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Seeking The Face Behind The Face: Rosenzweig And Nietzsche Opening To The Feminine Divine, Sharon Mar Adams
Seeking The Face Behind The Face: Rosenzweig And Nietzsche Opening To The Feminine Divine, Sharon Mar Adams
Electronic Theses and Dissertations
This study begins with a reading of Franz Rosenzweig's Star of Redemption and Friedrich Nietzsche's Thus Spoke Zarathustra in a manner that offers evidence for what I call a feminine divine. In reading the Star against Zarathustra I explore how even as Rosenzweig appears to praise Nietzsche as being emblematic of Rosenzweig's "new thinking," Rosenzweig eventually finds Nietzsche falls short, (or, in other words, Rosenzweig critiques Nietzsche in suggesting his pagan roots prevent him from ever reaching Revelation). I suggest Nietzsche's texts do indicate a type of divine inspiration, but it is one coming not from the Father God of …
Fashioning The Self: Performance, Identity And Difference, Jessica L. Neumann
Fashioning The Self: Performance, Identity And Difference, Jessica L. Neumann
Electronic Theses and Dissertations
This thesis project will examine cultural and rhetorical communication studies to determine how these modes of analysis can be compared with interdisciplinary literature to better understand the role fashion plays within everyday performances and the shaping of identity. Criticisms by second-wave feminist scholars have focused on the fashion industry's overarching male influence; in more recent scholarship, feminist academics have often considered an affinity for fashion to be un-feminist and oppressive. I argue that fashion can instead be viewed as a tool for female agency and expressing individuality, rather than just a mode for reinforcing gendered norms. Using feminist rhetorical analysis …
The Intricacies Of M.F.K. Fisher: Discovering A Kaleidoscopic Hybridity, Elizabeth Lee Sleeper
The Intricacies Of M.F.K. Fisher: Discovering A Kaleidoscopic Hybridity, Elizabeth Lee Sleeper
Electronic Theses and Dissertations
This thesis seeks to analyze M.F.K. Fisher's socio-historic role and the components of her texts as a means to interrogate the categorization of her writing, to identify her authorial voice, and to see how it all contributes to and proves that Fisher is a `kaleidoscopic' hybrid writer. I utilize theoretical positions such as New Historicism, Feminism, Genre Theory, and Everyday Theory to help me identify and explain the hybrid tendencies of Fisher's writing. It is not a comprehensive study of her texts in light of these theories, but rather, it is a broad overview in order to demonstrate alternative readings …