Digital Commons Network^™

Graphic Desire, Michelle Belgrod

Masters Theses

Before I knew about design, I knew about desire. A desire for the new, the beautiful, the promising. A desire that lives on a surplus of surfaces. On packaging, social media, on websites. A desire that makes the job of a graphic designer an object of desire itself. A practice that prioritizes aesthetics over meaning. Expectations over reality.

In Graphic Desire, I complicate the ways that desire affects both designers and consumers. Caught up in our own need for creative fulfillment, we often overlook our impact as the arbiters of desire. Under capitalism, we create work that over-promises a …

Function Follows Material, Pablo Ejarque González

Masters Theses

Dear Designer,

How often do we find ourselves lost in the design process, unsure of the next steps? It’s tempting to view every aspect of design as a problem needing a solution. However, function is not a problem. For a long time, I approached design from a problem-solving perspective, treating material as a secondary consideration after the idea had already formed. This approach needed to change.

This book is a journey—a map of material exploration. It is an embrace of experimentation and innate curiosity. Many of the experiments conducted did not culminate in finished furniture pieces, yet this does not …

Untitled, Lucia Steele

Masters Theses

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Industrial Tenderness, Elbert Girón

Masters Theses

Industrial Tenderness surveys the relationship between visual language, cultural expression, and diasporic practices through the design of functional sculptures. These designed objects seek to communicate cultural legibility, or intuitive cultural belonging, to Mexican-American peoples by challenging legacy notions of design language. Through a proposed design language framework and designed objects, Industrial Tenderness seeks to affirm a pluriversal practice of industrial design.

Legacy industrial design confines design language to a heavily prescriptive canon, resulting in a stark monocultural language that is unrepresentative of perspectives outside of a legacy dominant white eurocentricity founded in thinking from the Bauhaus and Ulm schools. Through …

Re-Touch, Yuxin Jin

Masters Theses

Many special moments are fleeting and buried in our memories. In the hustle and bustle of modern life, people are always pursuing efficiency, and as we move forward, we gradually lose some of our perceptions of life.

I explored the role of memory in establishing the emotional connection between newly designed objects and people. Shared experiences and feelings can evoke emotional resonance and a sense of collective experience. When harnessed in design, these feelings can facilitate a deeper understanding and connection to the product. Therefore, objects transformed from these shared experiences can not only carry memories but also become carriers …

Repair Rolodex: Exchanges, Changes, And Patchwork Parables, Ethan Howard

Masters Theses

This book is an index of nine exchanges with strangers whom I met online through email Listservs or by word of mouth. In these transactions, I offered to repair broken things for a trade-in-kind payment. Through the brief relationship between owner and designer, each interaction suggests that an object is almost never entirely obsolete despite its perceived obsolescence.

At the core of these trades is a grassroots protest of the landfill and a critique of our global capitalist commerce system. The apparent desire for and nature of these trades demonstrates that stories make our objects meaningful. Each interplay studies peoples’ …

Never Real Historians, Emily Bluedorn

Masters Theses

Never Real Historians is a graphic inquiry into how surfacing hidden histories can lead to a liberatory and layered design practice. It is both a record of my process and a template for future making and future ancestors. Mining inheritance can be an ambiguously murky territory, full of contradictions, collisions, and tension between the past and present. My hope is that this thesis functions as a model of navigating that terrain, by interacting with storied objects and ephemera, in order to revive forgotten and marginalized histories. By re-examining my own shared and personal inheritances, as an American woman designer living …

Lost Stories, Yuxuan Huang

Masters Theses

The owner of the laundromat by the corner of my temporarily sublet room in New York once told me his life story randomly on the last day I went to dry my bedding. We had never spoken before because we both weren't sure if the other spoke Mandarin.

It’s a long and intricate one, so long and intricate that he could write his own book and become the protagonist of a realist novel. If one word could describe this world and the life we all live, it should be “Wuchang.” According to various authoritative Chinese-to-English dictionaries, it could mean unpredictable, …

Unfurling Blue Carpet Memories, Sara Ahli

Masters Theses

Glass is an amorphous solid, existing in a liminal space, embodying indeterminacy. Its states of transformation from viscous flow to structural solidity carry the imprints of bodily influence. With the direct intention of using glass as a conduit to explore materiality, memory, and self-awareness, I construct a language of embodiment that arises through a series of performative encounters between my physicality and glass in the hot shop.

The mediating process I employ to create and arrive at the glass artwork I make is as necessary as its final form. Motivated by the desire to claim agency over my personal narrative, …

Community Engagement In Art & Design Colleges, Mah Rukh Raja

Masters Theses

This thesis titled ‘Community Engagement in Art & Design Colleges: Case Studies from Pakistan’ highlights the importance of community-engaged practices in education, specifically within the realm of art and design, and examines the effect of community engagement on student learning. It focuses on the importance of creating opportunities for reciprocal, community-engaged learning where responsibilities, roles and credit are shared equally among students, community partners, and educational institutions to develop projects that are in the best interest of communities.

This research coincides with the introduction of community and civic engagement in undergraduate education in Pakistan. Its primary objective is to serve …

Growing Together: Cultivating The Social-Emotional Effects Of Art Education Through Trauma-Informed Pedagogy, Kaitlyn Lawrence

Masters Theses

In many societies, the process of art is recognized as a healing and transformative practice. In recent years, it has been emerging in tandem with social emotional practices and procedures in American education. However, it is also a fact that social emotional learning (SEL) does not account for all students due to its inability to account for the needs of all students in the classroom. SEL alone aims to teach healthy development and emotional management skills, but fails to account for students with varying experiences. While there are those who can and do integrate the skills from the Social Emotional …

Creative Connections: Building Empathy To Foster Ecoliteracy Through Art Education, Jocelyn Salim

Masters Theses

This thesis investigates the potential positive impact of fostering empathy and understanding for the natural world through art education. Through action research, this study examines various teaching approaches, such as incorporating scientific knowledge, employing literature to discuss ecological themes, and engaging in participatory storytelling activities to cultivate empathy among elementary school children. The objective of this thesis is to explore empathy as a potential pathway to encourage children to foster connections with the natural world and develop compassionate traits, attitudes, and behaviors towards nature as they grow. The findings of this study reveal that children exhibit high levels of enthusiasm …

Half Dawn, Catherine Ashley

Masters Theses

By presenting these words on paper, I have given entry into a microcosm of recent research, questions, and creative explorations. There is potential for disconnection when trying to turn your head inside out and present it in a way that feels beautiful for other people. I’m trusting the moments of authenticity I’ve found in my wandering. Segue. Relationship. Gesture. Illusion. My musings all stem from notions of temporality. Time dances on the farthest ends of both immensity and desolation. I’ve spent stretches of time asking the people, texts, and experiments around me to define time in a way that I …

Move Or Die, Jiho Park

Masters Theses

This paper traces the process of digitizing artwork, exploring the image processing techniques involved in digitizing art, including image compression, pixel technology, and display. It examines the complex relationship between digital and physical spaces, questioning the approach of digitizing various forms of art—ranging from traditional media to digital works—in the same manner to preserve and increase accessibility. Additionally, the paper discusses how these image-processing methods reflect and impact socioeconomic values.

Also, this paper covers JPEG compression methods, the form and history of pixels, the displays that materialize images, and additionally, the Image generator tool in AI in the appendix. It …

Rejected Manuscripts, Yangqi Deng

Masters Theses

Rejected Manuscripts is a series of visual metaphors reconstructed from hyperlink research. It explores the representation, perception, and processing of information as fact across three projects, highlighting the pervasive influence of fiction throughout each stage. It investigates forms of fact versus fiction to bring awareness to multi-perspective and from that explores the intricate interplay between reality and imagination.

This thesis consists of three chapters. Chapter 1 falls into an abyss of fictional imagery intertwined with factual information. From there, the second chapter explores how we observe the world and how technology affects our vision. Chapter 3 discusses how this information …

Umbrella And Jellyfish, Yanran Bi

Masters Theses

Rainy season arrives as soon as the summer begins in Shanghai. For some reason, I rarely remember to bring an umbrella with me. I have a lot of umbrellas, most of them are transparent ones bought at subway stations. When it suddenly starts pouring rain, umbrella vendors in Shanghai gather at each crowded exit of the subway sta- tions to sell umbrellas to people like me. The cheapest umbrellas they have are always the transparent ones. The whole city is turned upside down by the rain with its reflections on every street. Then a transparent umbrella opens up, then another, …

Garment Making As A Practice Of Freedom, Emily Bennison

Masters Theses

This Thesis investigates sewing education in schools as a transformative experience for teenagers. Through teacher-based research methodology, this study delves into the implementation of fashion design classes aimed to foster creative expression. Critical thinking, and social engagement among teens. The research draws upon scholarly work that engaged with home economics, community sewing classes, and trauma informed pedagogical approaches. The qualitative data gathered from classroom observations and the teacher reflections have informed a socially engaged sewing zine that comprises lesson plans. The findings shed light on the potential of fashion design education to empower students, cultivate their artistic skill, and encouragement …

Lucid Dream: Embracing Uncertainty, Zhiyun Zhang

Masters Theses

Glass is a tool, a projection surface, a medium for optical phenomena. It creates a tangible link between physical space and perception, transcending the physical realm to reshape our sensory perceptions and resonate within our psyche, deepening our understanding. Inspired by cosmic and natural phenomena, my installations narrate the contemplation of the moon and the appreciation of rainbows. They reference historic optical technologies, incorporating glass, mirrors, light, darkness, and space to produce an encounter that extends beyond personal experience, resonating with our collective unconscious, uniting us in profound ways. The blurred boundaries between observer and observed, reality and illusion, sensory …

The Importance Of Art Programming For Underserved Youth, Aja Delgado

Masters Theses

Arts programming for underserved youth holds great significance in fostering holistic development, empowerment, and a creative outlet for students. This thesis dives into the importance of such initiatives by addressing the multifaceted needs of marginalized communities.The arts serve as a catalyst for self-expression, creativity, and emotional well-being, offering a platform for individuals to explore their identities and narratives. For underserved youth facing socio-economic challenges, access to arts programming can be transformative, providing avenues for personal growth, and empowerment. Through collaboration, exploration and experimentation I’ve investigated the ways in which underserved youth can benefit from artmaking, through a collaborative workshop titled …

Things I'Ve Learned From Doing Cosplay: An Investigation On Incorporating “Atypical” Creative Practices Into Art Education, Yvonne Liang

Masters Theses

This thesis explores the pedagogical value of cosplay through a focused case study and autoethnography, highlighting its influence on identity formation and community engagement among youth. The autoethnographic component provides a personal perspective, enriching the empirical data collected from participants in a cosplay workshop. The case study delves into how cosplay encourages skill development, creativity, and emotional resilience, facilitating a supportive and dynamic learning environment for young adults. Insights from this research demonstrate the significant benefits of integrating cosplay into art education, suggesting it can greatly enhance student engagement and promote diverse educational experiences. This study contributes to the understanding …

Modern Times, Will Beattie

Masters Theses

At the intersection of glass, photography and sound lies issues of perspective, framing, and information. These factors as well as the conceptual space between object and image offer an opportunity to explore the way we register narrative through contradicting signifiers. Glass historically has been used as an instrument to reveal spaces, moments, and phenomena previously imperceptible to the human eye. This rendering of previously unseen spaces through language, technology or vision, may work to reorient the viewers’ perspective and allow for a new understanding of the world. The power of disruption as a potential catalyst is central to my studio …

The Future Is Over, Dotan Appelbaum

Masters Theses

History is constructed out of the narratives by which we organize the substance of all that has ever happened. Our understanding of the contemporary moment is determined by how we shape our history. The future is a promise that emerges from how we contextualize our place in time.

This thesis starts by acknowledging that the futurity promised by enlightenment liberalism is inconceivable in the face of contemporary horrors and climate catastrophe. Given this reality, what are we doing as designers? With a Benjaminian understanding of and a Foucauldian approach to history, this thesis constructs a history of design that follows …

So Far So Good, Cooper Goldman

Masters Theses

What is the most beautiful object in the world?

The thick, heavy, white, porcelain diner mug.

Describe what you make…

Home goods and furniture. Crafted with attention to detail, with materials that you can feel good about.

Why do you make what you make?

Through the elevation of ordinary objects, we can elevate our daily routine.

Soft Procedures, Alec Figuracion

Masters Theses

Looking through the soft lens — from the vantage point of a place one calls home, and steered by an interiority that feels a little too much sometimes — I am interested in the hazy, undefined subjects and instances that occur around the peripheries of our lenses: fuzzy imprints of memories, shifting notions of home, and shapeless narratives. Working primarily with the moving image, I investigate the multiple threads that might exist between them, and persistently shift and adjust the focus ring on the camera lens so as to embrace and celebrate multiplicities, and our collective definitions of softness.

To The Dogs Or Whoever, Jacqueline Walker

Masters Theses

My creative process is inspired by the natural world and its inevitable conflict with humans. Through intricately layered screen prints, repurposed furniture, or reimagined animal hides, I craft narratives depicting the complex interactions between animals and humans, examining their conflict and the ensuing consequences. I weave layers of information and symbolism from natural history, behavioral ecology, music, and personal experience into each piece. This thesis explores my artistic practice, discussing its underlying values, and examining the influences and stories behind each piece. Focusing on the narrative of the animal, my body of work strives to cultivate empathy towards them and …

Rhythm Of Space, Brian Carrillo

Masters Theses

This project innovates architectural representation by exploring the rhythm and flow of spaces, focusing on staircases in the Bayard Ewing Building, the RISD Museum courtyard, the Waterman Building, and Woods-Gerry. It captures the body’s dynamic sequence in these spaces, using drawings or animations to challenge traditional techniques. Emphasizing kinesthetic perception, it offers a fresh perspective on architectural experience. Ultimately, this work enriches our understanding of how architectural elements shape movement and perception, enhancing architectural representation and experience.

Atelier Interloper, Isabel Jane Marvel

Masters Theses

Architects frequently specify toxic materials, like fiberglass insulation, for construction projects, materials they would never touch with bare hands, let alone wear as garments. So why incorporate such harmful substances into our buildings? Atelier Interloper, a nimble fabrication studio, intervenes in job sites and manufacturer waste streams, reclaiming industrial materials that are no longer usable at building scale but are suitable for clothing. The premier collection of garments draws inspiration from workwear and is crafted from industrial materials such as Tyvek and 100% recycled denim insulation. In outfitting the body with these materials, this thesis work brings visibility to substances …

Architecture As A Carbon-Based Practice, Qixin Yu

Masters Theses

Carbon serves as both a silent protagonist and a looming antagonist in the narrative of architecture, shaping not only the physical structures we inhabit but also the ecological legacy we leave behind.

Centuries of human exploitation of the environment have led to climate and material crises. Shifting this dynamic requires action at micro (matter), meso (material), and macro (materiality) levels. Biogenic materials offer significant potential for carbon sequestration and present opportunities for the building industry to collaborate with nature rather than merely extract from it.

This thesis establishes a research and manufacturing practice that prioritizes material innovation, carbon sequestration, environmental …

Moving Studio, Emilia Miekisz

Masters Theses

This collection of essays chronicles my journey through the MFA program at the Rhode Island School of Design (RISD), exploring the concept of a “moving studio” and its influence on my creative process. From the fluidity of morning routines to the comfort found in Sunday pancake traditions, the essays delve into the intersections of personal experiences, artistic inspiration, and technological innovation. Through reflections on animation projects like “Wakey Wakey” and “Mr. Fragile,” I examine the transformative power of storytelling and the emotional connections fostered through my work. The essays also explore the evolution of perspectives, from initial resistance to embracing …

Folding (And Unfolding): A Site-Responsive Strategy For Reusing Construction And Demolition Waste, Jennifer Ansley

Masters Theses

Discarding—in its most reductive formulation— is a sorting operation that makes distinctions between materials (as well as objects, people, communities, and landscapes) based on perceived value. In her book Waste of the World, Nicky Gregson, therefore, argues for a more careful collection-curation strategy that revalues and re-signifies “waste” to make it available for repair and reuse. Gregson, however, points to limited space and infrastructural capacity as a potential barrier to the development of new material handling strategies. My design responds by proposing a network of walls and paths that operate in each of the sites I’ve identified as an …