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Louisiana State University

Comparative; Literature

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Translating Exile In Panait Istrati's "Mes Departs", Samuel Beckett's "Fin De Partie" And Selected Poems By Paul Celan., Ina Alice Pfitzner Jan 2001

Translating Exile In Panait Istrati's "Mes Departs", Samuel Beckett's "Fin De Partie" And Selected Poems By Paul Celan., Ina Alice Pfitzner

LSU Historical Dissertations and Theses

Translation and exile are two phenomena that marked life in the twentieth century, especially in Europe, and have therefore left their traces in French literature as well. Translation from one language to another is a heightened form of the translation process inherent in any writing. Exile in a foreign country, linguistic exile, is an aggravated form of the exile every human being experiences at some point. Parting from Lucian Blaga's concept of "mioritic space," which is based on the Romanian myth of Mioritza, as well as Walter Benjamin's essay "Die Aufgabe des Ubersetzers" [The Task of the Translator], this study …


Slain In The Spirit: A Vodun Aesthetic In Selected Works Of Simone Schwarz -Bart, Zora Neale Hurston, And Paule Marshall., Maria Thecla Smith Jan 2000

Slain In The Spirit: A Vodun Aesthetic In Selected Works Of Simone Schwarz -Bart, Zora Neale Hurston, And Paule Marshall., Maria Thecla Smith

LSU Historical Dissertations and Theses

This study, focusing on select novels by women writers of the African diaspora, discovers a surprising commonality among works with obvious geographical, cultural and linguistic differences---an affirmation of the philosophical essence of the Vodun religion as an antidote to Western spiritual and cultural moribundity. Each of the novels---Zora Neale Hurston's Their Eyes Were Watching God, Simone Schwarz-Bart's Pluie et Vent sur Telumee Miracle, and Paule Marshall's Praisesong for the Widow---alludes to the Vodun pantheon, ancestor veneration and/or rituals in order to valorize the holistic Vodun worldview that recognizes the interconnectedness of all living things and the fluidity of boundaries between …


A Matter Of Life And Death: Jose Maria Arguedas, Mario Vargas Llosa, And The Postmodern Condition., Lynn Marie Walford Jan 2000

A Matter Of Life And Death: Jose Maria Arguedas, Mario Vargas Llosa, And The Postmodern Condition., Lynn Marie Walford

LSU Historical Dissertations and Theses

Despite all that has been written in recent years on the subject of literary postmodernism, theorists and critics have yet to arrive at a consensus about the meaning of the term. In the context of Latin America, the theoretical disagreement is given an added dimension by an ongoing debate over whether the notion of postmodernism, in any of its manifestations, is relevant to contemporary Latin American letters. This study maintains that at least some of the issues raised in the debate over postmodernism are not only relevant, but crucial to an understanding of the many complex worlds of Latin America …


Memory, Time And Identity In The Novels Of William Faulkner And Marcel Proust., John Stephen Larose Jan 2000

Memory, Time And Identity In The Novels Of William Faulkner And Marcel Proust., John Stephen Larose

LSU Historical Dissertations and Theses

This dissertation is a comparative study of first person narrative in Marcel Proust's A la recherche du temps perdu (Remembrance of Things Past), and selected novels of William Faulkner, primarily those in which the character of Quentin Compson appears: The Sound and the Fury and Absalom, Absalom! This comparison is based upon the assumption that the attempts to represent the patterns of thought, memory, or consciousness in these novels is symptomatic of many twentieth-century novels, which dramatize an anxiety about the possibility of a solid ground for knowledge of the world or of the self. The language of these novels …


Rights Of Passage: A Cross -Cultural Study Of Maroon Novels By Black Women., Randi Gray Kristensen Jan 2000

Rights Of Passage: A Cross -Cultural Study Of Maroon Novels By Black Women., Randi Gray Kristensen

LSU Historical Dissertations and Theses

This study investigates the use and implications of the trope of marronage, the African-American practice of self-emancipation to forge alternative New World communities, in selected novels by Black women writers of North America and the Anglophone and Francophone Caribbean. It draws on theories of liminality to posit a theory of liberatory practice that deconstructs hegemonic narratives, both personal and historical. Postmodern approaches are deferred in favor of locating these texts and their concerns as deriving from the epistemological consequences of modernity. Cross-cultural Black women's texts were chosen to illuminate the recognition of shared subjugations across national and linguistic borders, as …


Border Crossers And Coyotes: A Reception Study Of Latin American And Latina/O Literatures., Delia Maria Poey Jan 1996

Border Crossers And Coyotes: A Reception Study Of Latin American And Latina/O Literatures., Delia Maria Poey

LSU Historical Dissertations and Theses

Since the 1970s, there has been an ongoing debate within the humanities regarding the canon and curricular reform. Moving beyond questions of advocacy and the dichotomy of center and periphery (without diminishing the necessity of these), Border Crossers and Coyotes: A Reception Study of Latin American and Latina/o Literatures surveys the various ways which marginalized texts enter U.S. academic discourse as well as analyzing the conflicts inherent in these border crossings. The study proposes the position of the coyote, a person who transports undocumented workers across the U.S./Mexico border for profit, as analogous to that of the critic/teacher. Employing a …


The Thousand Appliances: Virginia Woolf And The Tools Of Visual Literacy., Janice M. Stein Jan 1994

The Thousand Appliances: Virginia Woolf And The Tools Of Visual Literacy., Janice M. Stein

LSU Historical Dissertations and Theses

The texts of Virginia Stephen Woolf are rife with references to writers' tools, which she referred to in her diary as "the thousand appliances one needs for writing even a sentence." This dissertation examines the exact nature of Woolf's "need" for the tools of her craft and their influence upon her thought and art. Pens, and by association, ink and the writer's hands, were the center of all her authorial experiences and provided the literal link between the idea of art and its fruition as a work of art. The graphic shapes of words and paralinguistic devices such as punctuation …


Decolonizing The Text: Glissantian Readings In Caribbean And African-American Literatures., Debra Lynn Anderson Jan 1992

Decolonizing The Text: Glissantian Readings In Caribbean And African-American Literatures., Debra Lynn Anderson

LSU Historical Dissertations and Theses

This dissertation proposes to derive a critical reading from the writings of the Martinican poet, novelist, and theorist, Edouard Glissant. This reading would most directly involve, but not limit itself to, literatures written by black writers from the Caribbean and the United States. As critics such as Christopher Miller and Anthony Appiah suggest, these literatures have become the ground upon which colonization is symbolically re-enacted. Criticism colonizes these literatures by its textual appropriation, its imposition of Western critical models, and by bringing its own assumptions to the text. The critically acclaimed prefaces of Jean-Paul Sartre ("Orphee noire") and Andre Breton …


Contact Phase: Forms Of Postmodernism. (Volumes I And Ii)., Michael Owen Crumb Jan 1992

Contact Phase: Forms Of Postmodernism. (Volumes I And Ii)., Michael Owen Crumb

LSU Historical Dissertations and Theses

This dissertation examines variant mimetic strategies as the basis for a major dialectic within postmodern culture. The method applies and sometimes extends largely accepted theoretical statements on literary form. This synthesis provides an accessible, if at times complex, schema for organizing types, genres, and postmodern products based on image production and forms of spatial/temporal discourse. An investigation of several theorists and artists grounds a theory of literary and cinematic expressionism as the basis for postmodern culture, with particular emphasis given to the interpenetration of literary and cinematic styles in the twentieth century. An aesthetic dialectic emerges in the movement toward …


Modernism's Illegitimate Progeny: Fictions Of Crime And The Experience Of Modernity., Jon Francis Thompson Jan 1989

Modernism's Illegitimate Progeny: Fictions Of Crime And The Experience Of Modernity., Jon Francis Thompson

LSU Historical Dissertations and Theses

This dissertation has two main concerns. The first is to see fictions of crime--a general term which I use to signify those genres concerned with crime, including detective fiction, spy thrillers, and crime fiction proper--as attempts to mediate and contain the anxieties brought about by the experience of modernity. Modernity is theorized as having three primary moments: the nineteenth, early twentieth-century experience of imperialism; the post World War I period, the high water mark of urban capitalism; and the post World War II period, which I theorize as postmodernism. I attempt to situate crime fiction within these social contexts, and …