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Articles 1 - 5 of 5
Full-Text Articles in Entire DC Network
Eduardo Gamboa's Life, Music, And Inspiration. Understanding The Influence Of Folk Music On His Work "Transparencias:" An Analysis, Performance Guide, And Violin Transcription, Perla Del Rocio Fernandez Lopez
Eduardo Gamboa's Life, Music, And Inspiration. Understanding The Influence Of Folk Music On His Work "Transparencias:" An Analysis, Performance Guide, And Violin Transcription, Perla Del Rocio Fernandez Lopez
LSU Doctoral Dissertations
The purpose of this dissertation is to explore the life and music of Mexican living composer Eduardo Gamboa. This study intends to fill a void on the research of Gamboa. This document provides detailed biographical information, information about the influences on his music, and an edition of Transparencias for violin. The first chapter provides a broad biography of the composer including his musical formation, folk experience, and a complete catalog of his works. The second chapter is an introduction about Transparencias and contains the point of view of the composer and of the flutist Tadeu Coelho, to whom Gamboa dedicated …
The Idiosyncratic Fantasies Of Bele Bachem : The Life And Work Of Germany's Forgotten Postwar Artist, Lydia Jane Dorsey
The Idiosyncratic Fantasies Of Bele Bachem : The Life And Work Of Germany's Forgotten Postwar Artist, Lydia Jane Dorsey
LSU Master's Theses
This thesis constitutes the first comprehensive analysis written in English on the life and work of German-born, post-World War II artist, Bele Bachem. By translating and critically analyzing her diverse oeuvre, which spanned both fields of "applied" and "fine" arts, this thesis examines the three stages of the artist’s career: Bachem’s "Poetic Miniatures" and theater set design under the Third Reich (1938-1945), her postwar commercial work after West Germany’s Wirtschaftswunder for Rosenthal Porcelain (1949-1966), and her mature style of narrative fantasy paintings and female portraits completed in the Schwabing bohemian district of Munich (1957-1986). With this thesis, I aim to …
Projected Performances: The Phenomenology Of Hybrid Theater, David Edward Coley
Projected Performances: The Phenomenology Of Hybrid Theater, David Edward Coley
LSU Doctoral Dissertations
Throughout the 20th century, mediatized forms gained prominence and eclipsed the theater as a site of cultural power and popularity. Because of this tension, performance theorists like Peggy Phelan framed the definition of theater through its inherent differences from film and television. Other theorists like Philip Auslander problematized this distinction, particularly due to television’s similarities to live performance. The cinema, however, has remained an opponent to performance, ignored in favor of technologies that more readily promote a sense of “liveness.” In Projected Performances, I argue that film projection is more closely related to performance than previously thought, particularly when viewed …
The Illumination Of E. E. Cummings' Poetry In J. A. C. Redford's "Love Is The Every Only God", Amy Louise Aucoin
The Illumination Of E. E. Cummings' Poetry In J. A. C. Redford's "Love Is The Every Only God", Amy Louise Aucoin
LSU Doctoral Dissertations
The choral work love is the every only god, composed by J. A. C. Redford, was published in 2001, placing it among the initial choral concert works published in the twenty-first century. love is the every only god is a song cycle for divisi mixed chorus with piano accompaniment based on six poems by E. E. Cummings. The work is organized into six movements with two interludes and lasts approximately twenty-five minutes. Beyond his regard for the art of poetry and care in choosing a text, Redford sees himself as an illuminator of the text, providing the listener with a …
A Performance Guide To Lori Laitman's Living In The Body, Kathryn Mary Drake
A Performance Guide To Lori Laitman's Living In The Body, Kathryn Mary Drake
LSU Doctoral Dissertations
The purpose of this document is to provide a complete performer’s guide to American composer Lori Laitman’s Living in the Body, a song cycle consisting of six songs for soprano and saxophone set to the poetry of Joyce Sutphen. Living in the Body is one of very few cycles written for soprano and saxophone, and the combination is both unusual and interesting to investigate. The cycle explores letting go of the past and focusing on what will happen in the second half of life. The text is set expertly for soprano, bringing important words to the listener’s attention while keeping …