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Three Faces Of Destiny: An Analysis Of The Modern Medea Figure On The American Stage, Melinda M. Marks

Master's Theses

This thesis examines the ways in which three structural factors contained within three modern American adaptations of Euripides' Medea serve to enhance the dominant personality traits of the main character. The plays used in this study are Steve Carter's Pecong (1990), Cherrie Moraga's The Hungry Woman (2002), and Neil Labute's Medea Redux (1997). While each protagonist is a re-development of the original Medea, the personalities of each are distinctive to the world of their adaptations. There are three main ways in which the structure of each adaptation works to enhance certain emotional markers within the main character.

The first analysis …

An Examination Of The Representation Of Irish Catholic Priests In Contemporary Irish Theatre, James Patrick Jeans

Master's Theses

Modern Irish theatre can trace its origins to the creation of The Irish Literary Theatre by W.B. Yeats and Lady Gregory in 1899, which later became the Irish National Theatre Society, and eventually, the Abbey Theatre. For more than 100 years, Irish theatre has served as a mirror for reflecting Irish identity and as an oracle of future possibilities. A decade into the Twenty First Century found Irish identity challenged by a child abuse scandal of tragic proportions whereby over 30,000 children suffered at the hands of a duplicitous and negligent Catholic Church. The purpose of this thesis is to …