the 1980s, the boundaries between higher education, government, and business have largely deteriorated, and business discourse of "excellence" has come to dominate university culture. Consequently, output, outcomes, and efficiency are valorized over and above process, inquiry, and the inevitable tensions of learning. Stanley Aronowitz puts it this way: "[A]cademic leaders chant the mantra of excellence . . . [which] means ... all parts of the university 'perform' and are …

At The Hands Of Becky Sharp: (In)Visible Manipulation And Vanity Fair, Peter J. Capuano

Department of English: Faculty Publications

Victorian sartorial convention allowed for the routine inspection of only two body parts: the head and the hands. While it is well-documented that the perceptual codes of phrenology and physiognomy shaped psychological, aesthetic and fictional conventions by the middle of the nineteenth century, the hand has attracted relatively little attention. One would be hard-pressed, for example, to identify a critic of Vanity Fair who does not comment on the relationship between Becky Sharp's facial expressions and the pervasiveness of her manipulative temperament. However, even within the heavily sifted topic of "manipulation" in Vanity Fair, critics have overlooked the extent …

9. Regionalism And The Realities Of Naming, Stephen C. Behrendt

Department of English: Faculty Publications

Complications seem inevitably to arise whenever one tries to define either regionalism in general or any specific region like the South or the Great Plains or to categorize the art and artifacts that come from or relate to that area by means of such language. Commentators occasionally try to take the easy way out of these taxonomic difficulties by simply declaring that “writing is writing,” by which reductive expression they apparently mean that all writing is “universal” in nature (the local manifestation of some “universal language”) and that, therefore, all that varies from “region” to “region” is the inflection. Inflection …

Faulkner In The Fifties: The Making Of The Faulkner Canon, Roland K. Végső

Department of English: Faculty Publications

First three paragraphs:

As many commentators of the period noted, one of the most significant events of early post-war literary culture in the United States was William Faulkner’s sudden rise to international fame. The most extensive investigation of this dramatic revaluation of cultural status was carried out by Lawrence D. Schwartz in his Creating Faulkner’s Reputation: The Politics of Modern Literary Criticism. Schwartz examines in detail the cultural and political processes that led to Faulkner’s discovery in the 1940s after the primarily negative reception of his works in the 1930s by leftist critics. He argues that Faulkner’s entry into …

Futurist Fiction & Fantasy: The Racial Establishment, Gregory E. Rutledge

Department of English: Faculty Publications

Futurist fiction and fantasy encompasses a variety of subgenres: hard science fiction, speculative fiction, fantasy, sword-and-sorcerer fantasy, and cyberpunk. Unfortunately, even though nearly a century has expired since the advent of futurist fiction and fantasy, Richard Pryor’s observation and a call for action is still viable. Despite the growing number of Black futurist fiction and fantasy writers, the proportion of Black futurist fiction and fantasy authors to White futurist fiction and fantasy authors is dismal. This disproportion means that Black futurist fiction and fantasy authors have a limited presence in the industry. Thus, although Black futurist fiction and fantasy authors …

Reconciling Private Lives And Public Rhetoric: What’S At Stake?, Barbara Couture

Department of English: Faculty Publications

“I tried it, but I didn’t inhale.” It is hard not to smile at the irony of former president Bill Clinton’s wan attempt to place himself on the right side of the law in public when disclosing his private use of marijuana. And the irony is doubly inflected for us, knowing—as we do now—about his duplicitous public admission that he never “had sex” with Monica Lewinsky. Perhaps there is no figure in American life for whom private life and public rhetoric are more intertwined than for our nation’s president. This consequence of public life in America’s most visible office is …

References For The Private, The Public, And The Published: Reconciling Private Lives And Public Rhetoric, Barbara Couture, Thomas Kent

Department of English: Faculty Publications

Approximately 325 bibliographical references (15 pages) on public intrusions into private lives.