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Short Symphony, For Wind And Percussion Ensemble, Randall Snyder
Short Symphony, For Wind And Percussion Ensemble, Randall Snyder
Randall Snyder
written for 1968 Rock Valley College Band, revised 2013
Mexico City Blues: Part Vii, Randall Snyder
Samba D'Ellie, Randall Snyder
Possibility's Face, Randall Snyder
Possibility's Face, Randall Snyder
Randall Snyder
for SATB chorus, tenor-alto recorder words by John Langfeld
Chance Designs, For Tenor Saxophone, Trombone, Vibraphone, Randall Snyder
Chance Designs, For Tenor Saxophone, Trombone, Vibraphone, Randall Snyder
Randall Snyder
No abstract provided.
Concerto Da Chiesa, Randall Snyder
Concerto Da Chiesa, Randall Snyder
Randall Snyder
Recorder(s), String Quartet, Harpsichord
Dr. Funk, Randall Snyder
Mozart Dreams, For Violin And Viola, Randall Snyder
Mozart Dreams, For Violin And Viola, Randall Snyder
Randall Snyder
No abstract provided.
Wilderness Paths, Randall Snyder
Three Hesse Songs For Chorus And Band, Randall Snyder
Three Hesse Songs For Chorus And Band, Randall Snyder
Randall Snyder
No abstract provided.
Another Anaphora Sighting, Randall Snyder
Another Anaphora Sighting, Randall Snyder
Randall Snyder
for Cl., Bn., Trpt., Tbn., Perc. Viln., Cb.
Gem City Overture, Randall Snyder
One For Wardell, Randall Snyder
Chicago Profiles, For Clarinet And Trombone, Randall Snyder
Chicago Profiles, For Clarinet And Trombone, Randall Snyder
Randall Snyder
No abstract provided.
Mexico City Blues: Part Vi, Randall Snyder
Mexico City Blues: Part Vi, Randall Snyder
Randall Snyder
Alto Sax, Tenor Sax, Piano, Bass, Drums, Narrator
Water Music Revisited, Randall Snyder
Water Music Revisited, Randall Snyder
Randall Snyder
for Fl., Bb Cl., Bn., Mba., Hpschd As the story goes... in 1717 George Frederick Handel, in an attempt to win back the favor of King George arranged to have this music performed on a barge floating along the rivers Thames. This extraordinarily healthy, clean limbed music is a loose collection of some twenty pieces from which various suites of usually three to five movements are performed in concert. In 1965 I arranged three movements for Wind Ensemble in a purist historically (politically?) correct version (including harpsichord). Then, last March, with nothing better to do, I declared a “Handel Month” …
Return Of The Randwulf, Randall Snyder
Return Of The Randwulf, Randall Snyder
Randall Snyder
for the New Music Agency flute, clarinet, bassoon, marimba, el. piano, drum set Return of the Randwulf revisits some themes from the controversial 1995 orchestral piece Randwulf, written for the Lincoln Youth orchestra conducted by Brian Moore (which a reviewer described as “Otto Von Bismark getting down and funky”). This version features two of the James Brown-inspired sections connected by softer interludes of featuring the winds then marimba and electric piano, all accompanied by a percussion track.
The New Patagonian Jazz Express, Randall Snyder
Mexico City Blues: Part V, Randall Snyder
Mexico City Blues: Part V, Randall Snyder
Randall Snyder
Fl., Cl., Bn., Narrator Mexico City Blues: Part Five features poems using “nonsense”, made-up words reflecting to some extent jazz scat, dada/surrealist automatic writing as well as neologisms ala James Joyce’s Finnegans Wake. The overall mood of this grouping suggests humor sliced with large amounts of bewilderment/cynicism. The two principal movements, Glossolalia and Xenoglossy (speaking in tongues ) are separated by two short interludes: Harvest Moon Interlude, based on the song, “Shine On Harvest Moon” quoted in the bassoon (followed by its inversion) that held particular symbolism for Kerouac, and Pastoral Interlude which imitates sheep braying. One interesting moment occurs …
Mexico City Blues: Part Iv, Randall Snyder
Second Quartet For Saxophones, Randall Snyder
Eight Untitled Pieces, Randall Snyder
Eight Untitled Pieces, Randall Snyder
Randall Snyder
for solo Double Bass and Wind Ensemble
American Zeitgeist: Spontaneity In The Work Of Jackson Pollock, Charlie Parker And Jack Kerouac, Randall Snyder
American Zeitgeist: Spontaneity In The Work Of Jackson Pollock, Charlie Parker And Jack Kerouac, Randall Snyder
Randall Snyder
During the decade following World War Two, a body of artistic work was created that clearly articulated for the first time, a distinctly American aesthetic, independent of European models. This is not to say that celebrated works like The Great Gatsby, The Sun Also Rises, Appalachian Spring and Roy Harris’ Third Symphony are not recognized as American masterpieces; but their American characteristics are expressed through content, rather than form or methods of production. Fitzgerald and Hemingway all furthered their apprenticeship in Europe during the 1920s while Copland and Harris studied in Paris with Boulanger. It remained for the next generation …
Place Of Execution, Randall Snyder
Place Of Execution, Randall Snyder
Randall Snyder
For Flute (2), Oboe (2), Clarinet in Bb (2), Bassoon (2) Horn in F (2), Trumpet in Bb (2), Trombone, Percussion, Harp, Timpani, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Cello, and Double Bass.
poem: Weldon Kees
23 pages
To See How It Tallies, Randall Snyder
Too Cool To Care, Randall Snyder
Tourmaline Dream, Randall Snyder
Elegy For September, Randall Snyder
Elegy For September, Randall Snyder
Randall Snyder
for soprano sax, harp, strings Originally conceived for lute, then arranged for harpsichord. The first section evolves through a veiled opening to a more agitated middle part before a return to the spirit of the beginning. The piece concludes with an arrangement of The Silver Swan, by Orlando Gibbons. Begun in early September, 2001, as a memorial to the composer’s father, the Elegy unfortunately assumed more universal relevance with the unfolding of the tragic events of 9/11 .
Chicaroscuro Pieces, For Trumpet And Strings, Randall Snyder
Chicaroscuro Pieces, For Trumpet And Strings, Randall Snyder
Randall Snyder
No abstract provided.
Three Frost Meditations, Randall Snyder
Three Frost Meditations, Randall Snyder
Randall Snyder
for SATB choir, guitar ensemble, piano, double bass